As a film, The WizÂard of Oz of 1939 is so iconÂic, so well known, that any sequel has been treatÂed as an affront to AmerÂiÂcan culÂture. Just see for examÂple, the reviled Return to Oz and the mediocre response to Oz the Great and PowÂerÂful. HowÂevÂer, spin-offs and reconÂtexÂtuÂalÂized works, like The Wiz (the musiÂcal) and Wicked (the othÂer musiÂcal, based on a novÂel), do realÂly well as long as they remain tied to VicÂtor Fleming’s film.
Even before the days of Judy GarÂland, the Oz stoÂries made for popÂuÂlar cinÂeÂma. We already told you about the 1910 silent short film verÂsion of The WizÂard of Oz, which conÂfusÂingÂly packs much of the origÂiÂnal children’s book and the stage play adapÂtaÂtion (from 1902) into 13 crazed minÂutes, redoÂlent of Georges MĂ©liès’ sci-fi films and filled with beauÂties on parade and a very active mule charÂacÂter called Hank.
MeanÂwhile, the proÂlifÂic author of the Oz series, L. Frank Baum, reelÂing from takÂing a loss on the stage play verÂsion of his stoÂry, decidÂed to make some monÂey in cinÂeÂma. In 1914, he and some friends from the Los AngeÂles AthÂletÂic Club (who called themÂselves the Uplifters) startÂed their own proÂducÂtion house, Oz Film ManÂuÂfacÂturÂing ComÂpaÂny, based in Los AngeÂles. Baum thought he had plenÂty of mateÂrÂiÂal to work with, makÂing good-natured chilÂdren’s films to comÂpete with the more popÂuÂlar westÂerns.
All three of Baum’s feaÂtures are now availÂable on YouTube, with Baum’s first film, The PatchÂwork Girl of Oz, from 1914, at the top of this page. AdaptÂing his 1913 book, Baum changed plot devices, adding in vaudeÂville rouÂtines and stop-motion aniÂmaÂtion. A French acroÂbat called Pierre CoudÂerc played the PatchÂwork Girl in the stunt sequences, and the film is also noticeÂable for an earÂly appearÂance by Hal Roach and Harold Lloyd, who became such fast friends on the proÂducÂtion that they went on to make their own films.
After that His Majesty, the ScareÂcrow of Oz, was released in 1914, and retells the WizÂard of Oz stoÂry in its own way, but gives the ScareÂcrow a new oriÂgin stoÂry. Hank the Mule returns, as do some more panÂtomime aniÂmals. This time, the movie was made as proÂmoÂtion for the upcomÂing book of a simÂiÂlar name, but did not help sales in the end.
The final film proÂduced was The MagÂic Cloak of Oz, based on a non-Oz Baum book called Queen Zixi of Ix, but Baum knew that anyÂthing with Oz in the title could sell. ParaÂmount didn’t howÂevÂer, and delayed release for two years. This surÂvivÂing verÂsion is missÂing a reel, and British disÂtribÂuÂtors dividÂed it up into two sepÂaÂrate films.
Shot all at the same time, Baum was hopÂing to quickÂly make his investors’ monÂey back, but this didn’t hapÂpen and the Oz Film ManÂuÂfacÂturÂing ComÂpaÂny shutÂtered soon after, with Baum dying in 1919 at age 62, with no idea how influÂenÂtial his one book would become.
These origÂiÂnal Oz films will be added to our colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
RelatÂed ConÂtent:
The ComÂplete WizÂard of Oz Series, AvailÂable as Free eBooks and Free Audio Books
Dark Side of the RainÂbow: Pink Floyd Meets The WizÂard of Oz in One of the EarÂliÂest Mash-Ups
HeartÂless: The StoÂry of the Tin Man
Ted Mills is a freeÂlance writer on the arts who curÂrentÂly hosts the FunkZone PodÂcast. You can also folÂlow him on TwitÂter at @tedmills, read his othÂer arts writÂing at tedmills.com and/or watch his films here.
Return to Oz isn’t reviled, it’s actuÂalÂly conÂsidÂered a dark masÂterÂpiece that was a vicÂtim of DisÂney’s restrucÂturÂing at the time and was buried. It’s my favorite film of all time.
Agreed. I like it.
I too think it is a masÂterÂpiece. Return To Oz is a great movie.