San Quentin State Prison, CalÂiÂforÂniÂa’s only male-inmate death row, has a repÂuÂtaÂtion for havÂing conÂtained some of the most fearÂsome murÂderÂers to make headÂlines, up to and includÂing Charles ManÂson. But some non-serÂiÂal-killing culÂturÂal figÂures have also passed through it gates: counÂtry singer-songÂwriter MerÂle HagÂgard, for car theft and armed robÂbery in his youth; actor DanÂny TreÂjo, who did a few years in the sixÂties; jazz saxÂoÂphonÂist Art PepÂper, who served two senÂtences there in that decade; and Neal CasÂsady, the inspiÂraÂtion for Dean MoriÂarÂty in Jack KerÂouac’s On the Road, locked up for marÂiÂjuaÂna posÂsesÂsion in 1958. The folÂlowÂing year would see the conÂstrucÂtion, up north at the UniÂverÂsiÂty of OreÂgon, of the very first full-sphere “conÂtinÂuÂous tenÂsion-disÂconÂtinÂuÂous comÂpresÂsion” geoÂdesÂic dome. What on Earth could link these these two strucÂtures, one bruÂtalÂly utilÂiÂtarÂiÂan with a name that spooks even hardÂened outÂlaws, and the othÂer a techÂnoÂlogÂiÂcalÂly forÂward-thinkÂing, utopiÂan attempt at archiÂtecÂturalÂly bringÂing about a betÂter world?
The conÂnecÂtion comes in the form of BuckÂminÂster Fuller himÂself, the archiÂtect, invenÂtor, writer, and much else besides responÂsiÂble for the design of the geoÂdesÂic dome. (He also inventÂed the DymaxÂion Car, DymaxÂion House, DymaxÂion Map… and the list goes on.) He came to San Quentin that same year, not as an inmate — one imagÂines him as far too busy spinÂning off new theÂoÂries or keepÂing the DymaxÂion Chronofile to so much as conÂsidÂer comÂmitÂting a crime — but as a lecÂturÂer. Described as “a talk givÂen to inmates on genÂerÂal semanÂtics,” Fuller’s address, which you can hear above, startÂing around the 20:30 minute mark, takes on an even more genÂerÂal breadth of subÂjects than that, includÂing his own biogÂraÂphy and the expeÂriÂences that origÂiÂnatÂed the ideas that drove him to live his life as “an experÂiÂment to find what a sinÂgle indiÂvidÂual can conÂtribute to changÂing the world and benÂeÂfitÂing all humanÂiÂty.” Through that conÂcern with humanÂiÂty, he could relate to prisÂonÂers just as well as he could to anyÂone else. “There are no throw-away resources,” he says at one point, “and no throw-away peoÂple.” At over three hours long, the lecÂture gets into some detail, but if you want a still more thorÂough look into Fuller’s mind, conÂsidÂer folÂlowÂing it up with the 42-hour EveryÂthing I Know.
RelatÂed ConÂtent:
875 Free Online CoursÂes from Top UniÂverÂsiÂties
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on cities, lanÂguage, Asia, and men’s style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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