If you visÂit one tourist site in Peru, it will almost cerÂtainÂly be the ruined Incan city of Machu PicÂchu. If you visÂit anothÂer, it’ll probÂaÂbly be the NazÂca Desert, home to many large-scale geoÂglyphs made by pre-Inca peoÂples between 500 BC and 500 AD. Many of these “NazÂca lines” are litÂerÂalÂly that, runÂning across the desert floor in an abstract fashÂion, but othÂers are figÂuÂraÂtive, depictÂing human beings, floÂra, fauÂna, and varÂiÂous less easÂiÂly catÂeÂgoÂrizÂable chimeras. The preserÂvÂaÂtive effects of the cliÂmate kept many of these designs idenÂtiÂfiÂable by the time modÂerns disÂcovÂered them in 1927, and thanks to artiÂfiÂcial-intelÂliÂgence techÂnolÂoÂgy, researchers are findÂing new ones still today.
“A team from the JapanÂese UniÂverÂsiÂty of Yamagata’s NazÂca InstiÂtute, in colÂlabÂoÂraÂtion with IBM Research, disÂcovÂered 303 preÂviÂousÂly unknown geoÂglyphs of humans and aniÂmals, all smallÂer in size than the vast geoÂmetÂric patÂterns that date from AD 200–700 and stretch across more than 400 sq km of the NazÂca plateau,” writes the Guardian’s Dan ColÂlyns.
“The use of AI comÂbined with low-flyÂing drones revÂoÂluÂtionÂized the speed and rate at which the geoÂglyphs were disÂcovÂered, accordÂing to a research paper pubÂlished this week in the ProÂceedÂings of the NationÂal AcadÂeÂmy of SciÂences,” and many more NazÂca lines could remain to be idenÂtiÂfied with these methÂods.
The newÂly idenÂtiÂfied geoÂglyphs “include birds, plants, spiÂders, humanÂlike figÂures with headÂdressÂes, decapÂiÂtatÂed heads and an orca wieldÂing a knife,” writes CNN’s Katie Hunt. She also cites hypotheÂses about why the origÂiÂnal creÂators of these figÂures did the painstakÂing work of disÂplacÂing stone after stone to creÂate images mostÂly invisÂiÂble to the human eye: it’s posÂsiÂble that “they formed a sacred space that was perÂhaps a place of pilÂgrimÂage. OthÂer theÂoÂries proÂpose they played a part in calÂenÂdars, astronÂoÂmy, irriÂgaÂtion or for moveÂment, such as runÂning or dancÂing, or comÂmuÂniÂcaÂtion.” Some of them, sureÂly, were meant only for the eyes of the gods, and so it may stand to reaÂson that only our modÂern gods of artiÂfiÂcial intelÂliÂgence have been able to reveal them.
via ColosÂsal
RelatÂed conÂtent:
Take a VirÂtuÂal Tour of Machu PicÂchu, One of the New 7 WonÂders of the World
The Solar SysÂtem Drawn AmazÂingÂly to Scale Across 7 Miles of Nevada’s Black Rock Desert
PeruÂvian Singer & RapÂper, RenaÂta FloÂres, Helps PreÂserve Quechua with Viral Hits on YouTube
AlgerÂian Cave PaintÂings SugÂgest Humans Did MagÂic MushÂrooms 9,000 Years Ago
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
This is one of the only things AI should be doing. Keep out of art and find things we lost.
I’m in total agreeÂment with Joy Phillip. This is a wonÂderÂful use of AI and we need it to be used for posÂiÂtive projects that expand the learnÂing of all mankind.
That one is clearÂly a picÂture of “momÂmy wavÂing bye to the alien school bus” accordÂing to my daughÂter.