Almost two and a half cenÂturies after its first pubÂliÂcaÂtion, Adam Smith’s An Inquiry into the Nature and CausÂes of the Wealth of Nations is much betÂter known as simÂply The Wealth of Nations. Had he writÂten it today, the text itself, which runs between a forÂmiÂdaÂble 500–700 pages in most ediÂtions, would also be conÂsidÂerÂably shortÂer. It’s not just that writÂers in Smith’s day went in for length per se (though many now read as if they did), but that graphs hadÂn’t been inventÂed yet. Much of what he’d disÂcovÂered about the nature of ecoÂnomÂics could have been expressed more conÂciseÂly — and much more clearÂly — in picÂtures rather than words.
As it hapÂpens, the kind of inforÂmaÂtionÂal graphs we know best today would be inventÂed by Smith’s felÂlow Scot William PlayÂfair in 1786, just a decade after The Wealth of Nations came out. “Data visuÂalÂizaÂtion is everyÂwhere today, but when PlayÂfair first creÂatÂed them over 200 years ago, using shapes to repÂreÂsent numÂbers was largeÂly sneered at,” says Adam RutherÂford in the RoyÂal SociÂety video above.
“How could drawÂings truÂly repÂreÂsent solÂid sciÂenÂtifÂic data? But now, data visuÂalÂizaÂtion has become an art form of its own.” There folÂlow “five graphs that changed the world,” beginÂning with the map of water pumps that physiÂcian John Snow used to deterÂmine the cause of a cholera epiÂdemÂic in 1850s LonÂdon, preÂviÂousÂly feaÂtured here on Open CulÂture.
We’ve also postÂed W. E. B. Du Bois’ “handÂmade charts showÂcasÂing the eduÂcaÂtionÂal, social, and busiÂness accomÂplishÂments of black AmerÂiÂcans in the 35 years since slavÂery had been offiÂcialÂly abolÂished.” The othÂer world-changÂing graphs here include FloÂrence NightinÂgale’s “coxÂcomb” that showed how unsanÂiÂtary hosÂpiÂtal conÂdiÂtions killed more solÂdiers durÂing the Crimean War than did actuÂal fightÂing; the so-called Kallikak FamÂiÂly Tree, a fraudÂuÂlent visuÂal case for removÂing the “feeÂble-mindÂed” from sociÂety; and Ed Hawkins’ more recent red-and-blue “warmÂing stripes” designed to present the effects of cliÂmate change to a non-sciÂenÂtifÂic audiÂence. Using just blocks of colÂor, with neiÂther numÂbers nor text, Hawkins’ bold graph harks back to an earÂliÂer goldÂen era of data visuÂalÂizaÂtion: after PlayÂfair, but before PowÂerÂPoint.
RelatÂed conÂtent:
The Art of Data VisuÂalÂizaÂtion: How to Tell ComÂplex StoÂries Through Smart Design
A ProÂporÂtionÂal VisuÂalÂizaÂtion of the World’s Most PopÂuÂlar LanÂguages
The HisÂtoÂry of PhiÂlosÂoÂphy VisuÂalÂized
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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