Why bothÂer with reaÂson and eviÂdence to make preÂdicÂtions when you can put your faith in a chance roll of the dice? These two methÂods could be said to repÂreÂsent the vastÂly diverÂgent ways of sciÂence and superÂstiÂtion, two realms that rarely interÂsect except, perÂhaps, when it comes to forÂtune-telling — or, in the argot of the 20th century’s soothÂsayÂers, “FuturÂism,” where preÂdicÂtions seem to rely as much on wishÂful thinkÂing as they do on intuÂition and intelÂlect.
In the 1967 short docÂuÂmenÂtary film, The FuturÂists, above, sciÂenÂtists and visionÂarÂies quite litÂerÂalÂly comÂbine the sciÂenÂtifÂic method with ranÂdom chance operÂaÂtion to make preÂdicÂtions about the 21st cenÂtuÂry. Host WalÂter Cronkite explains:
A panÂel of experts has studÂied a list of posÂsiÂble 21st cenÂtuÂry develÂopÂments, from perÂsonÂalÂiÂty conÂtrolled drugs to houseÂhold robots. They have estiÂmatÂed the numerÂiÂcal probÂaÂbilÂiÂty of each, from zero to 100 perÂcent. The twenÂty sided dice are then rolled to simÂuÂlate these probÂaÂbilÂiÂties. A use of ranÂdom numÂbers known as the Monte CarÂlo techÂnique, often used in thinkÂtank games. All of this is highÂly specÂuÂlaÂtive.
Indeed. The glimpse we get of the future — of our present, as it were — is very optiÂmistic, “and so very, very wrong,” writes BilÂly Ingram at TV ParÂty — at least in some respects. “SadÂly, those past futurÂists forÂgot to facÂtor in human greed and the refashÂionÂing of AmerÂiÂcans’ way to be less comÂmuÂnal and more self-cenÂtered.” The very mediÂum on which the docÂuÂmenÂtary appeared helped to cenÂter selfÂishÂness as a carÂdiÂnal AmerÂiÂcan virtue.
Yet in 1967, the fedÂerÂal govÂernÂment still required major netÂworks to run eduÂcaÂtionÂal conÂtent, even if “netÂwork execÂuÂtives underÂstood these proÂgrams would end up at the botÂtom of the Nielsen ratÂings.” Hence, The FuturÂists, which aired on primeÂtime on CBS “when the 3 netÂworks would occaÂsionÂalÂly preÂempt popÂuÂlar proÂgrams with a news feature/documentary.” Despite low expecÂtaÂtions at the time, the short film now proves to be a fasÂciÂnatÂing docÂuÂment.
The rolls of the dice with which it opens are not, it turns out, a “crap game,” but a “seriÂous game at the UniÂverÂsiÂty of PittsÂburgh,” Cronkite tells us before introÂducÂing the august panÂel of experts. We see a numÂber of sceÂnarÂios preÂdictÂed for the comÂing cenÂtuÂry. These include the vague “increased imporÂtance of human conÂcerns,” sci-fi “teachÂing by direct recordÂing on the brain,” and omiÂnous “tacÂtiÂcal behavÂior conÂtrol devices.”
BuckÂminÂster Fuller even preÂdicts bodÂiÂly teleÂporÂtaÂtion by radio waves, someÂthing like the techÂnolÂoÂgy then feaÂtured in a brand-new TV show, Star Trek, but not sciÂenÂtifÂiÂcalÂly probÂaÂble in any sense, either then or now. NonetheÂless, there is surÂprisÂing preÂscience in The FuturÂists, as its openÂing panÂel of futurÂisÂtic experts announces their conÂcluÂsions:
We wind up with a world which has the folÂlowÂing feaÂtures: ferÂtilÂiÂty conÂtrol, 100-year lifesÂpan, conÂtrolled therÂmal nuclear powÂer, conÂtinÂued automaÂtion, genetÂic conÂtrol, man-machine symÂbioÂsis, houseÂhold robots, wideÂband comÂmuÂniÂcaÂtions, opinÂion conÂtrol, and conÂtinÂued orgaÂniÂzaÂtion.
ApparÂentÂly, in 1967, all the FuturÂists worth talkÂing to — or so it seemed to the film’s proÂducÂer McGraw Hill — were men. Theirs was the only perÂspecÂtive offered to home viewÂers and to the stuÂdents who saw this film in schools across the counÂtry. Those men include not only Fuller, who gives his full interÂview at 14:30, but also freÂquent makÂer of accuÂrate futurÂisÂtic preÂdicÂtions Isaac AsiÂmov, who appears at the 20:50 mark. Aside from the excluÂsion of 50% of the popÂuÂlaÂtion’s perÂspecÂtive, and an overÂly rosy view of human nature, howÂevÂer, The FuturÂists is often an uncanÂniÂly accuÂrate vision of life as we now know it — or at least one far more accuÂrate than most 21st cenÂtuÂry futurisms of the past.
RelatÂed ConÂtent:
Octavia Butler’s Four Rules for PreÂdictÂing the Future
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
Now theÂoÂry, what is now?
Always a big fan of si-fi. AsiÂmov my favorite. They all have a propenÂsiÂty to allow their minds to travÂel where they go- withÂout interÂrupÂtion. The curÂrent zeitÂgeist is trouÂbling…
been there to a future from farÂther time .in future comÂing we will have a underÂground conÂtiÂnenÂtal rockÂet train ‚seats on one side arrived at domed city solÂdiers guardÂed entrance went received full body scan by rotatÂing mass machines scoped cells ‚blood type, brain ‚etcetera domed city under darkÂness .pubÂlic travÂel on small tracks used very small vehiÂcle runÂning on two tracks above streets through buildÂings only comÂmerÂcial trafÂfic on ground great expansÂes of desert areas out side of dome. govÂernÂment always on high vigÂiÂlance and conÂtrol as aliens not all known .met BuckÂminÂster Fuller and expressed or rather tearÂfulÂly said I know you will pass and nevÂer return ( to this life).he knew my meanÂing bowed his head and said nevÂer lose your senÂsiÂtivÂiÂty.
Views only of men or, more specifÂiÂcalÂly, white men?
Please, apprise me of the long list of promiÂnent female / POC futurÂists of the 1960s that the filmÂmakÂers snubbed.