It gets dark before dinÂner now in my part of the world, a recipe for seaÂsonÂal depresÂsion. VinÂcent van Gogh wrote about such low feelÂings with deep insight. “One feels as if one were lying bound hand and foot at the botÂtom of a deep dark well, utterÂly helpÂless.” Yet, when he looked up at the night sky he saw not darkÂness but blazÂing light: a full moon shines yelÂlow from White House at Night like the sun, and peeks like a gold coin from behind blue mounÂtains in LandÂscape with Wheat Sheaves and RisÂing Moon. The stars in StarÂry Night Over the RhĂ´ne appear like fireÂworks. We are all familÂiar with the blazÂing night sky of its sequel, The StarÂry Night.
It’s been sugÂgestÂed that Van Gogh saw halos of light because of lead poiÂsonÂing from his paint, and that the DigÂiÂtalÂis Dr. Gachet preÂscribed for his temÂpoÂral lobe epilepÂsy caused him to “see in yelÂlow,” the Van Gogh Gallery Blog writes, “or see yelÂlow spots which could explain van Gogh’s conÂsisÂtent use of the colÂor yelÂlow in his latÂer works.”
His most brilÂliant works date from this latÂer periÂod, durÂing his time at the hosÂpiÂtal at Arles, where he paintÂed his famous bedÂroom. All of these paintÂings, and hunÂdreds more, can be found in high-resÂoÂluÂtion scans at the new van Gogh resource, Van Gogh WorldÂwide, “a conÂsorÂtium of museÂums,” notes Madeleine MuzÂdakis at My ModÂern Met, “doing their part to bring the work of one of the world’s most famous artists to the globÂal massÂes.”
The museÂums repÂreÂsentÂed here are all in the NetherÂlands and include the Van Gogh MuseÂum, Kröller-MĂĽller MuseÂum, the RijksmuÂseÂum, the NetherÂlands InstiÂtute for Art HisÂtoÂry, and the MuseÂum BoiÂjÂmans Van BeuninÂgen. Van Gogh was not only a proÂlifÂic painter, of shinÂing night scenes and othÂerÂwise, but he was “also a proÂlifÂic sketch artist. His penÂcil and paper drawÂings are worth exploÂration; they depict landÂscapes as well as emoÂtive figÂures from Van Gogh’s everyÂday life. Van Gogh WorldÂwide proÂvides insight into these works of art and the artist behind them. One can also find behind-the-scenes museÂum inforÂmaÂtion, such as details of restoraÂtions, verÂso (back) images, and othÂer curaÂtoÂrÂiÂal notes.”
Van Gogh WorldÂwide expands othÂer digÂiÂtal colÂlecÂtions like the Van Gogh Museum’s almost 1,000 online works. Where that resource includes short inforÂmaÂtionÂal artiÂcles and links to litÂerÂaÂture about the artÂworks, Van Gogh WorldÂwide does not, as yet, feaÂture such addiÂtionÂal mateÂriÂals, but it does include links to Van Gogh’s letÂters. In one of them, he writes to his brothÂer, Theo, about their parÂents: “They’ll find it difÂfiÂcult to underÂstand my state of mind, and not know what driÂves me when they see me do things that seem strange and pecuÂliar to them—will blame them on disÂsatÂisÂfacÂtion, indifÂferÂence or nonÂchaÂlance, while the cause lies elseÂwhere, nameÂly the desire, at all costs, to purÂsue what I must have for my work.”
RelatÂed ConÂtent:
Take a JourÂney Inside VinÂcent Van Gogh’s PaintÂings with a New DigÂiÂtal ExhiÂbiÂtion
In a BrilÂliant Light: Van Gogh in Arles–A Free DocÂuÂmenÂtary
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
Hi there.
I think to disÂcovÂer more unseen van gogh we should scanned all paintÂings with XRF..
And colÂlects the data of minÂerÂals inside the paint VinÂcenÂt’s used in every places he stayed.
TitaÂniÂum white pigÂment was also being use by Camille pisÂsaro who died in 1903, and titaÂniÂum paint in tube was in proÂducÂtion in 1905.. how that posÂsiÂble?
And we know that Camille pisÂsaro is the father of neo impreaionÂist moveÂment, folÂlow by cezanne, seuÂrat, gauÂgÂin and van gogh.