RecentÂly a friend of John Meroney at The Atlantic disÂcovÂered this 1954 episode of GenÂerÂal ElecÂtric TheÂater feaÂturÂing Ronald ReaÂgan and James Dean.
Dean’s perÂforÂmance is superb, and the episode (editÂed to 6 minÂutes) is a paraÂble of the culÂturÂal tenÂsions of the time — with drugged up, beatÂnik delinÂquents invadÂing the home of a decent couÂple to subÂject them at gunÂpoint to jazz and slang: “man,” “fake it, Dad,” “you dig me,” “that’s crazy,” “don’t goof on me now.” It’s a quite fitÂting scene, espeÂcialÂly givÂen that ReaÂgan went on to be the icon of the conÂserÂvÂaÂtive moveÂment, while Dean became emblemÂatÂic of the rebelÂlious youth culÂture to which ReaÂgan’s moveÂment was a reacÂtion. But while the overt moral lesÂson of this episode is anti-rebel, there’s no doubt that powÂerÂful depicÂtions like these–in which Dean’s expresÂsiveÂness is as charisÂmatÂic as it is frightening–only conÂtributed to makÂing rebelÂlion cool.
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.
I’ve always thought a terÂriÂble script can make a good actor look bad, but Dean is rivÂetÂing here despite the “Reefer Madness”-like absurÂdiÂty of the piece.
@Mike — that’s a great way to describe it.
Indeed — a terÂriÂble script. Thank God we live in today’s goldÂen age of TV writÂing.
“today’s goldÂen age of TV writÂing”? Give me a break!! RealÂiÂty TV is not goldÂen by any stretch of the imagÂine. Even with all of the availÂable cable chanÂnels, there’s nothÂing “new” worth watchÂing.
PretÂty sure BDL was being sarÂcasÂtic.