ThirÂteen years ago here on Open CulÂture, we first feaÂtured Rome Reborn 2.2, a digÂiÂtal 3D modÂel of the ancient metropÂoÂlis at the height of its gloÂry in the fourth cenÂtuÂry. And that rebirth has conÂtinÂued apace ever since, and just last week bore the fruit of Rome Reborn 4.0, through which you can get a flyÂing tour in the video above. InterÂcut with the comÂputÂer-genÂerÂatÂed reconÂstrucÂtions is footage of the ruins of the very same parts of the city as they exist in Rome today. The opporÂtuÂniÂty for comÂparÂiÂson thus proÂvidÂed allows us to appreÂciÂate not just the upgrades in the latÂest Rome Reborn’s levÂel of detail, but also its degree of realÂism.
With each reviÂsion, the fourth-cenÂtuÂry EterÂnal City recreÂatÂed in Rome Reborn looks more like realÂiÂty and less like a video game. But that doesÂn’t mean you can’t get the same thrill of explorÂing it that you would from a video game, which is part of the appeal of loadÂing up the latÂest verÂsion of the modÂel on the virÂtuÂal-realÂiÂty app Yorescape, a prodÂuct of the “virÂtuÂal tourism” comÂpaÂny FlyÂover Zone ProÂducÂtions foundÂed by Rome Reborn’s project leader Bernard FrischÂer.
And it is FrischÂer himÂself who leads the in-app tour of “sites exemÂpliÂfyÂing the city’s geogÂraÂphy, marÂkets, temÂples, and much, much more,” enriched by “Time Warps spread around the city that allow you to togÂgle between the view today and the view from the same vanÂtage point in antiqÂuiÂty.”
This is heady stuff indeed for enthuÂsiÂasts of ancient Rome, who will no doubt be eager to see for themÂselves the new and improved digÂiÂtal modÂels of ancient Roman strucÂtures like the CirÂcus MaxÂimus, the Arch of Titus, the PorÂtiÂcus LiviÂae, and the TemÂple of MinÂerÂva. These and many othÂers besides appear in the Rome Reborn 4.0 demo reel just above, which shows off the culÂmiÂnaÂtion of 27 years of work so far by FrischÂer and his team. A digÂiÂtal archaeÂolÂoÂgist at IndiÂana UniÂverÂsiÂty, ProÂfesÂsor FrischÂer has pointÂed out still-absent feaÂtures to come, such as “avatars infused with AI” with whom the twenÂty-first-cenÂtuÂry tourist can interÂact. We’ll have to wait for future iterÂaÂtions to do so, but sureÂly we can sumÂmon the patience by rememÂberÂing that Rome isn’t reborn in a day.
RelatÂed conÂtent:
An 8‑Minute AniÂmatÂed Flight Over Ancient Rome
The OldÂest Known PhoÂtographs of Rome (1841–1871)
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
Thank you for this appreÂciaÂtive review! –Bernard FrischÂer