Ever had a friend who canÂnot bring themÂselves susÂpend disÂbeÂlief? It’s not a moral failÂing, but it can be a tedious qualÂiÂty in sitÂuÂaÂtions like, say, the movies, or the cinÂeÂma, or whatÂevÂer you call it when you’ve paid your day’s wages for a giant tub of carÂcinoÂgenic popÂcorn and a three-hour disÂtracÂtion. (These days, maybe, an overÂpriced streamÂing new release and GrubÂhub.) Who doesn’t love a big-screen sciÂence ficÂtion epic—science be damned? Who wants to lisÂten to the seatÂmate who mutÂters “oh, come on!,” “no way!,” “well, actuÂalÂly, that’s sciÂenÂtifÂiÂcalÂly imposÂsiÂble”? You know they nevÂer passed intro to physics….
Dominic WalÂliÂman, on the othÂer hand, is a physiÂcist. And he is not the kind of perÂson to ruin a movie by going on about how goofy its sciÂenÂtifÂic ideas sound, though he’s likeÂly to express appreÂciÂaÂtion for films that get it right. He doesn’t get bent out of shape by artisÂtic license and can appreÂciÂate, for examÂple, the creÂative use of visuÂal effects in InterÂstelÂlar to repÂreÂsent a black hole, which would othÂerÂwise appear onscreen as, well, a black hole. “I’m okay with bad physics in movies,” he says, “because the job of a movie isn’t to be a sciÂence docÂuÂmenÂtary, the goal of a movie is to tell an interÂestÂing stoÂry.”
Even so, if you sit him down and ask him to talk specifÂiÂcalÂly about sciÂence in movies, as a friend does in the video above, he’ll tell you what he thinks, and you’ll want to lisÂten to him (after the movie’s over) because he actuÂalÂly knows what he’s talkÂing about. Over the years, WalÂliÂman has mapped varÂiÂous domains of sciÂence, like chemÂistry, comÂputÂer sciÂence, biolÂoÂgy, mathÂeÂmatÂics, physics, and his own field, quanÂtum physics. His visuÂal explaÂnaÂtions make the relaÂtionÂships between difÂfiÂcult conÂcepts clear and easy to folÂlow. In this video, he comÂments on some of your favorite sciÂence ficÂtion and fanÂtaÂsy films (standÂouts include the first BatÂman and Ron Howard’s Angels & Demons) in ways that are equalÂly illuÂmiÂnatÂing.
Big winÂners for relÂaÂtive accuÂraÂcy, in Walliman’s opinÂion, are no surÂprise. They include GravÂiÂty, ConÂtact (writÂten by Carl Sagan), even a clip from the incredÂiÂbly smart FutuÂraÂma. It is soon apparÂent that the use of a foldÂed piece of paper to repÂreÂsent spaceÂtime through a wormÂhole has “become a bit of a clichĂ©,” although a helpÂful-enough visuÂal aid. Kubrick’s 2001: A Space Odyssey is “borÂing” (with apoloÂgies), a judgÂment that might disÂqualÂiÂfy WalÂliÂman as a film critÂic, in many people’s opinÂion, but does not tarÂnish his sciÂenÂtifÂic repÂuÂtaÂtion.
One of the biggest sciÂence-in-film fails: 2009’s Star Trek, whose vilÂlains have disÂcovÂered a subÂstance called “red matÂter.” A sinÂgle drop can destroy an entire planÂet, and the idiots seem to have enough onboard their ship to take out the uniÂverse with one careÂless oopÂsie. WalÂliÂman is maybe not qualÂiÂfied to weigh in on the paleÂoÂbiÂolÂoÂgy of JurasÂsic Park, but Jeff Goldblum’s explaÂnaÂtion of chaos theÂoÂry fits withÂin his purview. “So, this is not a good descripÂtion of chaos theÂoÂry,” he says, “at all.” It is, howÂevÂer, a fabÂuÂlous plot device.
If you’re interÂestÂed in more engagÂingÂly accesÂsiÂble, non-cinÂeÂma-relatÂed, surÂveys of sciÂenÂtifÂic ideas, visÂit any one of Walliman’s many Domain of SciÂence videos here.
RelatÂed ConÂtent:
MathÂeÂmatÂics in Movies: HarÂvard Prof Curates 150+ Scenes
Arthur C. Clarke CreÂates a List of His 12 Favorite SciÂence-FicÂtion Movies (1984)
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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