I had no idea that MarÂlon BranÂdo was much of a writer, but this 1955 letÂter to TenÂnessee Williams is superb. PerÂhaps I just can’t help idenÂtiÂfyÂing him with StanÂley KowalÂsÂki of the “NapoleonÂic code,” StelÂla!” and “Hoity-toity, describÂin’ me like a ape.” EspeÂcialÂly interÂestÂing is his attiÂtude towards sucÂcess. (Note some of the lanÂguage is a litÂtle strong/racy):
I have been afraid for you someÂtimes, because sucÂcess sings a deadÂly lulÂlaÂby to most peoÂple. SucÂcess is a real and subÂtle whore, who would like nothÂing betÂter than to catch you sleepÂing and bite your cock off. You have been as brave as anyÂbody I’ve known, and it is comÂfortÂing to think about it. You probÂaÂbly don’t think of yourÂself as brave because nobody who realÂly has courage does, but I know you are and I get food from that.
This pasÂsage echoes Williams’ own views on sucÂcess, espeÂcialÂly his beauÂtiÂful (and ironÂiÂcalÂly inspirÂing) essay On a StreetÂcar Named SucÂcess, writÂten eight years earÂliÂer:
It is nevÂer altoÂgethÂer too late, unless you embrace the Bitch GodÂdess, as William James called her, with both arms and find in her smothÂerÂing caressÂes exactÂly what the homeÂsick litÂtle boy in you always wantÂed, absolute proÂtecÂtion and utter effortÂlessÂness. SecuÂriÂty is a kind of death, I think, and it can come to you in a storm of royÂalÂty checks beside a kidÂney-shaped pool in BevÂerÂly Hills or anyÂwhere at all that is removed from the conÂdiÂtions that made you an artist, if that’s what you are or were intendÂed to be. Ask anyÂone who has expeÂriÂenced the kind of sucÂcess I am talkÂing about–What good is it? PerÂhaps to get an honÂest answer you will have to give him a shot of truth-serum but the word he will finalÂly groan is unprintÂable in genÂteel pubÂliÂcaÂtions.
You’ll find the rest of BranÂdo’s letÂter (includÂing an image of the origÂiÂnal) — which includes reflecÂtions on actors Anna MagÂnani and Burt LanÂcastÂer — here.
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.
BeauÂtiÂfulÂly and hilarÂiÂousÂly writÂten, both pasÂsages. Thanks!
RegardÂing the conÂtent itself, I don’t know if I agree. I guess it depends for whom you’re workÂing. For examÂple, I feel a responÂsiÂbilÂiÂty to pay for eduÂcaÂtion for my future chilÂdren. My parÂents paid for mine, so it’s sort of a loan passed down through time.
What this means is that I’m not takÂing the chances I might othÂerÂwise have takÂen. Or that I might take in the future… It feels like I need to make monÂey and, THEN, I can start actuÂalÂly livÂing.
David