You may have heard of “plant blindÂness,” a conÂdiÂtion defined about 20 years ago that has startÂed to get more press in recent years. As its name sugÂgests, it refers to an inabilÂiÂty to idenÂtiÂfy or even notice the many plant species around us in our everyÂday lives. Some have conÂnectÂed it to a potenÂtialÂly more wideÂspread afflicÂtion they call “nature deficit disÂorÂder,” which is also just what it sounds like: a set of impairÂments brought on by insufÂfiÂcient expoÂsure to the natÂurÂal world. One might also draw a line from these conÂcepts to our attiÂtudes about cliÂmate change, or to our ever-less-interÂruptÂed immerÂsion in the digÂiÂtal world. But if any part of that digÂiÂtal world can open our eyes to nature once again, it’s the BioÂdiÂverÂsiÂty HerÂitage Library (present also on Flickr and InstaÂgram.)
PreÂviÂousÂly feaÂtured here on Open CulÂture for its vast archive of two milÂlion illusÂtraÂtions of the natÂurÂal world, the BHL has received more covÂerÂage this year for the more than 150,000 it’s made availÂable for copyÂright-free downÂload. HyperÂalÂlerÂgic’s Hakim Bishara quotes HenÂry David ThoreÂau — “We need the tonÂic of wildÂness. We can nevÂer get enough of nature” — before writÂing of how thrilled ThoreÂau would have been by the exisÂtence of such a resource for images of nature.
These images include “aniÂmal sketchÂes, hisÂtorÂiÂcal diaÂgrams, botanÂiÂcal studÂies, and sciÂenÂtifÂic research colÂlectÂed from hunÂdreds of thouÂsands of jourÂnals and libraries across the world,” some datÂing to the 15th cenÂtuÂry. He highÂlights “Joseph Wolf’s 19th-cenÂtuÂry book ZooÂlogÂiÂcal SketchÂes, conÂtainÂing about 100 lithÂoÂgraphs depictÂing wild aniÂmals in London’s Regent’s Park” and “waterÂcolÂors depictÂing flowÂers indigeÂnous to the HawaiÂian islands” as well as “an 1833 DIY Taxidermist’s ManÂuÂal.”
As Smithsonian.com’s ThereÂsa Machemer notes, “The pracÂtice of creÂatÂing detailed illusÂtraÂtions of floÂra and fauÂna, whether to docÂuÂment an expeÂdiÂtion or a medÂical pracÂtice, gained popÂuÂlarÂiÂty well before phoÂtogÂraÂphy was up to the task.” Hence such ambiÂtious projects as the UnitÂed States govÂernÂmenÂt’s comÂmisÂsionÂing, in 1866, of waterÂcolÂor paintÂings depictÂing every fruit known to man. But even today, “an illusÂtraÂtion can offer more clarÂiÂty than a phoÂtoÂgraph,” as you’ll find when you zoom in on any of the BHL’s high-resÂoÂluÂtion illusÂtraÂtions. AccordÂing to the BHL, “a worldÂwide conÂsorÂtium of natÂurÂal hisÂtoÂry, botanÂiÂcal, research, and nationÂal libraries,” its misÂsion is to proÂvide “access to the world’s colÂlecÂtive knowlÂedge about bioÂdiÂverÂsiÂty,” in order to help researchers “docÂuÂment Earth’s species and underÂstand the comÂplexÂiÂties of swiftÂly-changÂing ecosysÂtems in the midst of a major extincÂtion criÂsis and wideÂspread cliÂmate change.” But by revealÂing how our preÂdeÂcesÂsors saw nature, it can also help all of us see nature again. Access the illusÂtraÂtions here.
RelatÂed ConÂtent:
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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