If you grew up in the UnitÂed States of AmerÂiÂca, you’ll rememÂber the name Eugene V. Debs from hisÂtoÂry class. And if you grew up durÂing a cerÂtain era in the UnitÂed States of AmerÂiÂca, you might have learned about Debs from Bernie Sanders. Try to recall one of Debs’ speechÂes; if you hear it in Sanders’ disÂtincÂtive BrookÂlyn accent, you have at some point or anothÂer seen Eugene V. Debs: Trade UnionÂist, SocialÂist, RevÂoÂluÂtionÂary. A film-strip slideshow with an accomÂpaÂnyÂing audio track, it came out in 1979 as a prodÂuct of the AmerÂiÂcan People’s HisÂtorÂiÂcal SociÂety, Sanders’ own proÂducÂtion comÂpaÂny.
That venÂture conÂstiÂtutes just one chapÂter of a stoÂried life and career, which includes periÂods as a high-school track star, a folk singer, and the mayÂor of BurlingÂton, VerÂmont. Now that Sanders, junior UnitÂed States SenÂaÂtor from VerÂmont since 2007, has pulled ahead in the race for the DemoÂcÂraÂtÂic nomÂiÂnaÂtion in the 2020 presÂiÂdenÂtial elecÂtion, peoÂple want to know what he’s all about — and he has long been givÂen, cerÂtainÂly by the stanÂdards of U.S. politiÂcians, to clear and freÂquent expresÂsion of what he’s all about. He has made no secret, for examÂple, of his admiÂraÂtion for Debs, a socialÂist politÂiÂcal activist who five times ran for PresÂiÂdent of the UnitÂed States. You can see it come through in Eugene V. Debs: Trade UnionÂist, SocialÂist, RevÂoÂluÂtionÂary, which Jacobin magÂaÂzine has reconÂstructÂed and made availÂable on Youtube.
HyperÂalÂlerÂgic’s Nathan Smith writes that the docÂuÂmenÂtary frames Debs “as a lost prophet before explainÂing how he endÂed up where he did ideÂoÂlogÂiÂcalÂly. It opens with Debs’s final presÂiÂdenÂtial camÂpaign, conÂductÂed in 1920 from prison. If a milÂlion peoÂple votÂed for this man while he was behind bars, if more peoÂple went to hear him speak than PresÂiÂdent Taft, then how could hisÂtoÂry have forÂgotÂten him?” Sanders explains Debs’ socialÂism “as a response to issues which still resÂonate today: the exploitaÂtion of workÂing peoÂple, segÂreÂgaÂtion and vioÂlent racism, votÂing rights, and the supÂpresÂsion of free speech and disÂsent durÂing World War I.” More so than see Sanders’ admiÂraÂtion for Debs — Jacobin havÂing had to use visuÂals othÂer than the ones on the film strip at the time — you can hear it: as in all the shoeÂstring proÂducÂtions of the AmerÂiÂcan People’s HisÂtorÂiÂcal SociÂety’s shoeÂstring proÂducÂtions, Sanders himÂself plays the roles of the hisÂtorÂiÂcal charÂacÂters involved.
In this case, that means we hear Sanders give Debs’ speechÂes, and in cerÂtain moments we viewÂers of 2020 could easÂiÂly misÂtake Debs’ indictÂments of the disÂtriÂbÂuÂtion of wealth, goods, and the means of proÂducÂtion in AmerÂiÂca as Sanders’ own. A self-described socialÂist, Sanders has in his politÂiÂcal career placed himÂself in Debs’ traÂdiÂtion, and havÂing made a docÂuÂmenÂtary like this more than 40 years ago shores up that image. The WashÂingÂton Post’s Philip Bump points out that, before becomÂing a U.S. senÂaÂtor, Sanders did a couÂple more actÂing jobs in feaÂture films, once as a man stingy with HalÂloween canÂdy and once as a Dodgers-obsessed rabÂbi. As much as those roles might have suitÂed his demeanor, it’s safe to say he played Eugene V. Debs with more conÂvicÂtion.
RelatÂed ConÂtent:
Bernie Sanders: I Will Be an Arts PresÂiÂdent
Allen Ginsberg’s HandÂwritÂten Poem For Bernie Sanders, “BurlingÂton Snow” (1986)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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