MakÂing a movie? Need to shoot some large-scale desert scenes? You might conÂsidÂer takÂing your proÂducÂtion to North Africa, where you’ll find not only a great many acres of sand, but will folÂlow in the footÂsteps of some of the twenÂtiÂeth cenÂtuÂry’s highÂest-proÂfile filmÂmakÂers. Just above, you see a picÂture of one of the many Star Wars sets still standÂing in Tozeur, Tunisia, 36 years after the shoot. New York phoÂtogÂraÂphÂer Rä di MarÂtiÂno has takÂen it upon herÂself to deterÂmine the locaÂtions and colÂlect images of these cinÂeÂmatÂic ruins in the projects “No More Stars” and “Every World’s a Stage.” GivÂen the surÂprisÂingÂly sound conÂdiÂtion of some of these sets — that dry air must have someÂthing to do with it — I foreÂsee an entreÂpreÂneurÂial opporÂtuÂniÂty in the vein of all those New Zealand Lord of the Rings fan tours.
Even if Star Wars doesÂn’t get you excitÂed enough to book a trip to Tunisia, a visÂit to MorocÂco may still interÂest you. Di MarÂtiÂno’s short Petite hisÂtoire des plateaux abanÂdonÂnès (Short HisÂtoÂry of AbanÂdoned Sets) seeks out more such long-silent fake towns, fortressÂes, and gas staÂtions around OuarzaÂzate, origÂiÂnalÂly used for everyÂthing from cheap horÂror movies to Lawrence of AraÂbia. There, a group of kids recites, deadÂpan, scenes from the varÂiÂous proÂducÂtions that swung through town well before they were born. These surÂvivÂing chunks of artiÂfice, meant only for the camÂera, have found the camÂera again — or, rather, the camÂera has found them — with results that now look more interÂestÂing than many of the major films that comÂmisÂsioned them.
RelatÂed ConÂtent:
The MakÂing of The Empire Strikes Back ShowÂcased on Long-Lost Dutch TV DocÂuÂmenÂtary
HunÂdreds of Fans ColÂlecÂtiveÂly Remade Star Wars; Now They Remake The Empire Strikes Back
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on litÂerÂaÂture, film, cities, Asia, and aesÂthetÂics. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall.
Why wasÂn’t “HolÂlyÂwood” made to clean up the abanÂdoned junk. We mess up othÂer counÂtries landÂscapes.
Could not have done that here, unless the town wantÂed to use it to attract tourists. From what I saw the only tourist attractÂed to that pile of junk hapÂpened to be two boys.
And why is he playÂing that instruÂment, does not lend anyÂthing to the scenery.
One of my reaÂsons for not being in love with workÂing in the film indusÂtry, a thouÂsand or so years back, was the kind of careÂless-of-everyÂone-else attiÂtude that had crews (occaÂsionÂalÂly) simÂply walkÂing away from what they’d creÂatÂed as if it were someÂone else’s probÂlem. Detestable.
I’d be hapÂpiÂer if there were nothÂing for this excelÂlent phoÂtogÂraÂphÂer to shoot.
Please stop with your pitiÂful whinÂing about nothÂing. Do you comÂplain when we go to War? Do you bitch about it like this? ProbÂaÂbly not.
Besides, these sets? They’re NOT WHERE PEOPLE LIVE. They like them there, because it’s genÂerÂalÂly betÂter than havÂing nothÂing. And we gave the locals jobs at the time. These places are in the midÂdle of nowhere. See any major city cenÂters?
And the flute playÂing is an inside joke. Learn film and stop bitchÂing. Shit.