MahatÂma GandÂhi and CharÂlie ChapÂlin were both forged in the 19th cenÂtuÂry, and both went on to become icons of the 20th. HisÂtoÂry has rememÂbered one as a tireÂless libÂerÂaÂtor and the othÂer as a tireÂless enterÂtainÂer; decades after their deaths, both conÂtinÂue to comÂmand the respect of many in the 21st cenÂtuÂry. It’s underÂstandÂable then, that a meetÂing between GandÂhi and ChapÂlin at the peak of their fame would cause someÂthing of a fuss. “East-Enders, in the thouÂsands, turn out to greet the two famous litÂtle men,” announces the title card of the British PathĂ© newsÂreel clip above. Cries of “Good old CharÂlie!” and “Good old GandÂhi!” were heard.
The occaÂsion for this encounter was the Round Table ConÂferÂences, a series of meetÂings between the British govÂernÂment and politÂiÂcal repÂreÂsenÂtaÂtives of India held with an eye toward conÂstiÂtuÂtionÂal reform. “The buzz was that MahatÂma GandÂhi would be comÂing to Britain for the first time since he joined the FreeÂdom moveÂment,” writes blogÂger VijayaÂmadÂhav. The buzz proved corÂrect, but more hisÂtoric than the results of that parÂticÂuÂlar conÂferÂence sesÂsion was what tranÂspired thereÂafter. “GandÂhi was preparÂing for his deparÂture when a telegram reached him. A cerÂtain Charles ChapÂlin, who was in Britain at that time, had requestÂed perÂmisÂsion to be grantÂed an audiÂence with him.”
GandÂhi, said to have seen only two films in his life (one of them in HinÂdi), “did not know who this genÂtleÂman was,” and so “replied that it would be hard for him to find time and asked his aides to send a reply declinÂing the request.” But it seems that GandÂhi’s cirÂcle conÂtained ChapÂlin fans, or at least adviÂsors aware of the politÂiÂcal valÂue of a phoÂto opporÂtuÂniÂty with the most beloved EngÂlishÂman alive, who preÂvailed upon him to take the meetÂing. And so, on SepÂtemÂber 22, 1931, “hunÂdreds of peoÂple crowdÂed around the house” — the charÂacÂterÂisÂtiÂcalÂly humÂble lodgÂings off East India Dock Road — “to catch a glimpse of the famous visÂiÂtors.” Some “even clamÂbered over garÂden fences to look through the winÂdows.”
ChapÂlin opened with a quesÂtion to GandÂhi about his “abhorÂrence of machinÂery.” GandÂhi’s reply, as recordÂed in The Print: “MachinÂery in the past has made us depenÂdent on EngÂland, and the only way we can rid ourÂselves of that depenÂdenÂcy is to boyÂcott all goods made by machinÂery,” espeÂcialÂly those machines he saw as robÂbing IndiÂans of their liveliÂhoods. ChapÂlin latÂer wrote of havÂing received in this conÂverÂsaÂtion “a lucid object lesÂson in tacÂtiÂcal maneuÂverÂing in India’s fight for freeÂdom, inspired, paraÂdoxÂiÂcalÂly, by a realÂisÂtic, virÂile-mindÂed visionÂary with a will of iron to carÂry it out.” He might also have got the idea for 1935’s ModÂern Times, a comedic criÂtique of indusÂtriÂalÂized moderÂniÂty that now ranks among ChapÂlin’s most acclaimed works. The abstemious GandÂhi nevÂer saw it, of course, and whether it would have made him laugh is an open quesÂtion. But apart, perÂhaps, from its gloÂriÂfiÂcaÂtion of drug use, he could hardÂly have disÂagreed with it.
RelatÂed ConÂtent:
Watch GandÂhi Talk in His First Filmed InterÂview (1947)
MahatÂma Gandhi’s List of the 7 Social Sins; or Tips on How to Avoid LivÂing the Bad Life
CharÂlie ChapÂlin Does Cocaine and Saves the Day in ModÂern Times (1936)
Watch 85,000 HisÂtoric NewsÂreel Films from British PathĂ© Free Online (1910–2008)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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