I am disÂtressed, almost disÂcourÂaged, and fatigued to the point of feelÂing slightÂly ill. What I am doing is no good, and in spite of your conÂfiÂdence I am very much afraid that my efforts will all lead to nothÂing.
To know anyÂthing about the school of paintÂing called ImpresÂsionÂism, one must know Claude MonÂet, who gave the moveÂment its name with his paintÂing ImpresÂsion, SunÂrise and proÂvidÂed its method — an almost conÂfrontaÂtionÂal relaÂtionÂship with landÂscape in plein-air. “I have gone back to some things that can’t posÂsiÂbly be done: water, with weeds wavÂing at the botÂtom,” MonÂet wrote in a letÂter to his friend GusÂtave GefÂfroy in 1890. “It is a wonÂderÂful sight, but it driÂves one crazy tryÂing to paint it. But that is the kind of thing I am always tackÂling.”
That “kind of thing,” the comÂpulÂsion to paint nature in motion, required workÂing quickÂly, repeatÂing the same experÂiÂments over and over, despairÂing of getÂting it right, proÂducÂing in the attempt his gloÂriÂous series of haystacks and water lilies. MonÂet began paintÂing landÂscapes upon meetÂing artist Eugene Boudin, who taught him to paint in open air, and he nevÂer stopped, refinÂing his brushÂstroke for almost sevÂenÂty years: from his first canÂvas, 1858’s View from the banks of the Lezade, to his last, The Rose Bush, finÂished in 1926, the final year of his life.
WhatÂevÂer else ImpresÂsionÂism might mean, when it comes to MonÂet, it entails a prodiÂgious amount of drawÂing, sketchÂing, and paintÂing. Over 2,500 such works have been attribÂuted to him. That numÂber is probÂaÂbly much highÂer “as it is known that MonÂet destroyed a numÂber of his own works and othÂers have sureÂly been lost over time,” notes the MonÂet Gallery. Around 2,000 of those works are paintÂings, now spread around the world, with the largest colÂlecÂtion locatÂed at the MarÂmotÂtan MonÂet MuseÂum in Paris, where ImpresÂsion, SunÂrise (above) is held.
While it may be nearÂly imposÂsiÂble to see all of Monet’s known works in one lifeÂtime (just as it seems imposÂsiÂble that he could have made so many masÂterÂpieces in one life), you can see 1540 of them in the video at the top — in a preÂsenÂtaÂtion that may or may not suit your art viewÂing senÂsiÂbilÂiÂties. If zoomÂing slowÂly into hunÂdreds of MonÂet paintÂings for a few secÂonds leaves you feelÂing a litÂtle overÂwhelmed, you can also head to the MonÂet Gallery online to see over 1900 of the artist’s attempts at “folÂlowÂing Nature,” as he put it, “withÂout being able to grasp her.”
RelatÂed ConÂtent:
Rare 1915 Film Shows Claude MonÂet at Work in His Famous GarÂden at Giverny
Claude MonÂet at Work in His Famous GarÂden at Giverny: Rare Film from 1915
How to Paint Water Lilies Like MonÂet in 14 MinÂutes
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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