StuÂdio GhiÂbÂli make lush and capÂtiÂvatÂing aniÂmatÂed films. So, on occaÂsion, do othÂer stuÂdios, but of how many of their picÂtures can we say that each and every still frame conÂstiÂtutes a work of art in itself? As a test, try putting on a GhiÂbÂli movie and pausÂing at ranÂdom, then doing the same for any othÂer major aniÂmatÂed feaÂture of simÂiÂlar vinÂtage: chances are, the forÂmer will far more often proÂduce an image you’d like to capÂture in high resÂoÂluÂtion and use for your deskÂtop backÂground, or perÂhaps even print out and hang on your wall.
Now, StuÂdio GhiÂbÂli have proÂvidÂed such images themÂselves, in an online colÂlecÂtion (click here and scroll down the page) that offers more than 1,100 stills from their films, all free for the downÂload. This trove has grown conÂsidÂerÂably since we first feaÂtured it this past fall here at Open CulÂture.
In that post, Ted Mills quotes GhiÂbÂli proÂducÂer Toshio SuzuÂki as instructÂing visÂiÂtors to use the images “freely withÂin the scope of comÂmon sense.” It was SuzuÂki, you may recall, who once taught us to draw the eponyÂmous feline-ursine star of My NeighÂbor Totoro, the most beloved of the stuÂdio’s works — downÂloadÂable frames from which GhiÂbÂli put up only in NovemÂber.
Along with Totoro came images from the acclaimed (and highÂly sucÂcessÂful) likes of SpirÂitÂed Away and PorÂco Rosso, as well as its lessÂer known romanÂtic draÂma Ocean Waves, made for teleÂviÂsion by the stuÂdio’s younger aniÂmaÂtors in the earÂly 1990s. The most recent update, made earÂliÂer this month, includes images from 1984’s NauÂsiÂcaä of the ValÂley of the Wind, which is now conÂsidÂered GhiÂbÂli’s honÂorary first picÂture, havÂing been directÂed by co-founder Hayao MiyazaÂki before the stuÂdio’s founÂdaÂtion. There are also stills from 2016’s The Red TurÂtle, the stark, wordÂless feaÂture proÂduced by SuzuÂki but directÂed by Dutch aniÂmaÂtor MichaĂ«l Dudok de Wit.
Though the site is only in JapanÂese, anyÂone who’s seen at least a few GhiÂbÂli movies should have no probÂlem findÂing their favorites, from the aforeÂmenÂtioned resÂiÂdents of greatÂest-aniÂmatÂed-films-of-all-time lists to highÂly respectÂed but lowÂer-proÂfile works like Only YesÂterÂday by MiyazaÂkÂi’s GhiÂbÂli-foundÂing parter, the late Isao TakaÂhaÂta. There’s also plenÂty to delight GhiÂbÂli fans of a more die-hard perÂsuaÂsion: take, for examÂple, the visuÂal mateÂriÂals from “On Your Mark,” the futurÂisÂtic, nonÂlinÂear aniÂmatÂed music video made for rock duo Chage & Aska. WhatÂevÂer your own levÂel of investÂment in the work of StuÂdio GhiÂbÂli, you’d do well to assume that they’ve only just got startÂed putting up their archives.
RelatÂed ConÂtent:
StuÂdio GhiÂbÂli ProÂducÂer Toshio SuzuÂki TeachÂes You How to Draw Totoro in Two MinÂutes
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
I’m a huge fan of GhiÂbÂli stuÂdio so that
I can see only around20 images in every movie. Where is the rest?