RecentÂly a WashÂingÂton Post staff writer, Gene WeinÂgarten, decidÂed to conÂduct an usuÂal experÂiÂment about high culÂture. He talked one of the world’s finest vioÂlinÂists, Joshua Bell, into takÂing his mulÂtiÂmilÂlion dolÂlar fidÂdle to the WashÂingÂton D.C. metro and playÂing incogÂniÂto for comÂmuters durÂing the mornÂing rush hour. The result? HardÂly anyÂone slowed down, let alone stopped to lisÂten. WeinÂgarten’s artiÂcle explores what hapÂpened in fasÂciÂnatÂing detail and raisÂes trouÂbling quesÂtions about how we expeÂriÂence free culÂture. Does art only matÂter when we enjoy it in the right conÂtext? After a few minÂutes in the subÂway, Bell said his own expecÂtaÂtions were radÂiÂcalÂly lowÂered, to the point that he was sickÂenÂingÂly grateÂful when someÂone dropped a dolÂlar instead of a quarÂter into his (mulÂtiÂmilÂlion dolÂlar) vioÂlin case. Check out his amazÂing perÂforÂmance (apparÂentÂly the acoustics were pretÂty good in the metro staÂtion):
You can lisÂten to the full verÂsion of BelÂl’s imprompÂtu conÂcert on the WashÂingÂton Post webÂsite here. InciÂdenÂtalÂly, he went on to win the presÂtiÂgious Avery FishÂer Prize this week. MeanÂwhile Garten, the WashÂingÂton Post writer who masÂterÂmindÂed the stunt, disÂcussed the expeÂriÂence on On the Media last FriÂday (iTunes — Feed — Site).
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