An Animated History of Physics Introduces the Discoveries of Galileo, Newton, Maxwell & Einstein

How can you present sci­en­tif­ic ideas to an audi­ence of all ages — sci­en­tists and non-sci­en­tists alike — so that these ideas will stick in peo­ple’s minds? Since 2012, BBC Two has been try­ing to answer this ques­tion with its series “Dara Ó Bri­ain’s Sci­ence Club.” Irish stand-up come­di­an and TV pre­sen­ter Dara Ó Bri­ain invites experts to his show to tack­le the biggest con­cepts in sci­ence in a way that is under­stand­able to non-experts as well. Film clips and ani­ma­tions are used to visu­al­ize the ideas and con­cepts dealt with in the show.

In 2012, Åsa Lucan­der, a Lon­don-based ani­ma­tor orig­i­nal­ly from Fin­land, was approached by the BBC with the task of cre­at­ing an ani­ma­tion about the his­to­ry of physics. The result is as enter­tain­ing as it is instruc­tive. The clip deals with the dis­cov­er­ies of four major sci­en­tists and the impact of their find­ings: Galileo Galilei, Isaac New­ton, James Clerk Maxwell and Albert Ein­stein.

Bonus mate­r­i­al:

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Relat­ed con­tent:

Free Online Physics Cours­es

Leonard Susskind Teach­es You “The The­o­ret­i­cal Min­i­mum” for Under­stand­ing Mod­ern Physics

125 Great Sci­ence Videos: From Astron­o­my to Physics and Psy­chol­o­gy

Name That Movie: 26 Films in One Animated Minute

Evan Seitz cre­at­ed this one-minute ani­ma­tion in which each let­ter of the alpha­bet rep­re­sents a famous movie. How many can you name? The answers have been shared on Buz­zfeed and The High Def­i­nite.

Don’t miss our col­lec­tion of 450 Free Movies Online, which includes many great clas­sics, indies, doc­u­men­taries, noir films and more.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Address is Approximate: A Lovely Animated Film Made with Google Maps

Next up: a love­ly film about a lone­ly desk toy that longs for adven­ture. Observ­ing the space around him, a robot finds a toy car and heads off on a road trip across the Unit­ed States, guid­ed only by Google Maps Street View. We start on the Brook­lyn Bridge and fin­ish on the Pacif­ic Coast High­way in Cal­i­for­nia. Parts of the video look like sequences from a Pixar film, they are so well made. In real­i­ty, the film was pro­duced, ani­mat­ed, filmed, lit, edit­ed and grad­ed by one per­son: Tom Jenk­ins.

A great treat to start the week.

via Flow­ing Data

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

Duelity: Creationist and Darwinist Origin Stories Animated

Pro­duced at the Van­cou­ver Film School, this split-screen ani­ma­tion tells the sto­ry of Earth’ s ori­gins from a cre­ation­ist and Darwinist/evolutionist point of view. To make things more inter­est­ing (spoil­er: stop read­ing now if you want to main­tain the ele­ment of sur­prise), the sci­en­tif­ic sto­ry is told using reli­gious lan­guage, where­as the Bib­li­cal ver­sion is told as if it were the sci­en­tif­ic one. The slight­ly con­fus­ing con­clu­sion (its’ a zinger) shows how the lan­guage we use to present ideas influ­ences their per­cep­tion. And the iron­ic use of info­graph­ics tops off this visu­al and lin­guis­tic exper­i­ment.

On the home­page of the project, you can watch the videos sep­a­rate­ly and down­load them. Also, the YouTube chan­nel of Van­cou­ver Film School is always worth a vis­it.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

The Mechanical Monsters: Seminal Superman Animated Film from 1941

In 1941, direc­tor Dave Fleis­ch­er and Para­mount Pic­tures ani­ma­tors Steve Muf­fati and George Ger­manet­ti pro­duced Super­man: The Mechan­i­cal Mon­sters — a big-bud­get ani­mat­ed adap­ta­tion of the pop­u­lar Super­man comics of that peri­od, in which a mad sci­en­tist unleash­es robots to rob banks and loot muse­ums, and Super­man, nat­u­ral­ly, saves the day. It was one of sev­en­teen films that raised the bar for the­atri­cal shorts and are even con­sid­ered by some to have giv­en rise to the entire Ani­me genre.

More than a mere treat of vin­tage ani­ma­tion, the film cap­tures the era’s char­ac­ter­is­tic ambiva­lence in rec­on­cil­ing the need for progress with the fear of tech­nol­o­gy in a cul­ture on the brink of incred­i­ble tech­no­log­i­cal inno­va­tion. It was the dawn of the tech­no-para­noia that per­sist­ed through the 1970s, famous­ly cap­tured in the TV series Future Shock nar­rat­ed by Orson Welles, and even through today. Take for exam­ple books like Nicholas Car­r’s The Shal­lows and Sher­ry Turkle’s Alone Togeth­er: Why We Expect More from Tech­nol­o­gy and Less from Each Oth­er.

Super­man: The Mechan­i­cal Mon­sters is avail­able for down­load on The Inter­net Archive, and Toon­a­mi Dig­i­tal Arse­nal has the com­plete series of all sev­en­teen films. Find more vin­tage ani­ma­tion in Open Cul­ture’s col­lec­tion of Free Movies Online.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

A Digital Reconstruction of Washington D.C. in 1814

What did the U.S. cap­i­tal look like 200 years ago? Find­ing a sat­is­fac­to­ry answer to this ques­tion is very dif­fi­cult since there are very few reli­able images, maps and writ­ten accounts from Wash­ing­ton’s ear­ly days. This is why Dan Bai­ley, direc­tor of the Imag­ing Research Cen­ter (IRC) at the Uni­ver­si­ty of Mary­land, Bal­ti­more, has approached archi­tec­tur­al his­to­ri­ans, car­tog­ra­phers, engi­neers, and ecol­o­gists to “recre­ate a ‘best guess’ glimpse of the ear­ly city.” The video above is the result of the IRC’s work, show­ing a city that was, they say, “a rough work in progress.”

Noth­ing was pol­ished. The scale of the fed­er­al city was that of a per­son, not of immense mar­ble bureau­cra­cy. There were cab­ins and barns on the Cap­i­tal Lawn. The first fence around the Capi­tol was to keep the cows out. Con­gress­men came to town for the leg­isla­tive ses­sions, many times sleep­ing 3 to a room in a board­ing house, and work­ing in unfin­ished build­ings.

An in-depth arti­cle about the ongo­ing project was pub­lished in The Wash­ing­ton Post.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

The Ice Book, a Beautiful Pop-Up Book

The Ice Book, seen above, is a paper the­atre brought to life with light. Watch as sheets of paper are illu­mi­nat­ed in a daz­zling ani­ma­tion dis­play. Accord­ing to the artists, Davy and Kristin McGuire, The Ice Book tells the sto­ry of a mys­te­ri­ous princess who lures a boy into her mag­i­cal world to warm her heart of ice. It was shot with the Canon 5D Mark II, with the actors super­im­posed onto the mon­tages using a makeshift green screen, and pro­jec­tions cre­at­ed in Adobe After Effects. A sim­ple yet remark­able achieve­ment. You can learn more about the project here. Don’t miss the page describ­ing the behind the scenes work, or this oth­er pri­mo video that savors books in stop motion film.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

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