What Ancient Greek Music Sounded Like: Listen to a Reconstruction That’s “100% Accurate”

Between 750 BC and 400 BC, the Ancient Greeks com­posed songs meant to be accom­pa­nied by the lyre, reed-pipes, and var­i­ous per­cus­sion instru­ments. More than 2,000 years lat­er, mod­ern schol­ars have final­ly fig­ured out how to recon­struct and per­form these songs with (it’s claimed) 100% accu­ra­cy.

Writ­ing on the BBC web­site, Armand D’An­gour, a musi­cian and tutor in clas­sics at Oxford Uni­ver­si­ty, notes:

[Ancient Greek] instru­ments are known from descrip­tions, paint­ings and archae­o­log­i­cal remains, which allow us to estab­lish the tim­bres and range of pitch­es they pro­duced.

And now, new rev­e­la­tions about ancient Greek music have emerged from a few dozen ancient doc­u­ments inscribed with a vocal nota­tion devised around 450 BC, con­sist­ing of alpha­bet­ic let­ters and signs placed above the vow­els of the Greek words.

The Greeks had worked out the math­e­mat­i­cal ratios of musi­cal inter­vals — an octave is 2:1, a fifth 3:2, a fourth 4:3, and so on.

The nota­tion gives an accu­rate indi­ca­tion of rel­a­tive pitch.

So what did Greek music sound like? Below you can lis­ten to David Creese, a clas­si­cist from the Uni­ver­si­ty of New­cas­tle, play­ing “an ancient Greek song tak­en from stone inscrip­tions con­struct­ed on an eight-string ‘canon’ (a zither-like instru­ment) with mov­able bridges. “The tune is cred­it­ed to Seik­i­los,” says Archae­ol­o­gy Mag­a­zine.

For more infor­ma­tion on all of this, read D’An­gour’s arti­cle over at the BBC.

Note: An ear­li­er ver­sion of this post appeared on our site in Octo­ber, 2013.

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Relat­ed Con­tent:

Hear What Homer’s Odyssey Sound­ed Like When Sung in the Orig­i­nal Ancient Greek

Hear Homer’s Ili­ad Read in the Orig­i­nal Ancient Greek

Hear the Old­est Song in the World: A Sumer­ian Hymn Writ­ten 3,400 Years Ago

Hear The Epic of Gil­gamesh Read in the Orig­i­nal Akka­di­an, the Lan­guage of Mesopotamia


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Comments (8)
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  • Corvus Corax says:

    Let us hope the Greeks could tune their instru­ments bet­ter than this one.

  • Laurette says:

    That’s exact­ly what I thought. Although we should be grate­ful for this offer­ing; per­haps we should­n’t expect his­to­ri­ans to have an excel­lent musi­cal ear.

  • Andre says:

    100% not tuned

  • Ma'a Pau'u says:

    For every­one com­plain­ing about the tune: The tun­ing isn’t off for this song. It’s per­fect­ly fine. Ancient Greeks used a dif­fer­ent sys­tem than us, incor­po­rat­ing micro­tones fre­quent­ly. To them, our mod­ern clas­si­cal and folk music would sound just as pecu­liar.

  • Ma'a Pau'u says:

    The tun­ing isn’t wrong. Ancient Greeks just did­n’t have the same musi­cal scales as us, at the time

  • Ma'a Pau'u says:

    It’s cor­rect­ly tuned. Just not in a West­ern scale, like most of us are used to

  • Rod Stasick says:

    Greek tun­ings were less about stan­dard­iza­tion and more about align­ing with philo­soph­i­cal ideals and the expres­sive needs of the music. They val­ued the puri­ty of inter­vals and the flex­i­bil­i­ty to adjust to dif­fer­ent modes and instru­ments, cre­at­ing a musi­cal land­scape vast­ly dif­fer­ent from our equal-tem­pered sys­tem, which pri­or­i­tizes con­ve­nience and ver­sa­til­i­ty across all keys. So,in essence, they were per­fect­ly in tune.

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