Los AngeÂles is hardÂly a city known for its varÂied weathÂer, but if one lives there long enough, one does become highÂly attuned to its many subÂtleties. (GrantÂed, some of the local pheÂnomÂeÂna involved, like the notoÂriÂous SanÂta Ana winds, can proÂduce far-from-subÂtle effects.) The late David Lynch, who spent much of his life in Los AngeÂles, was more attuned to them than most. For a time, he even postÂed daiÂly YouTube videos in which he talked about nothÂing else. Or rather, he talked about almost nothÂing else: much of the appeal of his weathÂer reports, 950 of which you can watch on this playlist, lies in his unpreÂdictable asides.
In addiÂtion to announcÂing the date (in a slightÂly eccenÂtric form, e.g. “June one, two-thouÂsand and twenÂty”), readÂing the temÂperÂaÂture in both FahrenÂheit and CelÂsius, and remarkÂing on the presÂence or absence of “blue skies and goldÂen sunÂshine,” Lynch would someÂtimes menÂtion what was on his mind that day. “Today I’m thinkÂing about tin cans,” he declared in his weathÂer report for OctoÂber 11th, 2020. A couÂple of months latÂer, he was rememÂberÂing PerÂcy Faith’s theme from the SanÂdra Dee and Troy DonÂahue vehiÂcle A SumÂmer Place, which to him encapÂsuÂlatÂed the “romanÂtic, wonÂdrous feelÂing of the fifties” at that decade’s very end.
The weathÂer-reportÂing Lynch showed an awareÂness of his audiÂence as well, occaÂsionÂalÂly preÂsentÂing them with a hand-drawn ValenÂtine’s Day card or expresÂsion of thanks for viewÂing: “What a great bunch you all are, those of you who come each day to check out the weathÂer.” But as Ali Raz writes in the BelievÂer, one views Lynch’s weathÂer reports “not to learn about the weathÂer but to watch Lynch perÂform — even though, preÂciseÂly because, he doesn’t perÂform in any actorÂly way. Instead, he perÂforms himÂself.” And he’d been doing it in that form longer than many realÂized, havÂing begun his reports as a call-in segÂment on Los AngeÂles radio staÂtion Indie 103.1 FM in 2005, then postÂing them as videos to his own web site.
Lynch returned to weathÂer reportage on YouTube durÂing the COVID-19 panÂdemÂic, which made the at-home setÂting fashÂionÂable. His videos inspired some of their viewÂers, who preÂsumÂably had more time on their hands than usuÂal, to do the hard work of exeÂgeÂsis. One user of the David Lynch subÂredÂdit found the weathÂer reports key to underÂstandÂing Lynch’s work, specifÂiÂcalÂly through “the idea of awareÂness. What does it mean to look at the world around us?” In his films, “this is accomÂplished by surÂreÂalÂism, vioÂlence, and a genÂerÂal sense of the unsetÂtling or menÂacÂing. But those are vehiÂcles for the idea of awareÂness, not its essence.” His WeathÂer Reports show that “awareÂness doesÂn’t have to come through an extreme menÂtal state, but could be part of our daiÂly life,” in times of blue skies and goldÂen sunÂshine or othÂerÂwise.
RelatÂed conÂtent:
David Lynch Tries to Make a List of the Good Things HapÂpenÂing in the World… and Comes Up Blank
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.
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