Where The Simpsons Began: Discover the Original Shorts That Appeared on The Tracey Ullman Show (1987–1989)

When it first went on air in the late nine­teen-eight­ies, Fox had to prove itself capa­ble of play­ing in a tele­vi­su­al league with the likes of NBC, CBS, and ABC. To that end, it began build­ing its prime-time line­up with two orig­i­nal pro­grams more the­mat­i­cal­ly and aes­thet­i­cal­ly dar­ing than any­thing on those staid net­works: the sit­com Mar­ried… with Chil­dren and the sketch com­e­dy series The Tracey Ull­man Show. Before and after com­mer­cial breaks, the lat­ter treat­ed its ear­ly view­ers to a series of irrev­er­ent ani­mat­ed shorts cre­at­ed by an acclaimed car­toon­ist and fea­tur­ing the vocal tal­ents of Dan Castel­lan­e­ta, Julie Kavn­er, and Nan­cy Cartwright. I speak, of course, of Dr. N!Godatu.

On an alter­nate time­line, per­haps the per­son­al and pro­fes­sion­al adven­tures of that near-unflap­pable psy­chother­a­pist were spun off into their own hit series that broke every record for prime-time ani­ma­tion and is now in its 36th sea­son.

Here in our real­i­ty, how­ev­er, that’s been the des­tiny of The Simp­sons, which also began as The Tracey Ull­man Show’s bumper enter­tain­ment. Dr. N!Godatu van­ished after a few weeks, nev­er to be seen again, but the Simp­son fam­i­ly remained for two full years, mak­ing their final short-from appear­ance in May of 1989. Sev­en months lat­er, The Simp­sons made its Christ­mas-spe­cial debut — an event that, if you don’t remem­ber watch­ing, I can’t count you as a mem­ber of my gen­er­a­tion.

Not that, giv­en my young age, I’d ever actu­al­ly seen The Tracey Ull­man Show at the time. But the hard pro­mo­tion­al push lead­ing up to that first real Simp­sons offered glimpses into an ani­mat­ed world that looked and felt com­plete­ly nov­el. (Hav­ing grown accus­tomed over gen­er­a­tions to the show’s aes­thet­ic, we eas­i­ly for­get how bizarre its yel­low-skinned, uni­ver­sal­ly over­bite-afflict­ed char­ac­ters once looked.) Many who tuned in would­n’t have been aware that that look and feel had­n’t been cre­at­ed out of whole cloth, but rather had emerged through the evo­lu­tion­ary process you can wit­ness in the 48 orig­i­nal Simp­sons shorts col­lect­ed in the Youtube playlist at the top of the post (and the hour-long con­sol­i­dat­ed video here).

To even a casu­al Simp­sons view­er, every­thing in these shorts will seem at once famil­iar and “off” in myr­i­ad ways. The design of the char­ac­ters looks both harsh­er and loos­er than it would lat­er become, and cer­tain of their voic­es, espe­cial­ly Castel­lan­e­ta’s Wal­ter Matthau-esque Homer, have yet to reflect the per­son­al­i­ties they would lat­er devel­op. The con­ven­tion­al­ly “car­toony” ani­ma­tion also dis­torts bod­ies and faces in ways that have long since been pro­hib­it­ed by the show’s offi­cial style guide­lines. Even so, there are occa­sion­al jokes and even haunt­ing moments of the kind we know from the first cou­ple of sea­sons, if noth­ing in par­tic­u­lar to fore­shad­ow The Simp­sons’ nine­teen-nineties gold­en age — or the three decades’ worth of episodes that have fol­lowed it.

Relat­ed con­tent:

The Rise and Fall of The Simp­sons: An In-Depth Video Essay Explores What Made the Show Great, and When It All Came to an End

Before The Simp­sons: Homer Groen­ing Directs a 1969 Short Film, The Sto­ry, Star­ring His Kids Mag­gie, Lisa & Matt

27 Movies Ref­er­ences in The Simp­sons Put Side-by-Side with the Movie Scenes They Paid Trib­ute To

Before The Simp­sons, Matt Groen­ing Illus­trat­ed a “Student’s Guide” for Apple Com­put­ers (1989)

The Simp­sons Reimag­ined as a Russ­ian Art Film

Thomas Pyn­chon Edits His Lines on The Simp­sons: “Homer is my role mod­el and I can’t speak ill of him.”

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.


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