Does removÂing gateÂkeepÂers mean a more disÂtribÂuted comÂic landÂscape, or does it inevitably end with a small numÂber of comics domÂiÂnatÂing the world? The InterÂnet means that peoÂple can and do judge comics based on very short clips, but also makes it easy to folÂlow the activÂiÂties of someÂone you disÂcovÂer that you like.
Tiffany comes not from stand-up but from music theÂater, and is active in creÂatÂing charÂacÂter-based comÂeÂdy and novÂelÂty songs for InstaÂgram, YouTube, etc. She joins your hosts EriÂca Spyres, Mark LinÂsenÂmayÂer, and BriÂan Hirt to explore the types of short-form humor and viewÂing habits that grow out of video creÂatÂed for TikÂTok, Snapchat, and othÂer platÂforms. What’s the creÂator’s relaÂtion to the audiÂence? Social media blurs the line between conÂstructÂed bits and extemÂpoÂrized comÂmenÂtary. It’s often reactÂing to curÂrent events, yet stays postÂed long after. “Going viral” is not typÂiÂcalÂly the result of mere organÂic sharÂing or chance, and some comics (and their conÂsulÂtants) have realÂly studÂied the mediÂum to find out what appeals and how to get the word out.
We touch on CarÂmen Lynch, Sarah CoopÂer, Eva VicÂtor, Bowen Yang, CoinÂciÂdÂance, MiranÂda Sings, LockÂPickÂingLawyer, JimÂmy SloniÂna, AskChickÂie, and more.
Watch Tiffany’s FragÂile White SadÂness. And her ode to DisÂney Plus. Our Long NovemÂber has passed, thank goodÂness.
Tiffany also recÂomÂmends Jen TulÂlock, Josh Ruben, JorÂdan FirstÂman, Megan StalÂter, Cole EscoÂla, CrawÂford MillÂham HorÂton, BenÂiÂto SkinÂner, InapÂproÂpriÂate PatÂti, Advent CarÂolenÂdar, and Marc RebilÂlet.
Read: “These ComeÂdiÂans Are Using TikÂTok to CreÂate Some of the InterÂnet’s FunÂniÂest (And WokÂest) ConÂtent)” by Kat CurÂtis.
Hear more of this podÂcast at prettymuchpop.com. This episode includes bonus disÂcusÂsion you can access by supÂportÂing the podÂcast at patreon.com/prettymuchpop. This podÂcast is part of the ParÂtialÂly ExamÂined Life podÂcast netÂwork.
PretÂty Much Pop: A CulÂture PodÂcast is the first podÂcast curatÂed by Open CulÂture. Browse all PretÂty Much Pop posts.
The InterÂnet killed comÂeÂdy, for 3 reaÂsons:
1.) It caters to those with short attenÂtion-spans. and conÂcrete-thinkÂing skills.
2.) It unitÂed the polarÂized far-Left and Right; peoÂple who norÂmalÂly wouldÂn’t of had a mainÂstream-voice, or platÂform. Both sides now zealÂousÂly patrol the InterÂnet, lookÂing for, conÂdemnÂing, and “canÂcelÂing” ANYONE and ANYTHING that offends their delÂiÂcate comedic-senÂsiÂbilÂiÂties. Thus, the peoÂple in the midÂdle do not have a voice in the matÂter, being the folks conÂdemned for not conÂformÂing with group-think.
3.) Because of the priÂor two reaÂsons, comÂeÂdy has been reduced from say, CarÂlin, and ilk, to stuÂpid cute cat videos, and kids swalÂlowÂing “Tide Pods”.
How I long for the days of “BlazÂing SadÂdles” and dirty, offenÂsive jokes (often at my own offense). UncomÂfortÂable truths are hilarÂiÂous, offerÂing a comÂmenÂtary on the human conÂdiÂtion, and the state of the world.