ColÂin WinÂterÂbotÂtom speÂcialÂizes in takÂing phoÂtographs that offer a fresh perÂspecÂtive on AmerÂiÂca’s capÂiÂtal, WashÂingÂton DC. As his web site tells us, his phoÂtos seek to express “not just what a place looks like, but how it feels to be there.” A point that also comes across in a video he shot sevÂerÂal years ago.
He introÂduces the video above, entiÂtled “Stained glass time lapse, WashÂingÂton NationÂal CatheÂdral,” with these backÂground words:
I am priÂmarÂiÂly a black and white archiÂtecÂturÂal still phoÂtogÂraÂphÂer, but while docÂuÂmentÂing post-earthÂquake repairs at WashÂingÂton NationÂal CatheÂdral I was impressed by the draÂma of the vibrant colÂors the winÂdows “paintÂed” on stone and scafÂfold. With just weeks before a relatÂed exhiÂbiÂtion was to open I began mountÂing camÂeras to scafÂfold to take advanÂtage of rare vanÂtage points. The openÂing and closÂing view, for examÂple — with Rowan LeCompte’s remarkÂable west rose winÂdow at eye-levÂel and cenÂtered straight ahead withÂin the nave — canÂnot be recreÂatÂed now that scafÂfold is down.
The phoÂtographs in the exhiÂbiÂtion “ScalÂing WashÂingÂton” (which was at the NationÂal BuildÂing MuseÂum in 2015) often played off the unexÂpectÂed harÂmoÂny between the CatheÂdral archiÂtecÂture and scafÂfold, both havÂing engagÂing rhythÂmic strucÂturÂal repÂeÂtiÂtions. Thus the incluÂsion of wonÂderÂfulÂly paintÂed scafÂfold hereÂin. For the purÂpose of the exhiÂbiÂtion (which had much othÂer conÂtent) the video was left silent and had remained so for sevÂerÂal years until comÂposÂer Danyal Dhondy recentÂly offered to write an origÂiÂnal score for it. It fits so well and comÂpleÂments the rhythms of the origÂiÂnal edit so perÂfectÂly. Now the piece has new dimenÂsion and life outÂside the origÂiÂnal exhiÂbiÂtion.
It’s good to know there’s still some beauÂty and tranÂquilÂiÂty someÂwhere in WashÂingÂton. Do enjoy.
RelatÂed ConÂtent:
A DigÂiÂtal ReconÂstrucÂtion of WashÂingÂton D.C. in 1814
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