“The world is in ruins. The White House reloÂcatÂed to the omiÂnous-soundÂing NationÂal EmerÂgency FedÂerÂal DisÂtrict in MonÂtana. They have techÂnolÂoÂgy that far outÂstrips our own.” A dystopiÂan vision of the disÂtant future? Nope, a dystopiÂan vision of FebÂruÂary 2016 — the FebÂruÂary 2016 of Archangel, a new comÂic-book series from actor-writer Michael St. John Smith, artist Butch Guice, and none othÂer than novÂelÂist William GibÂson, author of such sui generÂis works of sciÂence ficÂtion, pilÂlars of cyberÂpunk, or propheÂcies of the present as NeuÂroÂmancer, All TomorÂrow’s ParÂties, PatÂtern RecogÂniÂtion, and most recentÂly The PeriphÂerÂal, a preÂdeÂcesÂsor, in a way, of Archangel’s stoÂry that plays out on more than one timeÂline.
“A father and son occuÂpy the new White House as PresÂiÂdent and Vice PresÂiÂdent,” writes Ars TechÂniÂca’s Jonathan M. Gitlin. The younger overÂlord of AmerÂiÂca “has been surÂgiÂcalÂly altered to resemÂble his grandÂfaÂther, because Junior is about travÂel to an alterÂnate Earth in 1945 to take grandÂpa’s place, with the intent of remakÂing that world more to his likÂing.” In response, “a pair of tatÂtooed Marines go back in time to stop him, but things start to unravÂel when their stealth plane mateÂriÂalÂizes in a forÂmaÂtion of B‑17s in the skies above Berlin.” In that alterÂnate 1945, “British intelÂliÂgence offiÂcer NaoÂmi Givens is tasked with findÂing out what just fell out of the skies of Berlin.” If you feel your curiosÂiÂty piqued — and how couldÂn’t you? — you can read through (above) pages of Archangel’s first issue, whose paper verÂsion quickÂly sold out. (You can also purÂchase the digÂiÂtal one here.)
As the series goes on, it will sureÂly delivÂer more of the “alterÂnate-hisÂtoÂry/cross-worlds stoÂry” that GibÂson describes as “Band Of BrothÂers vs. BlackÂwaÂter,” not to menÂtion plenÂty of heroÂics on the part of anothÂer one of his sigÂnaÂture proÂtagÂoÂnists, the “over-the-top female charÂacÂter who just nevÂer gets killed.” EnthuÂsiÂasts of both comÂic books and William GibÂson have long and patientÂly waitÂed for those worlds to colÂlide, and they’ll preÂsumÂably wait a litÂtle less patientÂly for Archangel’s next issue, since its first one holds out enough promise to make them want to time-travÂel back to an alterÂnate 1984, the year of NeuÂroÂmancer’s pubÂliÂcaÂtion, and get its author writÂing comics right away.
via Ars TechÂniÂca
RelatÂed ConÂtent:
William GibÂson Reads NeuÂroÂmancer, His CyberÂpunk-DefinÂing NovÂel (1994)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future?, and the Los AngeÂles Review of Books’ Korea Blog. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
I’m creÂatÂing some notes on Archangel here: https://williamgibsonarchangel.blogspot.ie/p/index.html
I love GibÂson’s prose, his imagery of a potenÂtial tomorÂrow and close future blows my mind; what he does with Archangel is an impresÂsive depicÂtion of a posÂsiÂble past