Book lists, despite what younger readÂers born into Buzzfeed’s ruthÂless listÂsiÂcle monopÂoly may think, have always been popÂuÂlar. Some, like David Bowie’s Top 100 Books, give us a sense of the artist’s develÂopÂment. OthÂers, like Joseph Brodsky’s List of 84 Books for Basic ConÂverÂsaÂtion, proÂvide a Nobel prize-winÂning benchÂmark for knowlÂedge. Even though the books are withÂin the reach of most readÂers, sysÂtemÂatÂiÂcalÂly digestÂing such lists often tries one’s patience. Despite the lack of will or interÂest in workÂing through someÂone else’s litÂerÂary eduÂcaÂtion, howÂevÂer, glancÂing through such perÂsonÂal antholoÂgies proÂvides us with a glimpse into the maker’s life—be it their priÂvate tastes, or their social mores.
In late OctoÂber, The Times LitÂerÂary Supplement’s Michael Caines unearthed anothÂer Top 100 list; this one, howÂevÂer, has the disÂtincÂtion of hailÂing from 1898. At the turn of the 20th cenÂtuÂry, a jourÂnalÂist and author of numerÂous books on the BronÂtĂ« sisÂters named Clement K. ShortÂer tried his hand at comÂpilÂing the 100 Best NovÂels for a jourÂnal called The BookÂman. The ground rules were simÂple: the list could feaÂture only one novÂel per novÂelÂist, and livÂing authors were excludÂed. Today, Shorter’s comÂpendiÂum looks someÂwhat hit-or-miss. There are some indisÂputable clasÂsics (many of which can be found in our Free eBooks and Free Audio Books colÂlecÂtions) and some othÂer texts that have fadÂed into oblivÂion. Still—one can’t help but expeÂriÂence a cerÂtain hisÂtorÂiÂcal frisÂson at a 19th cenÂtuÂry listÂsiÂcle. Here it goes:
1. Don Quixote — 1604 — Miguel de CerÂvantes
2. The Holy War — 1682 — John BunÂyan
3. Gil Blas — 1715 — Alain René le Sage
4. RobinÂson CruÂsoe — 1719 — Daniel Defoe
5. GulÂlivÂer’s TravÂels — 1726 — Jonathan Swift
6. RodÂerÂick RanÂdom — 1748 — Tobias SmolÂlett
7. ClarisÂsa — 1749 — Samuel RichardÂson
8. Tom Jones — 1749 — HenÂry FieldÂing
9. CanÂdide — 1756 — Françoise de Voltaire
10. RasÂseÂlas — 1759 — Samuel JohnÂson
11. The CasÂtle of OtranÂto — 1764 — Horace WalÂpole
12. The VicÂar of WakeÂfield — 1766 — OlivÂer GoldÂsmith
13. The Old EngÂlish Baron — 1777 — Clara Reeve
14. EveliÂna — 1778 — FanÂny BurÂney
15. Vathek — 1787 — William BeckÂford
16. The MysÂterÂies of Udolpho — 1794 — Ann RadÂcliffe
17. Caleb Williams — 1794 — William GodÂwin
18. The Wild Irish Girl — 1806 — Lady MorÂgan
19. Corinne — 1810 — Madame de Stael
20. The ScotÂtish Chiefs — 1810 — Jane Porter
21. The AbsenÂtee — 1812 — Maria EdgeÂworth
22. Pride and PrejÂuÂdice — 1813 — Jane Austen
23. HeadÂlong Hall — 1816 — Thomas Love PeaÂcock
24. FrankenÂstein — 1818 — Mary ShelÂley
25. MarÂriage — 1818 — Susan FerÂriÂer
26. The AyrÂshire LegaÂtees — 1820 — John Galt
27. Valerius — 1821 — John GibÂson LockÂhart
28. WilÂhelm MeisÂter — 1821 — Johann WolfÂgang von Goethe
29. KenilÂworth — 1821 — Sir WalÂter Scott
30. BraceÂbridge Hall — 1822 — WashÂingÂton IrvÂing
31. The EpiÂcureÂan — 1822 — Thomas Moore
32. The AdvenÂtures of Hajji Baba — 1824 — James MoriÂer (“usuÂalÂly reckÂoned his best”)
33. The Betrothed — 1825 — AlessanÂdro ManÂzoni
34. LichtÂenÂstein — 1826 — WilÂhelm Hauff
35. The Last of the MohiÂcans — 1826 — FenÂiÂmore CoopÂer
36. The ColÂleÂgians — 1828 — GerÂald GrifÂfin
37. The AutoÂbiÂogÂraÂphy of ManÂsie Wauch — 1828 — David M. Moir
38. RicheÂlieu — 1829 — G. P. R. James (the “first and best” novÂel by the “doyen of hisÂtorÂiÂcal novÂelÂists”)
39. Tom Cringle’s Log — 1833 — Michael Scott
40. Mr. MidÂshipÂman Easy — 1834 — FredÂerÂick MarÂryÂat
41. Le Père GoriÂot — 1835 — HonÂorĂ© de Balzac
42. Rory O’More — 1836 — Samuel Lover (anothÂer first novÂel, inspired by one of the author’s own balÂlads)
43. Jack Brag — 1837 — Theodore Hook
44. FarÂdorÂougha the Miser — 1839 — William CarÂleton (“a grim study of avarice and Catholic famÂiÂly life. CritÂics conÂsidÂer it the author’s finest achieveÂment”)
45. ValenÂtine Vox — 1840 — HenÂry CockÂton (yet anothÂer first novÂel)
46. Old St. Paul’s — 1841 — HarÂriÂson Ainsworth
47. Ten ThouÂsand a Year — 1841 — Samuel WarÂren (“immenseÂly sucÂcessÂful”)
48. Susan HopÂley — 1841 — CatherÂine Crowe (“the stoÂry of a resourceÂful serÂvant who solves a mysÂteÂriÂous crime”)
49. Charles O’MalÂley — 1841 — Charles Lever
50. The Last of the Barons — 1843 — BulÂwÂer LytÂton
51. ConÂsueÂlo — 1844 — George Sand
52. Amy HerÂbert — 1844 — ElizÂaÂbeth Sewell
53. AdvenÂtures of Mr. LedÂbury — 1844 — ElizÂaÂbeth Sewell
54. Sybil — 1845 — Lord BeaÂconsÂfield (a. k. a. BenÂjamin DisÂraeli)
55. The Three MusÂkeÂteers — 1845 — AlexanÂdre Dumas
56. The WanÂderÂing Jew — 1845 — Eugène Sue
57. EmilÂia WynÂdÂham — 1846 — Anne Marsh
58. The Romance of War — 1846 — James Grant (“the narÂraÂtive of the 92nd HighÂlanders’ conÂtriÂbuÂtion from the PeninÂsuÂlar camÂpaign to WaterÂloo”)
59. VanÂiÂty Fair — 1847 — W. M. ThackÂerÂay
60. Jane Eyre — 1847 — CharÂlotte BronÂtĂ«
61. WutherÂing Heights — 1847 — EmiÂly BronÂtĂ«
62. The Vale of Cedars — 1848 — Grace Aguilar
63. David CopÂperÂfield — 1849 — Charles DickÂens
64. The MaidÂen and MarÂried Life of Mary PowÂell — 1850 — Anne ManÂning (“writÂten in a pasÂtiche sevÂenÂteenth-cenÂtuÂry style and printÂed with the old-fashÂioned typogÂraÂphy and page layÂout for which there was a vogue at the periÂod …”)
65. The ScarÂlet LetÂter — 1850 — Nathaniel Hawthorne
66. Frank FairÂleigh — 1850 — FranÂcis SmedÂley (“SmedÂley speÂcialised in ficÂtion that is hearty and active, with a strong line in boisÂterÂous colÂlege escapades and advenÂturÂous esquesÂtriÂan exploits”)
67. Uncle Tom’s CabÂin — 1851 — H. B. Stowe
68. The Wide Wide World — 1851 — Susan WarnÂer (ElizÂaÂbeth Wetherell)
69. Nathalie — 1851 — Julia Kavanagh
70. Ruth — 1853 — ElizÂaÂbeth Gaskell
71. The LampÂlighter — 1854 — Maria SusanÂna CumÂmins
72. Dr. AntoÂnio — 1855 — GioÂvanÂni RuffiÂni
73. WestÂward Ho! — 1855 — Charles KingsÂley
74. DebÂit and CredÂit (Soll und Haben) — 1855 — GusÂtav FreyÂtag
75. Tom Brown’s School-Days — 1856 — Thomas HughÂes
76. BarchÂester TowÂers — 1857 — AnthoÂny TrolÂlope
77. John HalÂiÂfax, GenÂtleÂman — 1857 — Dinah Mulock (a. k. a. Dinah Craik; “the best-known VicÂtoÂriÂan fable of SmileÂsian self-improveÂment”)
78. EkkeÂhard — 1857 — VikÂtor von SchefÂfel
79. Elsie VenÂner — 1859 — O. W. Holmes
80. The Woman in White — 1860 — Wilkie Collins
81. The CloisÂter and the Hearth — 1861 — Charles Reade
82. RavenÂshoe — 1861 — HenÂry KingsÂley (“There is much conÂfuÂsion in the plot to do with changelings and frusÂtratÂed inherÂiÂtance” in this sucÂcessÂful novÂel by Charles KingsÂley’s younger brothÂer, the “black sheep” of a “highÂly respectable” famÂiÂly)
83. Fathers and Sons — 1861 — Ivan TurÂgeÂniÂeff
84. Silas MarnÂer — 1861 — George Eliot
85. Les MisÂĂ©rables — 1862 — VicÂtor Hugo
86. SalammÂbĂ´ — 1862 — GusÂtave Flaubert
87. Salem Chapel — 1862 — MarÂgaret Oliphant
88. The ChanÂnings — 1862 — Ellen Wood (a. k. a. Mrs HenÂry Wood)
89. Lost and Saved — 1863 — The Hon. Mrs. NorÂton
90. The SchönÂberg-CotÂta FamÂiÂly — 1863 — ElizÂaÂbeth Charles
91. Uncle Silas — 1864 — Joseph SheriÂdan Le Fanu
92. BarÂbara’s HisÂtoÂry — 1864 — Amelia B. Edwards (“ConÂfusÂingÂly for bibÂliÂogÂraÂphers, she was relatÂed to MatilÂda Betham-Edwards and posÂsiÂbly to Annie Edward(e)s …”)
93. Sweet Anne Page — 1868 — MorÂtimer Collins
94. Crime and PunÂishÂment — 1868 — Feodor DosÂtoieffÂsky
95. Fromont Junior — 1874 — Alphonse Daudet
96. MarÂmorne — 1877 — P. G. HamerÂton (“writÂten under the pseuÂdoÂnym AdolÂphus SegÂrave”)
97. Black but ComeÂly — 1879 — G. J. Whyte-Melville
98. The MasÂter of BalÂlantrae — 1889 — R. L. StevenÂson
99. Reuben Sachs — 1889 — Amy Levy
100. News from Nowhere — 1891 — William MorÂris
In addiÂtion to the canon, Shorter—unable to heed his own cauÂtious counÂsel and throwÂing the door open to the winds of litÂerÂary passion—included 8 books by livÂing novÂelÂists whom he called “writÂers whose repÂuÂtaÂtions are too well estabÂlished for their juniors to feel towards them any senÂtiÂments othÂer than those of revÂerÂence and regard:”
An EgyptÂian Princess — 1864 — Georg Ebers
RhoÂda FlemÂing — 1865 — George MeredÂith
LorÂna Doone — 1869 — R. D. BlackÂmore
Anna KarenÂiÂna — 1875 — Count Leo TolÂstoi
The Return of the Native — 1878 — Thomas Hardy
Daisy Miller — 1878 — HenÂry James
Mark RutherÂford — 1881 — W. Hale White
Le Rêve — 1889 — Emile Zola
via The Times LitÂerÂary SupÂpleÂment
RelatÂed ConÂtent:
David Bowie’s List of Top 100 Books
ChristoÂpher Hitchens CreÂates a ReadÂing List for Eight-Year-Old Girl
Ilia BlinÂdÂerÂman is a MonÂtreÂal-based culÂture and sciÂence writer. FolÂlow him at @iliablinderman
I’ve read perÂhaps 25 of these, and heard of maybe 20 more…Notice there is only one DickÂens, one George Eliot.
I’ve read perÂhaps 25 of these, and heard of maybe 20 more…Notice there is only one DickÂens, one George Eliot.
84 — Silas Mariner.nnAnd note: there are no livÂing authors includÂed in the main list and only one novÂel per novÂelÂist.
I’m a bozo..I missed the one novÂel per novÂelÂist part, but I realÂize that, yeah if it’s from 1898, the author is probÂaÂbly dead…
LivÂing at the time of comÂpilÂing the list.
Hey, I love these book lists you guys post, so I’d thought I’d recÂomÂmend anothÂer knowlÂedgeÂable source. In the sixÂties KenÂneth Rexroth wrote an extremeÂly fun and liveÂly colÂumn for the SatÂurÂday Review where he reviewed some of the great clasÂsics of world litÂerÂaÂture. These reviews were evenÂtuÂalÂly gathÂered togethÂer and pubÂlished in two books, ClasÂsics RevisÂitÂed and its sequel More ClasÂsics RevisÂitÂed. Both books are goldÂmines. I’ve been porÂing over each of them for about twenÂty years now, and I’ve come to regard Rexroth as a trustÂed and good natured friend who I nevÂer got the chance to meet in perÂson. I’m quite sure he would resÂonate strongÂly with anyÂone who digs Open Cultureu2026. And by the way, thanks for this site! I use this as my startÂup page; always a fun way to start the day.
Hey, I love these book lists you guys post, so I’d thought I’d recÂomÂmend anothÂer knowlÂedgeÂable source. In the sixÂties KenÂneth Rexroth wrote an extremeÂly fun and liveÂly colÂumn for the SatÂurÂday Review where he reviewed some of the great clasÂsics of world litÂerÂaÂture. These reviews were evenÂtuÂalÂly gathÂered togethÂer and pubÂlished in two books, ClasÂsics RevisÂitÂed and its sequel More ClasÂsics RevisÂitÂed. Both books are goldÂmines. I’ve been porÂing over each of them for about twenÂty years now, and I’ve come to regard Rexroth as a trustÂed and good natured friend who I nevÂer got the chance to meet in perÂson. I’m quite sure he would resÂonate strongÂly with anyÂone who digs Open Cultureu2026. And by the way, thanks for this site! I use this as my startÂup page; always a fun way to start the day.
The hisÂtorÂiÂcal Mary PowÂell (#64) was marÂried to John MilÂton, so I imagÂine that’s a hisÂtorÂiÂcal novÂel about her expeÂriÂence.
I’m pleased and surÂprised to see so many women authors includÂed, both the well- and lessÂer known.
#53 is actuÂalÂly by Albert Richard Smith.
Also, you should make it clearÂer (perÂhaps by using an unordered list) that this list is in chronoÂlogÂiÂcal order, and not ranked 1–100.
Don Quixote,by Miguel de CerÂvantes, is undoubtly a clasÂsic novel…and realÂly well placed on the book list.
Fiodor DosÂtoyevsky** it is, please..