After two cenÂturies of isoÂlaÂtion, Japan re-opened to the world in the 1860s, at which point WestÂernÂers immeÂdiÂateÂly became enamÂored with things JapanÂese. It was in that very same decade that VinÂcent Van Gogh began colÂlectÂing ukiyo‑e woodÂblock prints, which inspired him to creÂate “the art of the future.” But not every WestÂernÂer was drawn first to such eleÂvatÂed fruits of JapanÂese culÂture. When the American educator William ÂElliot GriffÂis went to Japan in 1876 he marÂveled at a counÂtry that seemed to be a parÂadise of play: “We do not know of any counÂtry in the world in which there are so many toy-shops, or so many fairs for the sale of things which delight chilÂdren,” he wrote.
That quote comes from Matt Alt’s Pure InvenÂtion: How Japan’s Pop CulÂture ConÂquered the World. “While WestÂern tastemakÂers voraÂciousÂly conÂsumed prints, glassÂware, texÂtiles, and othÂer grown-up delights, it was in fact toys that formed the backÂbone of Japan’s burÂgeonÂing export indusÂtry in the late nineÂteenth cenÂtuÂry,” Alt writes.
You can expeÂriÂence some of the pleaÂsures of that periÂod’s JapanÂese visuÂal art along with some of the pleaÂsures of that periÂod’s JapanÂese toy culÂture in the Ningyo-do Bunko dataÂbase. This digÂiÂtal archive’s more than 100 albums of waterÂcolÂor toy-design renÂderÂings from the late nineÂteenth and earÂly twenÂtiÂeth cenÂturies are, in the words of BibÂliOdyssey’s Paul KerÂriÂgÂan, “by turns scary and intriguÂing.”
These masks, dolls, tops, and othÂer fanÂciÂful works of the toyÂmakÂer’s craft may not immeÂdiÂateÂly appeal to a genÂerÂaÂtion raised with smartÂphones. But their designs, rootÂed in JapanÂese mytholÂoÂgy and regionÂal culÂtures, nevÂerÂtheÂless exude both a still-uncomÂmon artistry and a still-fasÂciÂnatÂing “othÂerÂness.” If this seems like kid’s stuff, bear in mind the causÂes of Japan’s transÂforÂmaÂtion from a post-World War II shamÂbles to perÂhaps the most advanced counÂtry in the world. As Alt tells the stoÂry of this astonÂishÂing develÂopÂment, Japan went from makÂing simÂple tin jeeps to tranÂsisÂtor radios to karaoke machines to WalkÂmen to vast culÂturÂal indusÂtries of comics, film, teleÂviÂsion, and relatÂed merÂchanÂdise: all toys, broadÂly defined, and we in the rest of the world underÂesÂtiÂmate their powÂer at our perÂil. RumÂmage through the designs here.
RelatÂed conÂtent:
How Frank Lloyd Wright’s Son InventÂed LinÂcoln Logs, “America’s NationÂal Toy” (1916)
On ChristÂmas, Browse A HisÂtorÂiÂcal Archive of More Than 50,000 Toys
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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