The SpanÂish filmÂmakÂer EugeÂnio MonÂesÂma has dedÂiÂcatÂed his life to capÂturÂing the traÂdiÂtions of his homeÂland and its surÂroundÂing areas. He began his career by first takÂing up a Super‑8 camÂera at age 25 back in the nineÂteen-sevÂenÂties, and in the decades since, his misÂsion has takÂen him to the furÂthest corÂners of Spain and beyond in search of ever-oldÂer ways to preÂserve in detail. This places his work in the traÂdiÂtion of the anthroÂpoÂlogÂiÂcal or ethnoÂgraphÂic docÂuÂmenÂtary. But in a still-unconÂvenÂtionÂal move in his field, he’s unitÂed the old with the new by creÂatÂing his own Youtube chanÂnel on which to make his docÂuÂmenÂtaries free to watch around the world.
Launched in 2020, MonÂesÂma’s chanÂnel has become a surÂprisÂing hit. At the top of the post you can watch its most popÂuÂlar video, his short 1997 docÂuÂmenÂtary on the makÂing of combs from aniÂmal horns — which, as of this writÂing, has racked up nearÂly 8.5 milÂlion views. This hapÂpens to be one of the proÂducÂtions that took him beyond Spain’s borÂders, if only just: to the French vilÂlage of LesparÂrou, specifÂiÂcalÂly, which mainÂtained its small horn comb facÂtoÂries until the end of the twenÂtiÂeth cenÂtuÂry.
Their process is narÂratÂed in the immacÂuÂlate SpanÂish dicÂtion of MonÂesÂma himÂself, but you can also take your pick of subÂtiÂtles in more than a dozen othÂer lanÂguages. OthÂer of his docÂuÂmenÂtaries that have become popÂuÂlar on Youtube include docÂuÂmenÂtaries on the traÂdiÂtionÂal makÂing of cheese, silk, wine, potÂtery, honÂey and wax, knives, and leather.
Many of these videos run under twenÂty minÂutes; some reach nearÂly feaÂture length. All of them satÂisÂfy a desire, which now seems wideÂly felt among viewÂers of Youtube, to witÂness thorÂoughÂly anaÂlog processÂes that have been in use, changÂing and evolvÂing only gradÂuÂalÂly, for long stretchÂes of hisÂtoÂry.
And the fact that the things made so often look deliÂcious cerÂtainÂly doesÂn’t make MonÂesÂma’s work less comÂpelling: take, for examÂple, the artiÂsanal churÂros of PamÂplonÂa’s ChurÂrerĂa de la MañueÂta, whose appeal is sureÂly uniÂverÂsal. In Korea, where I live, the past decade has a fad for churÂros elabÂoÂrateÂly coatÂed and topped with colÂors and flaÂvors unknown to traÂdiÂtion, and I’d be lying if I said I wasÂn’t curiÂous what MonÂesÂma would have to say about it.
RelatÂed conÂtent:
20 MesÂmerÂizÂing Videos of JapanÂese ArtiÂsans CreÂatÂing TraÂdiÂtionÂal HandÂiÂcrafts
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
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