Stephen Fry got sent off to a farÂaway boardÂing school at the age of sevÂen. His subÂseÂquent years of stuÂdent life far from home taught him, among othÂer things, a set of effecÂtive strateÂgies to deflect bulÂlyÂing. (“I supÂpose it all began when I came out of the womb,” he once said when asked at what point he acknowlÂedged his sexÂuÂalÂiÂty, and that must have givÂen him plenÂty of time to conÂsidÂer what it was to stand outÂside the mainÂstream.) The parÂticÂuÂlar line he recÂomÂmends delivÂerÂing in the Q&A clip above (recordÂed at The Oxford Union) may not be for everyÂone, but he also has a largÂer point to make, and he makes it with charÂacÂterÂisÂtic eloÂquence. The eterÂnal threat of bulÂlyÂing, he says, is “why nature gave us, or enough of a perÂcentÂage of us, wit — or at least what might pass for it.”
Wit, which Fry posÂsessÂes in a famous abunÂdance, must sureÂly have carÂried him through a great many sitÂuÂaÂtions both proÂfesÂsionÂal and perÂsonÂal. A modÂern-day intelÂlecÂtuÂal and aesÂthetÂic heir to Oscar Wilde, Fry has the advanÂtage of havÂing lived in a time and place withÂout being subÂject to the kind of punÂishÂment visÂitÂed on the author of “The BalÂlad of ReadÂing Gaol.” But that doesÂn’t mean he’s had an easy time of it. He cites an “ancient metaphor” he’s kept in mind: “No matÂter how dark it is, the smallÂest light is visÂiÂble; no matÂter how light it is, a bit of dark is nothÂing.” The chalÂlenges he’s faced in life — none of them a milÂlion miles, preÂsumÂably, from the kind endured by those seen to be difÂferÂent in othÂer ways — have sent him to the wells of hisÂtoÂry, phiÂlosÂoÂphy, and even mytholÂoÂgy.
“We have to return to NietÂzsche,” Fry says, and specifÂiÂcalÂly The Birth of Tragedy. “He argued that tragedy was born out of ancient Greece, out of a spirÂit that the AtheÂniÂans had as they grew up as a speÂcial tribe that someÂhow manÂaged to comÂbine two qualÂiÂties of their twelve Olympic deities.” Some of these qualÂiÂties were embodÂied in Athena, godÂdess of wisÂdom, and ApolÂlo, god of harÂmoÂny, music, mathÂeÂmatÂics, and rhetoric. But then we have DionyÂsius, “god of wine and fesÂtiÂval and riot. Absolute riot.” Tragedies, accordÂing to NietÂzsche, “look at the fact that all of us are torn in two,” with part of us inclined toward AthenÂian and ApolÂlonÂian purÂsuits, where anothÂer part of us “wants to wrench our clothes off, dive into the grapes, and make slurpÂing, horÂriÂble noisÂes of love and disÂcord.”
This all comes down to the thorÂoughÂly modÂern myth that is Star Trek. On the EnterÂprise we have Mr. Spock, who embodÂies “reaÂson, logÂic, calÂcuÂlaÂtion, sciÂence, and an absolute inabilÂiÂty to feel”; we have Bones, “all gut reacÂtion”; and “in the midÂdle, tryÂing to be a perÂfect mix of the two of them,” we have CapÂtain Kirk, “who wantÂed the humanÂiÂty of Bones, but some of the reaÂsonÂing judgÂment of Spock.” The EnterÂprise, in a word, is us: “Each one of us, if we examÂine ourÂselves, knows there is an inner beast who is capaÂble of almost anyÂthing — in mind, at least — and there is an inner monk, an inner harÂmoÂnious figÂure.” Each side keeps getÂting the betÂter of the othÂer, turnÂing even the bulÂlied into bulÂlies on occaÂsion. The best you can do, in Fry’s view, is to “go forth, be mad, be utterÂly proud of who you are — whatÂevÂer you are — and for God’s sake, try everyÂthing.”
RelatÂed ConÂtent:
Stephen Fry: What I Wish I Knew When I Was 18
Stephen Fry on CopÂing with DepresÂsion: It’s RainÂing, But the Sun Will Come Out Again
How Blondie’s DebÂbie HarÂry Learned to Deal With SuperÂfiÂcial, DemeanÂing InterÂviewÂers
PBS Short Video “Bad BehavÂior Online” Takes on the PheÂnomÂeÂnon of CyberÂbulÂlyÂing
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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