The Sony LibÂrie, the first e‑reader to use a modÂern elecÂtronÂic-paper screen, came out in 2004. Old as that is in tech years, the basic idea of a handÂheld device that can store large amounts of text stretchÂes at least eight decades farÂther back in hisÂtoÂry. WitÂness the Fiske ReadÂing Machine, an invenÂtion first proÂfiled in a 1922 issue of SciÂenÂtifÂic AmerÂiÂcan. “The instruÂment, conÂsistÂing of a tiny lens and a small roller for operÂatÂing this eyeÂpiece up and down a verÂtiÂcal colÂumn of readÂing-matÂter, is a means by which ordiÂnary typeÂwritÂten copy, when phoÂtoÂgraphÂiÂcalÂly reduced to one-hunÂdredth of the space origÂiÂnalÂly occuÂpied, can be read with quite the facilÂiÂty that the impresÂsion of conÂvenÂtionÂal printÂing type is now revealed to the unaidÂed eye,” writes author S. R. WinÂters.
MakÂing books comÂpatÂiÂble with the Fiske ReadÂing Machine involved not digÂiÂtiÂzaÂtion, of course, but miniaÂturÂizaÂtion. AccordÂing to the patents filed by invenÂtor Bradley Allen Fiske (eleven in all, between 1920 and 1935), the text of any book could be phoÂto-engraved onto a copÂper block, reduced ten times in the process, and then printÂed onto strips of paper for use in the machine, which would make them readÂable again through a magÂniÂfyÂing lens. A sinÂgle magÂniÂfyÂing lens, that is: “A blindÂer, attached to the machine, can be operÂatÂed in obstructÂing the view of the unused eye.” (WinÂters adds that “the use of both eyes will doubtÂless involve the conÂstrucÂtion of a unit of the readÂing machine more elabÂoÂrate than the present design.”)
“Fiske believed he had sinÂgle-handÂedÂly revÂoÂluÂtionÂized the pubÂlishÂing indusÂtry,” writes EngadÂget’s J. Rigg. “Thanks to his ingeÂnuÂity, books and magÂaÂzines could be proÂduced for a fracÂtion of their curÂrent price. The cost of mateÂriÂals, pressÂes, shipÂping and the burÂden of storÂage could also be slashed. He imagÂined magÂaÂzines could be disÂtribÂuted by post for next to nothÂing, and most powÂerÂfulÂly, that pubÂlishÂing in his forÂmat would allow everyÂone access to eduÂcaÂtionÂal mateÂrÂiÂal and enterÂtainÂment no matÂter their levÂel of income.” ConÂsidÂerÂing how the relaÂtionÂship between readÂers and readÂing mateÂrÂiÂal ultiÂmateÂly evolved, thanks not to copÂper blocks and magÂniÂfiers and tiny strips of paper but to comÂputÂers and the interÂnet, it seems that Fiske was a man ahead of his time.
Alas, the Fiske ReadÂing Machine itself was just on the wrong side of techÂnoÂlogÂiÂcal hisÂtoÂry. Even as Fiske was refinÂing its design, “microÂfilm was beginÂning to catch on,” and “while it iniÂtialÂly found its feet in the busiÂness world — for keepÂing record of canÂcelled checks, for examÂple — by 1935 Kodak had begun pubÂlishÂing The New York Times on 35mm microÂfilm.” Despite the absolute prevaÂlence that forÂmat soon attained in the world of archivÂing, “the appetite for miniaÂturÂized novÂels and handÂheld readÂers nevÂer mateÂriÂalÂized in the way Fiske had imagÂined.” Nor, sureÂly, could he have imagÂined the form the digÂiÂtal, elecÂtronÂic-paper-screened, and slim yet hugeÂly capaÂcious form that the e‑reader would have to take before findÂing sucÂcess in the marÂketÂplace — yet someÂhow withÂout quite disÂplacÂing the paper book as even he knew it.
via EngadÂget
RelatÂed conÂtent:
The e‑Book ImagÂined in 1935
The Page TurnÂer: A FabÂuÂlous Rube GoldÂberg Machine for ReadÂers
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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