AccordÂing to myth, the first JapanÂese poet, Susano‑o, the storm god, named the activÂiÂty of buildÂing as equal to the works of nature. TravÂel blog KanÂsai Odyssey writes, “Susano‑o felt rather inspired” while at Suga Shrine in ShiÂmane PreÂfecÂture, “and recitÂed the first poem in JapanÂese litÂerÂaÂture.” RoughÂly transÂlatÂed, it reads: “In IzuÂmo, where the clouds form, / I see a fence of clouds. / To proÂtect my wife, I too, built a fence. / These clouds are as my fence.”
An embrace of the natÂurÂal world interÂminÂgles in JapanÂese culÂture with a craft traÂdiÂtion renowned the world over, not least in the buildÂing arts. “Since the 12th CenÂtuÂry,” Grace Ebert writes at ColosÂsal, “JapanÂese artiÂsans have been employÂing a conÂstrucÂtion techÂnique that uses just one simÂple mateÂrÂiÂal: wood. Rather than utiÂlize glue, nails, and othÂer fasÂtenÂers, the traÂdiÂtion of JapanÂese wood joinÂery notchÂes slabs of timÂber so that the grooves lock togethÂer and form a sturÂdy strucÂture.”
Although mostÂly pracÂticed in the repair and preserÂvaÂtion of hisÂtoric buildÂings these days, JapanÂese joinÂery still inspires modÂern woodÂworkÂers, engiÂneers, and archiÂtects for its incredÂiÂble preÂciÂsion and endurance. TraÂdiÂtionÂal JapanÂese buildÂings are “strucÂtures built from natÂurÂal mateÂriÂals and the knowlÂedge and skills passed down genÂerÂaÂtions,” writes Yamanashi-based carÂpenÂter Dylan IwakuÂni. “Through the fine skills and knowlÂedge, JapanÂese WoodÂen ArchiÂtecÂture has been standÂing for (thouÂsands of) years.”
In the video at the top, you can see IwakuÂni and his team’s exciteÂment as they disÂcovÂer traÂdiÂtionÂal joinÂery while disÂasÂsemÂbling a 100-year-old JapanÂese house. The video shows each joint in close-up, adding a title that names its parÂticÂuÂlar type. “As it became a traÂdiÂtion in Japan,” wrote ColÂin MarÂshall in a preÂviÂous post on Iwakuni’s craft, “this carÂpenÂtry develÂoped a canon of joinÂing methÂods.” All of the joints, from the very simÂple to the mind-bogÂglingÂly puzÂzle-like, were of course cut by hand. No powÂer tools in medieval Japan.
Just above, see IwakuÂni introÂduce the art of joinÂery, and see sevÂerÂal more of his demonÂstraÂtions here. Those interÂestÂed in going furÂther should see our preÂviÂous posts at the links below. Find even more hands-on resources at the Japan WoodÂcraft AssoÂciÂaÂtion.
via TwistÂed Sifter
RelatÂed ConÂtent:
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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