We can idenÂtiÂfy most of the last few cenÂturies by their styles of clothes. But it’s one thing to know what peoÂple wore in hisÂtoÂry and quite anothÂer to know how, exactÂly, they wore it. We’ve preÂviÂousÂly feaÂtured videos that accuÂrateÂly re-enact the whole process of of how solÂdiers and nursÂes dressed in World War I, and how women got dressed in the fourÂteenth and eighÂteenth cenÂturies. Today we go back again to the eighÂteenth cenÂtuÂry with two videos from NationÂal MuseÂums LivÂerÂpool, one that shows us how EuroÂpean genÂtleÂmen got dressed in those days, and anothÂer that shows us how ladies did.
One obviÂous way in which dressÂing points to changes over the past few hunÂdred years: both the genÂtleÂman and the lady require the assisÂtance of a serÂvant. The genÂtleÂman begins his day wearÂing his long linen nightÂshirt and a wrapÂper over it, Japan- and India-inspired garÂments, the narÂraÂtor tells us, that “reflect British interÂests abroad.”
To replace them comes first a voluÂmiÂnous, usuÂalÂly rufÂfled shirt; over-the-knee stockÂings held in place with breech kneeÂbands; occaÂsion-approÂpriÂate shoe buckÂles and cufÂflinks; optionÂal linen underÂdrawÂers; many-butÂtoned and buckÂled knee breechÂes; a waistÂcoat (whose top few butÂtons remain open to reveal the shirt’s rufÂfles); a linen craÂvat; a buckÂled stock; a coat on top of the waistÂcoat; and of course, a freshÂly-dustÂed wig.
GetÂting clothes on for a day in the eighÂteenth cenÂtuÂry was even more comÂpliÂcatÂed for ladies than for genÂtleÂmen, as eviÂdenced by the fact that its video requires two addiÂtionÂal minÂutes to show every step involved. We begin with the shift, an underÂgarÂment worn withÂout knickÂers. Like the genÂtleÂman, the lady wears over-the-knee stockÂings, but she ties them with ribÂbon garters (at least for days not involvÂing much dancÂing). Over that, “a knee-length white linen petÂtiÂcoat worn for warmth and modÂesty,” and over that, a stay made using whale baleen. PockÂets were added in the form of bags worn at the hips, but bags known to get lost if their ties came undone — hence the nursÂery rhyme “Lucy LockÂet lost her pockÂet.”
PropÂer eighÂteenth-cenÂtuÂry female dress also required petÂtiÂcoats of varÂiÂous kinds, a kerÂchief, a stomÂachÂer (often highÂly decÂoÂratÂed), more petÂtiÂcoats, a gown, a linen apron (with a bib pinned into posiÂtion, hence “pinafore”), a day cap, and then anothÂer apron that “serves no purÂpose othÂer than to indiÂcate the fine staÂtus of the indiÂvidÂual wearÂing it.” ConÂspicÂuÂous conÂsumpÂtion matÂtered even back then, but so did the painstakÂing creÂation of the ideÂal female figÂure, or at least the impresÂsion thereÂof. Not only do these videos show us just the kind of clothÂing that would have been worn for that purÂpose and how it would have been put on, they also show us highÂly plauÂsiÂble attiÂtudes proÂjectÂed by dressed and dressÂer alike: the forÂmer one of faintÂly bored expecÂtaÂtion, and the latÂter one of resigned indusÂtriÂousÂness tinged with the susÂpiÂcion that all this can’t last forÂevÂer.
RelatÂed ConÂtent:
The Sights & Sounds of 18th CenÂtuÂry Paris Get RecreÂatÂed with 3D Audio and AniÂmaÂtion
The DressÂer: The ConÂtrapÂtion That Makes GetÂting Dressed an AdvenÂture
How to Make and Wear Medieval Armor: An In-Depth Primer
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
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