How long has mankind dreamed of an interÂnaÂtionÂal lanÂguage? The first answer that comes to mind, of course, dates that dream to the time of the BibÂliÂcal stoÂry of the TowÂer of Babel. If you don’t hapÂpen to believe that humanÂiÂty was made to speak a variÂety of mutuÂalÂly incomÂpreÂhenÂsiÂble tongues as punÂishÂment for darÂing to build a towÂer tall enough to reach heavÂen, maybe you’d preÂfer a date someÂwhere around the much latÂer develÂopÂment of EsperanÂto, the best-known lanÂguage inventÂed specifÂiÂcalÂly to attain uniÂverÂsalÂiÂty, in the late 19th cenÂtuÂry. But look ahead a few decades past that and you find an intriguÂing examÂple of a lanÂguage creÂatÂed to unite the world withÂout using words at all: InterÂnaÂtionÂal SysÂtem Of TypoÂgraphÂic PicÂture EduÂcaÂtion, or IsoÂtype.
“NearÂly a cenÂtuÂry before infoÂgraphÂics and data visuÂalÂizaÂtion became the culÂturÂal ubiqÂuiÂty they are today,” writes Brain PickÂings’ Maria PopoÂva, “the pioÂneerÂing AusÂtriÂan sociÂolÂoÂgist, philosoÂpher of sciÂence, social reformer, and curaÂtor Otto NeuÂrath (DecemÂber 10, 1882–December 22, 1945), togethÂer with his not-yet-wife Marie, inventÂed ISOTYPE — the visionÂary picÂtogram lanÂguage that furÂnished the vocabÂuÂlary of modÂern infoÂgraphÂics.”
First known as the VienÂna Method of PicÂtoÂrÂiÂal StaÂtisÂtics, IsoÂtypeÂ’s iniÂtial develÂopÂment began in 1926 at VienÂna’s Gesellschafts- und WirtschaftsmuÂseÂum (or Social and EcoÂnomÂic MuseÂum), of which NeuÂrath was the foundÂing direcÂtor. There he began to assemÂble someÂthing like a design stuÂdio team, with the misÂsion of creÂatÂing a set of picÂtoÂrÂiÂal symÂbols that could renÂder dense social, sciÂenÂtifÂic techÂnoÂlogÂiÂcal, bioÂlogÂiÂcal, and hisÂtorÂiÂcal inforÂmaÂtion legÂiÂble at a glance.
NeuÂrath’s most imporÂtant earÂly colÂlabÂoÂraÂtor on IsoÂtype was sureÂly the woodÂcut artist Gerd Arntz, at whose site you can see the more than 4000 picÂtograms he creÂatÂed to symÂbolÂize “key data from indusÂtry, demoÂgraphÂics, polÂiÂtics and econÂoÂmy.” Arntz designed them all in accorÂdance with NeuÂrat’s belief that even then the long “virÂtuÂalÂly illitÂerÂate” proÂleÂtariÂat “needÂed knowlÂedge of the world around them. This knowlÂedge should not be shrined in opaque sciÂenÂtifÂic lanÂguage, but directÂly illusÂtratÂed in straightÂforÂward images and a clear strucÂture, also for peoÂple who could not, or hardÂly, read. AnothÂer outÂspoÂken goal of this method of visuÂal staÂtisÂtics was to overÂcome barÂriÂers of lanÂguage and culÂture, and to be uniÂverÂsalÂly underÂstood.”
By the mid-1930s, writes The Atlantic’s Steven Heller in an artiÂcle on the book IsoÂtype: Design and ConÂtexts 1925–1971, “with the Nazi march into AusÂtria, NeuÂrath fled VienÂna for HolÂland. He met his future wife Marie ReiÂdeÂmeisÂter there and after the GerÂman bombÂing of RotÂterÂdam the pair escaped to EngÂland, where they were interned on the Isle of Man. FolÂlowÂing their release they estabÂlished the IsoÂtype InstiÂtute in Oxford. From this base they conÂtinÂued to develÂop their unique stratÂeÂgy, which influÂenced designÂers worldÂwide.” Today, even those who have nevÂer laid eyes on IsoÂtype itself have extenÂsiveÂly “read” the visuÂal lanÂguages it has influÂenced: GizÂmodÂo’s AlisÂsa WalkÂer points to the stanÂdardÂized icons creÂatÂed in the 70s by the U.S. DepartÂment of TransÂportaÂtion and the AmerÂiÂcan InstiÂtute of GraphÂic Arts as well as today’s emoÂji — probÂaÂbly not exactÂly what NeuÂrath had in mind as the lanÂguage of Utopia back when he was co-foundÂing the VienÂna CirÂcle, but nevÂerÂtheÂless a disÂtant cousin of IsoÂtype in “its own adorable way.”
via Brain PickÂings
RelatÂed ConÂtent:
The Art of Data VisuÂalÂizaÂtion: How to Tell ComÂplex StoÂries Through Smart Design
You Could Soon Be Able to Text with 2,000 Ancient EgyptÂian HieroÂglyphs
Say What You RealÂly Mean with DownÂloadÂable Cindy SherÂman EmotiÂcons
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
I learned about IsoÂtype a few years ago when the band OMD made a song about it, with a video packed with IsoÂtype: https://www.youtube.com/watch?v=gp_Du6uO9V4