They say creÂativÂiÂty is born of limÂiÂtaÂtions. If that’s true, then is any aniÂmaÂtor workÂing today more creÂative than Don Hertzfeldt? “The stars of his movies are all near-feaÂtureÂless stickÂmen with dots for eyes and a sinÂgle line for a mouth,” writes The Guardian’s David JenkÂins in an appreÂciÂaÂtion of Hertzfeldt, whose “method of makÂing grand exisÂtenÂtial stateÂments with almost reckÂlessÂly modÂest means” — aniÂmatÂing everyÂthing himÂself, and doing it all with traÂdiÂtionÂal hand-drawÂing-and-film-camÂera methÂods that at no point involve comÂputÂer-genÂerÂatÂed imagery — “has made his cinÂeÂmatÂic oeuÂvre one of the most fasÂciÂnatÂing and enjoyÂable of all conÂtemÂpoÂrary AmerÂiÂcan direcÂtors.”
As an examÂple JenkÂins holds up 2005’s The MeanÂing of Life, which “tackÂled nothÂing less than the nature of organÂic life in the known uniÂverse, addressÂing the painstakÂing develÂopÂment of the human form through a series of (often highÂly amusÂing) DarÂwinÂian transÂmuÂtaÂtions.”
You can glimpse its four-year-long aniÂmaÂtion process, which appears to have been almost as painstakÂing, in time-lapse makÂing-of docÂuÂmenÂtary WatchÂing Grass Grow. At Short of the Week, Rob MunÂday writes that, though The MeanÂing of Life takes on “a subÂject already familÂiar to the forÂmat (evoÂluÂtion has also been porÂtrayed in short film by aniÂmaÂtors Michael Mills, Claude CloutiÂer and I’m sure many more),” it also sees Hertzfeldt adding “his own disÂtinct take to proÂceedÂings with his unmisÂtakÂable style and injecÂtions of dark humor.”
That speÂcial brand of humor has long been familÂiar to the many viewÂers who have stumÂbled across Hertzfeldt’s earÂliÂer RejectÂed, a short comÂposed of even shortÂer shorts origÂiÂnalÂly comÂmisÂsioned — and, yes, rejectÂed — by the FamÂiÂly LearnÂing ChanÂnel. As one of the first aniÂmaÂtions to “go viral” in the Youtube era, RejectÂed not only made Hertzfeldt’s name but paved the way for projects at once more ambiÂtious, more surÂreÂal, more comÂic, and more seriÂous: take the 65-minute It’s Such a BeauÂtiÂful Day, which folÂlows one of his sigÂnaÂture stickÂmen into proÂlonged neuÂroÂlogÂiÂcal decline. The MeanÂing of Life might seem posÂiÂtive by comÂparÂiÂson, but its cosÂmic sweep belies Hertzfeldt’s underÂlyÂing criÂtique of all that evoÂluÂtion has proÂduced. As JenkÂins paraÂphrasÂes it, “Were we realÂly worth all that effort?”
The MeanÂing of Life–which Time Out New York named the film one of the “thirÂty best aniÂmatÂed short films ever made”–has been added to our list of Free AniÂmaÂtions, a subÂset of our colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More
RelatÂed ConÂtent:
Free AniÂmatÂed Films: From ClasÂsic to ModÂern
Carl Sagan Explains EvoÂluÂtion in an Eight-Minute AniÂmaÂtion
Alan Watts DisÂpensÂes Wit & WisÂdom on the MeanÂing of Life in Three AniÂmatÂed Videos
Why Man CreÂates: Saul Bass’ Oscar-WinÂning AniÂmatÂed Look at CreÂativÂiÂty (1968)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.
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