Before the interÂnet, it would have been hard to imagÂine that peoÂple around the world would one day be unable to get enough of traÂdiÂtionÂal JapanÂese carÂpenÂtry, and specifÂiÂcalÂly traÂdiÂtionÂal JapanÂese joinÂery. And before Youtube, who could have preÂdictÂed that videos showÂing each and every step of a woodÂworkÂing project — withÂout narÂraÂtion, or indeed explaÂnaÂtion of any kind — would find an enthuÂsiÂasÂtic viewÂerÂship? At the interÂsecÂtion of these two surÂprisÂing pheÂnomÂeÂna stands that chanÂnel H CarÂpenÂter, whose unadorned, methodÂiÂcal, and detailed porÂtrayÂals of woodÂen joint-makÂing have racked up milÂlions upon milÂlions of views.
In traÂdiÂtionÂal JapanÂese joinÂery, which we’ve feaÂtured many times before here on Open CulÂture, the carÂpenÂter uses no nails, screws, or adheÂsives. Rather, he carves the ends of the pieces of wood to be joined into interÂlockÂing three-dimenÂsionÂal shapes that can hold solÂid for decades, or even cenÂturies.
The biggest advanÂtage of this techÂnique, writes a comÂmenter on one video, “is that it minÂiÂmizes the use of rust-prone nails and othÂer mateÂriÂals, reduces damÂage to the wood, and dampÂens seisÂmic shakÂing with unfasÂtened joints” — always a conÂsidÂerÂaÂtion in earthÂquake-prone Japan. “FurÂtherÂmore, the entire buildÂing can be disÂasÂsemÂbled like Lego blocks, and only the damÂaged parts can be replaced and rebuilt as before.”
Like many othÂer JapanÂese traÂdiÂtions, this form of carÂpenÂtry has been around for a long time indeed, and through the cenÂturies has built up a forÂmiÂdaÂble library of joints, many of them comÂplex enough not to be comÂpreÂhenÂsiÂble at first glance. With 193 videos on the relÂeÂvant playlist so far, H carÂpenÂter seems to have made a misÂsion of conÂstructÂing all of them on Youtube not just to aid our underÂstandÂing of their workÂings, but also to proÂvide us with the senÂsoÂry pleaÂsures of the process itself. (A few milÂlion of his views are sureÂly accountÂed for by ASMR enthuÂsiÂasts alone.) Just like his foreÂbears in the craft, he does it withÂout using a sinÂgle nail — as well, perÂhaps as a counÂterÂbalÂance to the chatÂter of the twenÂty-first cenÂtuÂry, withÂout speakÂing a sinÂgle word.
RelatÂed conÂtent:
BuildÂing WithÂout Nails: The Genius of JapanÂese CarÂpenÂtry
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
I have only been able to see 2 of the videos. The othÂers in this group are obstructÂed and unable to be seen.
Awe inspirÂing in a time of “everyÂthing now” it is posÂiÂtiveÂly calmÂing to watch such a masÂter at work, at school we learnt woodÂwork and joints but this is a whole new levÂel and pure art. thank you