Today any of us can go Athens, a city with flaÂvorÂful food, pleasÂant weathÂer, a picÂturesque setÂting, reaÂsonÂable prices, and a decent subÂway sysÂtem. That is to say, we can enjoy Athens as it is, but what about Athens as it was? As one of the oldÂest cities in the world, not to menÂtion a develÂopÂmenÂtal cenÂter of WestÂern civÂiÂlizaÂtion itself, its hisÂtoÂry holds as much interÂest as its present realÂiÂty. Despite all the hisÂtorÂiÂcal research into ancient Greece, we lack a fulÂly accuÂrate image of what Athens looked and felt like at the height of its powÂer as a city-state. But thanks to the last dozen years of work by phoÂtogÂraÂphÂer and visuÂal effects artist DimÂitris TsalkaÂnis, we can expeÂriÂence Athens as it might have been in the form of Ancient Athens 3D.
“VisÂiÂtors to the site can browse reconÂstrucÂtions that date back as earÂly as 1200 BCE, the MyceÂnaean periÂod — or Bronze Age — through ClasÂsiÂcal Athens, feaÂturÂing the rebuilds made necÂesÂsary by the GreÂco-PerÂsian War, and ages of occuÂpaÂtion by Romans and Ottomans,” writes HyperÂalÂlerÂgic’s Sarah Rose Sharp.
“TsalkaÂnis traces the evoÂluÂtion of sites like the AcropÂoÂlis throughÂout the ages, the rise and fall of the city walls, the AgoÂra, which served as cenÂter of city life, and varÂiÂous temÂples, libraries, and othÂer forÂtiÂfiÂcaÂtions.” All we might see only as monoÂchroÂmatÂic ruins on our modÂern AthenÂian travÂels stands tall and colÂorÂful in TsalkaÂnis’ three-dimenÂsionÂal digÂiÂtal recreÂation — as does all that hasÂn’t surÂvived even as ruins.
TsalkaÂnis writes of using “artisÂtic license” to reconÂstruct “monÂuÂments that have left few or no traces at all (like the MyceÂnaean palace of the AcropÂoÂlis) and othÂer comÂpleÂmenÂtary conÂstrucÂtions — such as housÂes — that were incorÂpoÂratÂed into the renÂder in order to creÂate a more comÂplete image of the monÂuÂment and its space.” Though he draws on all the hisÂtorÂiÂcal and archaeÂoÂlogÂiÂcal inforÂmaÂtion he can find, much of that inforÂmaÂtion remains sketchy, or at least incomÂplete. ForÂtuÂnateÂly, the digÂiÂtal nature of the project, as well as its accesÂsiÂbilÂiÂty to viewÂers with knowlÂedge of their own to offer, keeps it more or less curÂrent with the state of the research. “TsalkaÂnis stays up to date with his fanÂtaÂsy city,” writes Sharp, “updatÂing reconÂstrucÂtions conÂstantÂly for betÂter qualÂiÂty of modÂels and betÂter archaeÂoÂlogÂiÂcal and hisÂtorÂiÂcal accuÂraÂcy.
“You can immerse into this enviÂronÂment,” TsalkaÂnis tells Sharp, “or you can even 3D print it if you like.” You can also view the indiÂvidÂual digÂiÂtal reconÂstrucÂtion videos postÂed to Ancient Athens 3D’s Youtube chanÂnel, which showÂcase such monÂuÂments as the TemÂple of IlisÂsos, the TemÂple of HepÂhaesÂtus, and the city of DelÂphi. Just as TsalkaÂnis’ hisÂtorÂiÂcal modÂels of Athens will conÂtinÂue to be filled in, expandÂed, and improved, the techÂnoÂlogÂiÂcal range of their posÂsiÂble uses will only expand. TsalkaÂnis himÂself menÂtions the smartÂphone apps that could one day enrich our visÂits to Athens with augÂmentÂed realÂiÂty — allowÂing us, in othÂer words, to expeÂriÂence Athens as it is and Athens as it might have been, both at the same time.
RelatÂed ConÂtent:
The Ancient Greeks: A Free Online Course from WesÂleyan UniÂverÂsiÂty
The HisÂtoÂry of Ancient Greece in 18 MinÂutes: A Brisk Primer NarÂratÂed by BriÂan Cox
IntroÂducÂtion to Ancient Greek HisÂtoÂry: A Free Course from Yale
Watch Art on Ancient Greek VasÂes Come to Life with 21st CenÂtuÂry AniÂmaÂtion
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
HavÂing been to the actuÂal Parthenon, I must say that the editÂed 3D modÂeled video is like fast food comÂpared to a MicheÂlin 4 star meal. First, the colÂor renÂdiÂtions are HORRIBLE. There’s no way the artists of some of the greatÂest achieveÂments of WestÂern culÂture would use those dead colÂors that look like cheap poster paints. SecÂond, to visÂit the actuÂal sites one expeÂriÂences the effect of the GoldÂen Mean proÂporÂtion and the scale. Just standÂing next to a sinÂgle Parthenon colÂumn can be a life changÂing event.
The speed of the renÂdered aniÂmaÂtion through the buildÂing is too fast to enjoy the space. It’s like we’re on an airÂplane.
I could go on. I realÂize the artist loves his ancient roots, but I have to give thumbs down for illusÂtratÂing the worst of the way too easÂiÂly accesÂsiÂble digÂiÂtal softÂware.
HavÂing been to the actuÂal Parthenon, I must say that the editÂed 3D modÂeled video is like fast food comÂpared to a MicheÂlin 4 star meal. First, the colÂor renÂdiÂtions are HORRIBLE. There’s no way the artists of some of the greatÂest achieveÂments of WestÂern culÂture would use those dead colÂors that look like cheap poster paints. SecÂond, to visÂit the actuÂal sites one expeÂriÂences the effect of the GoldÂen Mean proÂporÂtion and the scale. Just standÂing next to a sinÂgle Parthenon colÂumn can be a life changÂing event.
The speed of the renÂdered aniÂmaÂtion through the buildÂing is too fast to enjoy the space. It’s like we’re on an airÂplane.
Very Very good!! ConÂgratÂuÂlaÂtios!!
I love it. True and propÂer assessÂment my friend!
Indeed Sir . I am Greek and I felt the same . Quite poor attempt . TechÂnolÂoÂgy can’t repliÂcate everyÂthing .
Indeed Sir . I am Greek and I felt the same . Quite poor attempt . TechÂnolÂoÂgy can’t repliÂcate everyÂthing .
The acient greeks had techÂnolÂoÂgy and know its in the wrong hands.but well done to the perÂson who put the 3d image together.one day the true greeks will rise.dont give up greece
May the gods and jesus return one day
On holÂiÂdays they show off their artisÂtic style to othÂer peoÂple who have nevÂer seen it even though they all had simÂiÂlar styles.
Ancient Greek fesÂtiÂvals were a major part of reliÂgious events that recurred annuÂalÂly, every two years, or every four years.
Every holÂiÂday or fesÂtiÂval there was always one thing they had to do and that was to worÂship and celÂeÂbrate or do whatÂevÂer it took to keep a strong and steady relaÂtionÂship between the morÂtals and the gods and godÂdessÂes.
The fesÂtiÂvals of Athens are the best known,and they were plenÂtiÂful. Athens set aside at least 60 days a year for annuÂal fesÂtiÂvals.
The SparÂtans would end up missÂing a war because when it came to holÂiÂdays, fesÂtiÂvals, or anyÂthing like that they take the time and celÂeÂbrate.
CulÂture played a huge part in Ancient Greece. They believed that if they celÂeÂbratÂed and worÂshiped the gods and godÂdessÂes that they would bless them for safe trips or good crops.
Each city state had their own god or godÂdess to repÂreÂsent them, but they all worÂshiped all of them, the main gods are, Zeus god of the sky, hades god of death or underÂground, and PoseiÂdon god of water/ocean.
The Greeks had this thing they called were all the gods and godÂdessÂes they worÂshiped stayed, it was called OlymÂpus.
The food they eat was also a part of their traÂdiÂtions, someÂtimes they put some of their food into a fire to send it to the gods and godÂdessÂes they worÂship.
Some of the time clothÂing was a part of it as well for they wore what they thought the gods and godÂdessÂes would approve of.
Over all everyÂthing in here is a part of their traÂdiÂtions, art, clothÂing, food, music, the way they celÂeÂbrate etc.
BeauÂtiÂful renÂdiÂtion! Thank you!