Public.Work: A Smoothly Searchable Archive of 100,000+ “Copyright-Free” Images

We live in an age, we’re often told, when our abil­i­ty to con­jure up an image is lim­it­ed only by our imag­i­na­tion. These days, this notion tends to refer to arti­fi­cial intel­li­gence-pow­ered sys­tems that gen­er­ate visu­al mate­r­i­al from text prompts, like DALL‑E and the many oth­ers that have pro­lif­er­at­ed in its wake. But how­ev­er tech­no­log­i­cal­ly impres­sive they are, they also reveal that our imag­i­na­tion has its lim­its, giv­ing form only to what we can put into words. To be inspired prop­er­ly again, we must explore far­ther afield, in the visu­al realms of oth­er times and places, which we can eas­i­ly do on a site like Public.work.

Jason Kot­tke describes Public.work as “an image search engine that boasts 100,000 ‘copy­right-free’ images from insti­tu­tions like the NYPL, the Met, etc. It’s fast with a rel­a­tive­ly sim­ple inter­face and uses AI to auto-cat­e­go­rize and sug­gest pos­si­bly relat­ed images (both visu­al­ly and con­tent-wise). And it’s fun to just visu­al­ly click around on relat­ed images.”

These jour­neys can take you from vin­tage mag­a­zine cov­ers to for­eign chil­dren’s books, life­like for­eign land­scapes to elab­o­rate world maps, Japan­ese wood­block prints to road­side Amer­i­cana — or such has been my expe­ri­ence, at any rate.

“On the down­side,” Kot­tke adds, “their sourc­ing and attri­bu­tion isn’t great — espe­cial­ly when com­pared to some­thing like Flickr Com­mons.” Accord­ing to librar­i­an Jes­samyn West, Public.work isn’t exact­ly a search engine, but an inter­face for a site called Cos­mos, which describes itself as “a Pin­ter­est alter­na­tive for cre­atives” meant to cre­ate “a more mind­ful inter­net.”

Get­ting the full sto­ry behind any par­tic­u­lar images you find there will require you to put a bit of ener­gy into research, or at least to locate the fruits of research done else­where on the inter­net. As for what you do with them, that will, of course, depend on your own cre­ative instincts. Enter Public.work here.

via Kot­tke

Relat­ed con­tent:

Cre­ative Com­mons Offi­cial­ly Launch­es a Search Engine That Index­es 300+ Mil­lion Pub­lic Domain Images

A Search Engine for Find­ing Free, Pub­lic Domain Images from World-Class Muse­ums

The Smith­son­ian Puts 4.5 Mil­lion High-Res Images Online and Into the Pub­lic Domain, Mak­ing Them Free to Use

Down­load for Free 2.6 Mil­lion Images from Books Pub­lished Over Last 500 Years on Flickr

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Free: Down­load 5.3 Mil­lion Images from Books Pub­lished Over Last 500 Years

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.


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Comments (6)
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  • David D. says:

    I fol­lowed the link to https://www.openculture.com/2024/08/public-work-a-smoothly-searchable-archive-of-100000-copyright-free-images.html, and I attempt­ed to make a dona­tion.

    How­ev­er, the dona­tion but­ton sim­ply loops me to the same dona­tion page, repeat­ed­ly.

    The page also says that you accept Pay­Pal, but there is no but­ton for a Pay­Pal dona­tion.

    Per­haps I am miss­ing some­thing, but, to me, your dona­tion process is con­fu­sion.

    Warm Regards,
    David D.

    P.S., “Pub­lic Works” is a won­der­ful resource. Thank you!

  • David D. says:

    Sug­ges­tion on how to research infor­ma­tion about a public.work image.

    (1) Down­load the image.

    (2) Go to images.google.com, and click on the lit­tle cam­era icon.

    (3) Drag or upload the down­loaded image to the “Google Lens” dia­log box.

    You will then be pre­sent­ed with a screen of sim­i­lar images, with links to their source.

  • Bruce Elniski says:

    I do not believe in the con­cept of “intel­lec­tu­al prop­er­ty”. All knowl­edge, art, cul­ture, music,literature, drama,technology,and human inven­tion of any kind what­so­ev­er are the com­mon prop­er­ty of the human race to be shared for the ben­e­fit of all.
    “Intel­lec­tu­al Prop­er­ty” is just anoth­er tool of the strong to con­trol the weak.

  • Jim Hofner says:

    And your point is?

  • Charles Johnson says:

    I think you’re mes­sage was so pow­er­ful! The right to pre­vent oth­ers from doing some­thing in the par­tic­u­lar area. A fact that is intel­lec­tu­al prop­er­ty is one more way for rich coun­tries to extract wealth from poor coun­tries.

  • Mimar Oba says:

    Hey Bruce Elnis­ki,

    What a load of rub­bish! The state­ment is just igno­rant of the facts.
    My son is a strug­gling musi­cian (there are tens of mil­lions of musi­cians who are not Tay­lor Swift), who writes songs, which are his Intel­lec­tu­al Prop­er­ty rights by cre­ation, and he makes next to no mon­ey from song sales. But his Intel­lec­tu­al Prop­er­ty rights are what help bring in some mon­ey and that is the whole point of it.
    He, like me, was­n’t born into pow­er or wealth, and he can hard­ly be described as part of “the strong [who want] to con­trol the weak.”
    Are you real­ly say­ing every­one deserves to steal his music when he lives in a crap­py house and strug­gles to come up with the mon­ey to pay for rent and food?

    Bruce Elnis­ki, if the world used your log­ic and denied peo­ple Intel­lec­tu­al Prop­er­ty rights, then they would be deny­ing mil­lions of peo­ple who are not bil­lion­aires or giant Cor­po­ra­tions a small income dur­ing their life­time.

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