The past cenÂtuÂry has seen many stylÂisÂtic changes in popÂuÂlar culÂture, none more draÂmatÂic than in music. We need only hear a few meaÂsures of a song to place it in the right decade. The sound of an era’s music reflects the state of its techÂnolÂoÂgy: whenÂevÂer engiÂneerÂing can make posÂsiÂble tools like mulÂtiÂtrack recorders, tape loops, samÂplers, and synÂtheÂsizÂers — to say nothÂing of lisÂtenÂing media like cylinÂders, vinyl records, and online streamÂing — the soundÂtrack of the zeitÂgeist has been transÂformed. But in livÂing memÂoÂry, sureÂly no develÂopÂment has made quite so powÂerÂful an impact on popÂuÂlar music as the elecÂtric guiÂtar.
“Almost all guiÂtars curÂrentÂly on the marÂket are either a direct descenÂdant of, or very simÂiÂlar to, a handÂful of instruÂments that came to life durÂing the span of one decade: the fifties.” With these words, Dutch YoutuÂber Paul Davids launchÂes into a video jourÂney through the evoÂluÂtion of the elecÂtric guiÂtar as we know it, beginÂning in 1950 with the FendÂer TeleÂcastÂer.
Davids doesÂn’t just explain the comÂpoÂnents and conÂstrucÂtion of that venÂerÂaÂble instruÂment, he plays it — just as he does a variÂety of othÂer elecÂtric guiÂtars, each with a sound repÂreÂsenÂtaÂtive of its era. Even if you don’t know them by name, they’ll all sound familÂiar from a variÂety of musiÂcal conÂtexts.
The invenÂtion of the elecÂtric guiÂtar made posÂsiÂble the birth of rock and roll, which shows no few signs of frailty even here in the twenÂty-first cenÂtuÂry. The earÂliÂest modÂels proÂduced are ever more highÂly valÂued for their sound, their feel, and their apparÂent simÂplicÂiÂty, a qualÂiÂty many rockÂers hold in the utmost regard. But despite long adherÂing to the same basic form, the elecÂtric guiÂtar has incorÂpoÂratÂed a great variÂety of innoÂvaÂtions — in its pickÂups, its vibraÂto sysÂtems, and much else besides — whose comÂbiÂnaÂtions and perÂmuÂtaÂtions have givÂen rise to entire subÂgenÂres like surf, heavy metÂal, rockÂaÂbilÂly, and grunge. Like rock itself, the elecÂtric guiÂtar arrived havÂing already attained a kind of perÂfecÂtion, but posÂsessed too much vitalÂiÂty to stand still.
RelatÂed conÂtent:
Behold the First ElecÂtric GuiÂtar: The 1931 “FryÂing Pan”
The World’s First Bass GuiÂtar (1936)
The StoÂry of the GuiÂtar: The ComÂplete Three-Part DocÂuÂmenÂtary
Oxford SciÂenÂtist Explains the Physics of PlayÂing ElecÂtric GuiÂtar Solos
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
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