When Leon Theremin debuted his strange elecÂtronÂic device on the world stage, it seemed to many peoÂple more like a curiÂous toy than a seriÂous musiÂcal instruÂment. The theremin soon became assoÂciÂatÂed with B‑grade sci-fi movies and novÂelÂty soundÂtracks, an assoÂciÂaÂtion that made Clara RockÂmore furiÂous. DeterÂmined to achieve respectabilÂiÂty for the theremin, she chamÂpiÂoned it as “a legitÂiÂmate clasÂsiÂcal instruÂment that deserves a place in the pit,” writes Atlas ObscuÂra, “right next to the vioÂlins and piano.” Rockmore’s ambiÂtions may have been outÂsized, but her talÂent was undeÂniÂable. “As seriÂous as anyÂone has ever been about the theremin… she left behind a numÂber of valuÂable lessons,” includÂing a book, freely availÂable, in which she disÂpensÂes some very pracÂtiÂcal advice.
But much has changed since her day, includÂing popÂuÂlar methÂods of instrucÂtion and some of the techÂniÂcal design of theremins. Now, aspirÂing playÂers will likeÂly go lookÂing for video lessons before conÂsultÂing Rockmore’s guide, which requires that stuÂdents read music in order to tranÂsiÂtion from exerÂcisÂes to “easy pieces” by Camille Saint-SaĂ«ns and J.S. Bach.
One series of video lessons offered by “theremÂiÂnist” Thomas GrilÂlo, an earnest instrucÂtor in a white shirt and tie, begins with the very basics and works up to more advanced techÂniques, includÂing posÂsiÂble mods to the device (GrilÂlo plays a Moog-made theremin himÂself).
GrilÂlo opens with a disÂclaimer that his short course is “no subÂstiÂtute for proÂfesÂsionÂalÂly done how-to videos on how to play the theremin,” thereÂby humbly acknowlÂedgÂing the low proÂducÂtion valÂues of his series. NonetheÂless, I imagÂine his classÂes are as good a place to start as any for newÂcomÂers to theremin-ing, not a skill one can pick up as readÂiÂly online as playÂing the guiÂtar or piano. He clearÂly knows his stuff. With the look and demeanÂer of a high school algeÂbra teacher, GrilÂlo patientÂly explains and demonÂstrates many techÂniques and prinÂciÂples, beginÂning with lesÂson one above, then conÂtinÂuÂing in lessons two, three, four, five, six, and sevÂen.
Once you’ve reached an interÂmeÂdiÂate stage, or if you already find yourÂself there, you may benÂeÂfit from the instrucÂtion of CarÂoliÂna Eyck, who has carÂried on the seriÂous clasÂsiÂcal work of Clara RockÂmore. See her just above perÂform a stirÂring renÂdiÂtion of RachÂmaniÂnofÂf’s “Vocalise,” accomÂpaÂnied on piano by ChristoÂpher Tarnow, and check out her YouTube chanÂnel for more perÂforÂmances and short lessons.
RelatÂed ConÂtent:
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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