“In Mankiewicz’s Julius CaeÂsar, all the charÂacÂters are wearÂing fringes,” writes Roland Barthes in his well-known essay on Romans in film. “Some have them curly, some stragÂgly, some tuftÂed, some oily, all have them well combed.” This fringe, Barthes argues, is “quite simÂply the label of Roman-ness”: when it comes onscreen, “no one can doubt that he is in Ancient Rome.” Ever since cinÂeÂma first told hisÂtorÂiÂcal tales, hair has been among its most effecÂtive visuÂal shortÂhands with which to estabÂlish an era. This is in part due to hairÂstyles themÂselves havÂing varÂied since the beginÂning of recordÂed hisÂtoÂry, and — in one form or anothÂer — no doubt before it as well. But how many of them could we pull off today?
In the video above, YoutuÂber MorÂgan DonÂner addressÂes that quesÂtion as directÂly as posÂsiÂble: by tryÂing out half a milÂlenÂniÂum’s worth of hairÂstyles herÂself. As a woman, she’s been proÂvidÂed much more to work with by fashÂion hisÂtoÂry (to say nothÂing of biolÂoÂgy) than have the sucÂcesÂsors of all those fringed Roman men. She begins in 1520, a periÂod whose art reveals “a fairÂly conÂsisÂtent cenÂter-part kind of smooth look going on” with braids behind, all easy replicÂaÂble. 110 years latÂer “things get actuÂalÂly quite interÂestÂing,” since fashÂions begin to encomÂpass not just hairÂstyles but hairÂcuts, propÂerÂly speakÂing, requirÂing difÂferÂent secÂtions of hair to be difÂferÂent lengths — and requirÂing DonÂner to whip out her scisÂsors.
About a cenÂtuÂry latÂer, DonÂner takes note of a patÂtern whereÂby “styles get bigÂger and bigÂger and bigÂger, and then — foof — they deflate.” Such, it seems, has become the genÂerÂal tenÂdenÂcy of not just culÂture but many othÂer human purÂsuits as well: the gradÂual inflaÂtion of a bubÂble of extremÂiÂty, folÂlowed by its sudÂden burstÂing. It’s in the 18th cenÂtuÂry that DonÂner’s project turns more comÂplex, beginÂning to involve such things as lard, powÂder, and hair cushÂions. But she gets a bit of a respite when the 1800s come along, and “it’s almost like everyÂone colÂlecÂtiveÂly decidÂed that they were tired of it, and you know what? Messy bun. That’s good enough.” Yet in hair as in all things, humanÂiÂty nevÂer keeps it simÂple for long.
ViewÂers of film and teleÂviÂsion hisÂtorÂiÂcal draÂmas (which themÂselves have been boomÂing for some time now) will recÂogÂnize more than a few of the hairÂstyles DonÂner gives herÂself throughÂout this video. But the deepÂer she gets into the 20th cenÂtuÂry, the more of them remain in livÂing memÂoÂry. Take the 1940s’ shoulÂder-length curls with pinned-back layÂers on top, which many of us will recÂogÂnize from picÂtures of our grandÂmothÂers. That parÂticÂuÂlar hairÂstyle doesÂn’t seem to have been revived since, but from the 1960s on, DonÂner works through a series of looks that have proÂvidÂed no litÂtle inspiÂraÂtion to our retroÂmaÂniÂac 21st cenÂtuÂry. At the end of her hisÂtorÂiÂcal-tonÂsoÂrÂiÂal jourÂney, she fires up the clipÂpers and buzzes herÂself comÂpleteÂly — thus beginÂning hair Year Zero.
RelatÂed ConÂtent:
Get the Ancient Roman Look: A Hair & MakeÂup Video TutoÂrÂiÂal
50 Years of ChangÂing David Bowie Hair Styles in One AniÂmatÂed GIF
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
An incredÂiÂbly talÂentÂed hair stylÂist delves into the trends of 500 years of womÂens stlyes-how wonÂderÂful. I totalÂly enjoyed how you creÂatÂed each style, includÂing cutÂting your own gloÂriÂous hair. Great fun!
Great stuff! Fun and illuÂmiÂnatÂing
I realÂly enjoyed your video. You have been so brave to keep cutÂting your hair shortÂer
and shortÂer. Keep up the good work.
Great stuff! Fun and illuÂmiÂnatÂing