Many of us now find ourÂselves stuck at home, doing our part to put a stop to the globÂal coroÂnÂavirus panÂdemÂic. Some of us are takÂing the opporÂtuÂniÂty to write the ambiÂtious works of litÂerÂaÂture we’ve long intendÂed to. Such an effort of creÂativÂiÂty in conÂfineÂment has no more suitÂable preceÂdent than the life of MarÂcel Proust, who wrote much of his sevÂen-volÂume masÂterÂpiece In Search of Lost Time (Ă€ la recherche du temps perÂdu) in bed. The Paris Review’s Sadie Stein quotes Proust’s biogÂraÂphÂer Diana Fuss describÂing him as havÂing writÂten “from a semi-recumÂbent posiÂtion, susÂpendÂed midÂway between the realms of sleepÂing and wakÂing using his knees as a desk.”
He did it in a bedÂroom lined with cork, an addiÂtion meant, Stein writes, “not just to soundÂproof but to preÂvent pollen and dust from aggraÂvatÂing Proust’s allerÂgies and asthÂma.” Though the SpanÂish flu did make its way into France durÂing Proust’s last years, the writer had been worÂried about his own frail health since his first asthÂma attack at the age of nine.
He got the idea of linÂing his bedÂroom with cork from his friend Anna de Noailles, “a princess and socialite, a patron of the arts and a novÂelÂist in her own right,” who also hapÂpened to be “plagued with debilÂiÂtatÂing fears and neuÂroses.” You can visÂit faithÂful reconÂstrucÂtions of both of their bedÂrooms at Paris MusĂ©e CarÂnavalet, an essenÂtial stop on any Proust pilÂgrimÂage. So is the HĂ´tel Ritz Paris, which mainÂtains a “MarÂcel Proust suite.”
William FriedÂkin — yes, that William FriedÂkin — stayed in the MarÂcel Proust suite, “forÂmerÂly a priÂvate dinÂing room on the hotel’s secÂond floor, where Proust often hostÂed small dinÂner parÂties,” on the Proust pilÂgrimÂage he recalls in The New York Times. “I was told by the hotel manÂagÂer that the room was reserved for Proust to enterÂtain whenÂevÂer he could venÂture out from his cork-lined bedÂroom at 102 BouleÂvard HaussÂmann.” No doubt Proust “absorbed inspiÂraÂtion from conÂverÂsaÂtions here, ones that made their way into his writÂing.” In the last three years of his life, the writÂing almost entireÂly disÂplaced the conÂverÂsaÂtion: Proust spent almost all his time in his cork-lined bedÂroom, sleepÂing by day and putting everyÂthing he had into his work at night. A conÂtemÂpoÂrary phoÂtoÂgraph of Proust’s cork-lined bedÂroom appears at the top of the post, as recentÂly includÂed in a tweet by writer Ted Gioia callÂing Proust the “masÂter of social disÂtancÂing.”
Just above, you can watch a talk on the writer’s room and hyperÂsenÂsiÂtivÂiÂties (of both the aesÂthetÂic and physÂiÂcal variÂeties) that put him into it by Proust scholÂar William C. Carter, author of MarÂcel Proust: A Life and Proust in Love. What might Proust’s father, the epiÂdemiÂolÂoÂgist Adrien Proust, have thought about a new epiÂdemÂic makÂing the peoÂple of the 21st cenÂtuÂry look to his son? Even if we don’t take him as a modÂel for writÂing life, this is nevÂerÂtheÂless an approÂpriÂate moment to read his work (now availÂable free online at the InterÂnet Archive’s NationÂal EmerÂgency Library). “What Proust inspires in us is to see and to appreÂciÂate every seemÂingÂly insignifÂiÂcant place or object or perÂson in our lives,” writes FriedÂkin, “to realÂize that life itself is a gift and all the peoÂple we’ve come to know have qualÂiÂties worth conÂsidÂerÂing and celÂeÂbratÂing — in time.”
via Ted Gioia
RelatÂed ConÂtent:
When James Joyce & MarÂcel Proust Met in 1922, and TotalÂly Bored Each OthÂer
The First Known Footage of MarÂcel Proust DisÂcovÂered: Watch It Online
The NationÂal EmerÂgency Library Makes 1.5 MilÂlion Books Free to Read Right Now
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
My mothÂer has told me about the stoÂry of Proust who soundÂproofed his winÂdows and I agree with that eviÂdence!