How Can I Know Right From Wrong? Watch Philosophy Animations on Ethics Narrated by Harry Shearer

The his­to­ry of moral phi­los­o­phy in the West hinges prin­ci­pal­ly on a hand­ful of ques­tions: Is there a God of some sort? An after­life? Free will? And, per­haps most press­ing­ly for human­ists, what exact­ly is the nature of our oblig­a­tions to oth­ers? The lat­ter ques­tion has long occu­pied philoso­phers like Immanuel Kant, whose extreme formulation—the “cat­e­gor­i­cal imperative”—flatly rules out mak­ing eth­i­cal deci­sions depen­dent upon par­tic­u­lar sit­u­a­tions. Kant’s famous exam­ple, one that gen­er­al­ly gets repeat­ed with a nod to God­win, involves an axe mur­der­er show­ing up at your door and ask­ing for the where­abouts of a vis­it­ing friend. In Kant’s esti­ma­tion, telling a lie in this case jus­ti­fies telling a lie at any time, for any rea­son. There­fore, it is uneth­i­cal.

In the video at the top of the post, Har­ry Shear­er nar­rates a script about Kant’s max­im writ­ten by philoso­pher Nigel War­bur­ton, with whim­si­cal illus­tra­tions pro­vid­ed by Cog­ni­tive. Part of the BBC and Open University’s “A His­to­ry of Ideas” series, the video—one of four deal­ing with moral philosophy—also explains how Kant’s approach to ethics dif­fers from those of util­i­tar­i­an­ism.

In the video above, Shear­er describes that most util­i­tar­i­an of thought exper­i­ments, the “Trol­ley Prob­lem.” As described by philoso­pher Philip­pa Foot, this sce­nario imag­ines hav­ing to sac­ri­fice the life of one for those of many. But there is a twist—the sec­ond ver­sion, which involves the added crime of phys­i­cal­ly mur­der­ing one per­son, up close and per­son­al, to save sev­er­al. An anal­o­gous but con­verse the­o­ry is that of Prince­ton philoso­pher Peter Singer (below) who pro­pos­es that our oblig­a­tions to peo­ple in per­il right in front of us equal our oblig­a­tions to those on the oth­er side of the world.

Final­ly, the last video sur­veys one of the thorni­est issues in moral philo­soph­i­cal history—the “is/ought” divide, as prob­lem­at­ic as the ancient Euthy­phro dilem­ma. How, asked David Hume, are we to deduce moral prin­ci­ples from facts about the world that have no moral dimen­sion? Par­tic­u­lar­ly when those facts are nev­er con­clu­sive, are sub­ject to revi­sion, and when new ones get uncov­ered all the time? The ques­tion intro­duces a seem­ing­ly unbridge­able chasm between facts and val­ues. Moral judg­ments found­ed on what is or isn’t “nat­ur­al” floun­der before our ter­ror of much of what nature does, and the very par­tial and fal­li­ble nature of our knowl­edge of it.

The prob­lem is as star­tling as Hume’s cri­tique of causal­i­ty, and in part caused Kant to remark that Hume had awak­ened him from a “dog­mat­ic slum­ber.” What may strike view­ers of the series is just how abstract these ques­tions and exam­ples are—how divorced from the messi­ness of real world pol­i­tics, with the excep­tion, per­haps, of Peter Singer. It may be instruc­tive that polit­i­cal phi­los­o­phy forms a sep­a­rate branch in the West. While these prob­lems are cer­tain­ly dif­fi­cult enough to trou­ble the sleep of just about any thought­ful per­son, in our day-to-day lives, our deci­sion mak­ing process seems to be much messier, and much more sit­u­a­tion­al, than we’re prob­a­bly ever aware of.

Relat­ed Con­tent:

Free Online Phi­los­o­phy Cours­es

A His­to­ry of Ideas: Ani­mat­ed Videos Explain The­o­ries of Simone de Beau­voir, Edmund Burke & Oth­er Philoso­phers

How Did Every­thing Begin?: Ani­ma­tions on the Ori­gins of the Uni­verse Nar­rat­ed by X‑Files Star Gillian Ander­son

What Makes Us Human?: Chom­sky, Locke & Marx Intro­duced by New Ani­mat­ed Videos from the BBC

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

 

Leo Tolstoy’s 17 “Rules of Life:” Wake at 5am, Help the Poor, & Only Two Brothel Visits Per Month

tolstoy rules 2

Many aspir­ing epic nov­el­ists sure­ly would­n’t mind writ­ing like Leo Tol­stoy. But can you write like the writer you admire with­out liv­ing like the writer you admire? Biogra­phies reveal plen­ty of facts about how the author of such immor­tal vol­umes as War and Peace and Anna Karen­i­na passed his 82 years, none more telling than that even Leo Tol­stoy strug­gled to live like Leo Tol­stoy. “I must get used to the idea, once and for all, that I am an excep­tion­al human being,” he wrote in 1853, at age 25, under­scor­ing that “I have not met one man who is moral­ly as good as I am, or ready to sac­ri­fice every­thing for his ide­al, as I am.”

Clear­ly, exces­sive mod­esty did­n’t count among Tol­stoy’s faults. Sev­en years before mak­ing that dec­la­ra­tion, he had already envi­sioned for him­self a life of virtue and indus­try, lay­ing out what he called his “rules of life,” per­haps a fore­shad­ow­ing of his search for a rig­or­ous­ly reli­gious life with­out belief in a high­er being. The web­site Tol­stoy Ther­a­py has post­ed a selec­tion of these rules, which com­mand­ed him as fol­lows:

  • Wake at five o’clock
  • Go to bed no lat­er than ten o’clock
  • Two hours per­mis­si­ble for sleep­ing dur­ing the day
  • Eat mod­er­ate­ly
  • Avoid sweet foods
  • Walk for an hour every day
  • Vis­it a broth­el only twice a month
  • Love those to whom I could be of ser­vice
  • Dis­re­gard all pub­lic opin­ion not based on rea­son
  • Only do one thing at a time
  • Dis­al­low flights of imag­i­na­tion unless nec­es­sary

To this list of pre­cepts drawn up at the dawn of his adult life, most of which would­n’t seem out of place as any of our 21st-cen­tu­ry new year’s res­o­lu­tions, Tol­stoy lat­er added these:

  • Nev­er to show emo­tion
  • Stop car­ing about oth­er peo­ple’s opin­ion of myself
  • Do good things incon­spic­u­ous­ly
  • Keep away from women
  • Sup­press lust by work­ing hard
  • Help those less for­tu­nate

Even if you haven’t read much about Tol­stoy’s life, you may sense in some of these gen­er­al prin­ci­ples evi­dence of bat­tles with par­tic­u­lar impuls­es: observe, for instance, how his twice-month­ly lim­it on broth­el vis­its becomes the much more strin­gent and much less real­is­tic for­bid­dance of women entire­ly. But per­haps his tech­nique of work­ing hard, how­ev­er well or poor­ly it sup­pressed his lust (the man did father four­teen chil­dren, after all), ben­e­fit­ed him in the end, giv­en the vast and (often lit­er­al­ly) weighty body of work he left behind.

“Between ‘rules of life’ and life itself, what a chasm!” exclaims biog­ra­ph­er Hen­ri Troy­at in Tol­stoy. But as rich with inter­est as we find books like that, we ulti­mate­ly care about writ­ers not because of how they live, but because of how they write. The young Tol­stoy knew that, too; “the pub­li­ca­tion of Child­hood and ‘The Raid’ hav­ing made him, in his own eyes, a gen­uine man of let­ters,” writes Troy­at, “he soon added no less peremp­to­ry ‘Rules of Writ­ing’ to his ‘Rules of Life’:”

  • When you crit­i­cize your work, always put your­self in the posi­tion of the most lim­it­ed read­er, who is look­ing only for enter­tain­ment in a book.
  • The most inter­est­ing books are those in which the author pre­tends to hide his own opin­ion and yet remains faith­ful to it.
  • When reread­ing and revis­ing, do not think about what should be added (no mat­ter how admirable the thoughts that come to mind) … but about how much can be tak­en away with­out dis­tort­ing the over­all mean­ing.

Then again, War and Peace has in the mod­ern day become a byword for sheer length, and few read­ers not already steeped in 19th-cen­tu­ry Russ­ian lit­er­a­ture would turn to Tol­stoy for pure enter­tain­ment. Per­haps the writer’s life implic­it­ly adds one caveat atop all the ever-stricter rules he made for him­self while liv­ing it: nobody’s per­fect.

via Tol­stoy Ther­a­py

Relat­ed con­tent:

Leo Tol­stoy Cre­ates a List of the 50+ Books That Influ­enced Him Most (1891)

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

Vin­tage Footage of Leo Tol­stoy: Video Cap­tures the Great Nov­el­ist Dur­ing His Final Days

The Com­plete Works of Leo Tol­stoy Online: New Archive Will Present 90 Vol­umes for Free (in Russ­ian)

Leo Tolstoy’s Fam­i­ly Recipe for Mac­a­roni and Cheese

Stephen King’s Top 20 Rules for Writ­ers

Ray Brad­bury Offers 12 Essen­tial Writ­ing Tips and Explains Why Lit­er­a­ture Saves Civ­i­liza­tion

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Download Images From Rad American Women A‑Z: A New Picture Book on the History of Feminism

patti smith letter

The next time sto­ry hour rolls around, you can give a mouse a cook­ie or you can awak­en pre-read­ers (and your­self) to some key fig­ures in wom­en’s his­to­ry. 26 of them, to be pre­cise. It’s no acci­dent that that num­ber cor­re­sponds to the exact num­ber of let­ters in the alpha­bet.

Author Kate Schatz and illus­tra­tor Miri­am Klein Stahl active­ly sought to include women of col­or and a vari­ety of sex­u­al ori­en­ta­tions when choos­ing whom to fea­ture in Rad Amer­i­can Women A To Z, a pro­gres­sive fem­i­nist text cum ABC primer. (Illus­tra­tions from the book, like the ones fea­tured on this page, can be down­loaded here for free.)

odetta letter

Hope­ful­ly Glo­ria Steinem was not too upset to learn that G is for the Grimke sis­ters. Actu­al­ly, I sus­pect that the sec­ond wave’s most rec­og­niz­able super­star would be pleased if read­ers are moved to edu­cate them­selves as to some of the book’s more obscure ref­er­ences.

ursula letter

B is for Bil­lie Jean King who whooped male chau­vin­ist pig Bob­by Rig­gs on the court in 1973’s Bat­tle of the Sex­es. I remem­ber her! A Bil­lie and Bob­by-themed pump­kin took top hon­ors in my school’s Hal­loween carv­ing con­test that year.

It’s fun­ny how when a woman does some­thing they always think we only affect half of the pop­u­la­tion, and peo­ple will come up to me and say thanks for what you did for wom­en’s ten­nis all the time, and I know they’d nev­er say that to a guy.

E is for civ­il rights activist Ella Bak­er, a sec­re­tary who rose through the ranks of the NAACP to become direc­tor of branch­es. She rec­og­nized the press often over­looked her role, as did his­to­ry.

You did­n’t see me on tele­vi­sion, you did­n’t see news sto­ries about me. The kind of role that I tried to play was to pick up pieces or put togeth­er pieces out of which I hoped orga­ni­za­tion might come. My the­o­ry is, strong peo­ple don’t need strong lead­ers.

J is for Jovi­ta Idar, edu­ca­tor and cofounder of the Mex­i­can Fem­i­nist League.

Mex­i­can chil­dren in Texas need an edu­ca­tion…. There is no oth­er means to do it but our­selves, so that we are not deval­ued and humil­i­at­ed by the strangers who sur­round us. 

God­moth­er of Punk Pat­ti Smith, author Ursu­la K. La Guin, and Odet­ta, leg­endary blues singer and “Voice of the Civ­il Rights Move­ment,” are among the mar­quee names to be can­on­ized. See their illus­tra­tions above.

To get all 26 illus­tra­tions in a down­load­able for­mat, click here. To order your own copy of the book, go here.

via Good

Relat­ed Con­tent:

74 Essen­tial Books for Your Per­son­al Library: A List Curat­ed by Female Cre­atives

Simone de Beau­voir Explains “Why I’m a Fem­i­nist” in a Rare TV Inter­view (1975)

Chrissie Hynde’s 10 Pieces of Advice for “Chick Rock­ers” (1994)

Simone de Beau­voir Tells Studs Terkel How She Became an Intel­lec­tu­al and Fem­i­nist (1960)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

George Mason Students Create Revolutionary Fire Extinguisher That Uses Sound Waves to Blow Out Fires

If you haven’t seen it already: two George Mason Uni­ver­si­ty engi­neer­ing stu­dents — Viet Tran and Seth Robert­son — have cre­at­ed a poten­tial­ly rev­o­lu­tion­ary device, a new-fan­gled fire extin­guish­er, that uses low-fre­quen­cy sound waves to snuff out fires. Accord­ing to Tech­Ex­plore, Tran (a com­put­er engi­neer­ing major) and Seth Robert­son (dou­ble e major) “start­ed with the sim­ple idea that sound waves are also mechan­i­cal or  (due to the back and forth motion of the medi­um in which they pass through), which can cause an impact on objects.” Through tri­al and error, the stu­dents fig­ured out that ultra-high fre­quen­cies did­n’t do very much, but low­er fre­quen­cies (in the 30 to 60 Hertz range) can blow a small fire right out. Just watch above.

Relat­ed Con­tent:

Free Online Com­put­er Sci­ence Cours­es

Free Online Engi­neer­ing Cours­es

Watch Leonar­do da Vinci’s Musi­cal Inven­tion, the Vio­la Organ­ista, Being Played for the Very First Time

A Short Animated History of Daylight Saving Time, Narrated by Stephen Fry

Sev­er­al weeks back, we con­tem­plat­ed how, in the 1650s, the eco­nom­ic his­to­ry of the West changed irrev­o­ca­bly when Chris­ti­aan Huy­gens invent­ed the pen­du­lum clock  — a time­piece that enabled us to mea­sure time in accu­rate, uni­form ways, mak­ing us atten­tive to the pas­sage of time and focus on things like pro­duc­tiv­i­ty and per­for­mance. Watch “A Briefer His­to­ry of Time” to get more on that.

By the 18th cen­tu­ry, Ben Franklin, Amer­i­ca’s great Enlight­en­ment fig­ure, thought of anoth­er way to dis­ci­pline time and squeeze more pro­duc­tiv­i­ty out of us. While an envoy in France, Franklin sug­gest­ed that Parisians save mon­ey on can­dles by get­ting out of bed ear­li­er and prof­it from the morn­ing sun­light. Not a sur­pris­ing sug­ges­tion from the man who famous­ly said: “Ear­ly to bed, and ear­ly to rise, makes a man healthy, wealthy and wise.” In the video above, Stephen Fry tells you the rest of the Day­light Sav­ing sto­ry. And just a reminder, Europe springs its time for­ward tonight.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Clocks Changed Human­i­ty For­ev­er, Mak­ing Us Mas­ters and Slaves of Time

Stephen Fry Explains Human­ism in 4 Ani­mat­ed Videos: Hap­pi­ness, Truth and the Mean­ing of Life & Death

Stephen Fry Explains the Rules of Crick­et in 10 Ani­mat­ed Videos

Download 576 Free Art Books from The Metropolitan Museum of Art

Met 1

You could pay $118 on Ama­zon for the Met­ro­pol­i­tan Muse­um of Art’s cat­a­log The Art of Illu­mi­na­tion: The Lim­bourg Broth­ers and the Belles Heures of Jean de France, Duc de Berry. Or you could pay $0 to down­load it at Met­Pub­li­ca­tions, the site offer­ing “five decades of Met Muse­um pub­li­ca­tions on art his­to­ry avail­able to read, down­load, and/or search for free.”

If that strikes you as an obvi­ous choice, pre­pare to spend some seri­ous time brows­ing Met­Pub­li­ca­tions’ col­lec­tion of free art books and cat­a­logs.

You may remem­ber that we fea­tured the site a few years ago, back when it offered 397 whole books free for the read­ing, includ­ing Amer­i­can Impres­sion­ism and Real­ism: The Paint­ing of Mod­ern Life, 1885–1915; Leonar­do da Vin­ci: Anatom­i­cal Draw­ings from the Roy­al Library; and Wis­dom Embod­ied: Chi­nese Bud­dhist and Daoist Sculp­ture in The Met­ro­pol­i­tan Muse­um of ArtBut the Met has kept adding to their dig­i­tal trove since then, and, as a result, you can now find there no few­er than 576 art cat­a­logs and oth­er books besides. Those sit along­side the 400,000 free art images the muse­um put online last year.

met museum free art books

So have a look at Met­Pub­li­ca­tions’ cur­rent col­lec­tion and you’ll find you now have unlim­it­ed access to such lush as well as artis­ti­cal­ly, cul­tur­al­ly, and his­tor­i­cal­ly var­ied vol­umes as African IvoriesChess: East and West, Past and PresentMod­ern Design in The Met­ro­pol­i­tan Muse­um of Art, 1890–1990; Vin­cent Van Gogh: The Draw­ings; French Art Deco; or even a guide to the muse­um itself (vin­tage 1972).

chess east and est

Since I haven’t yet turned to art col­lec­tion — I sup­pose you need mon­ey for that — these books don’t nec­es­sar­i­ly make me cov­et the vast sweep of art­works they depict and con­tex­tu­al­ize. But they do make me wish for some­thing even less prob­a­ble: a time machine so I could go back and see all these exhibits first­hand.

Relat­ed Con­tent:

Down­load Over 250 Free Art Books From the Get­ty Muse­um

The Met­ro­pol­i­tan Muse­um of Art Puts 400,000 High-Res Images Online & Makes Them Free to Use

The Guggen­heim Puts 109 Free Mod­ern Art Books Online

Where to Find Free Art Images & Books from Great Muse­ums, and Free Books from Uni­ver­si­ty Press­es

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

An Online Gallery of Over 900,000 Wonderful Photos of Historic New York City

Grand Central

What is any major Amer­i­can city if not an indus­tri­al gallery bustling with peo­ple and machines? Some­times the images are bleak, as with the pho­to essays that often cir­cu­late of Detroit’s beau­ti­ful ruin; some­times they are defi­ant­ly hope­ful, as with those of the ris­ing of New Orleans; and some­times they are almost unfath­omably mon­u­men­tal, as with the images here of New York City, cir­ca the 20th century—or a great good bit of it, any­way.

Queensboro Bridge

You can sur­vey almost a hun­dred years of New York’s indomitable grandeur by perus­ing over 900,000 images from the New York City Munic­i­pal Archives Online Gallery.

Pho­tos like the aston­ish­ing tableaux in a sun­light-flood­ed Grand Cen­tral Ter­mi­nal at the top (tak­en some­time between 1935 and 41) and like the breath­tak­ing scale on dis­play in the 1910 expo­sure of the Queens­boro Bridge, above.

Bathers

The online gallery fea­tures large-for­mat pho­tos of the human, like the sea of bathers above; of the human-made, like the vault­ed, cav­ernous City Hall sub­way sta­tion below; and of the meld­ing of the two, like the painters pos­ing on the cables of the Brook­lyn Bridge, fur­ther down.

City Hall Station

These images come from a selec­tion of pho­tos culled from the var­i­ous gal­leries by The Atlantic. For more, see the NYC Munic­i­pal Archives site, which you can search by key­word or oth­er cri­te­ria. “Vis­i­tors,” writes the site, “are encour­aged to return fre­quent­ly as new con­tent will be added on a reg­u­lar basis. Patrons may order repro­duc­tions in the form of prints or dig­i­tal files.”

Brooklyn Bridge

Many of the images have water­marks on them to pre­vent ille­gal use. Nonethe­less the gallery is a jaw-drop­ping col­lec­tion of pho­tos you can eas­i­ly get lost in for hours, as well as an impor­tant resource for his­to­ri­ans and schol­ars of 20th cen­tu­ry Amer­i­can urban­ism. See The Atlantic’s selec­tion of images for even more daz­zling pho­tos. Or bet­ter yet, start rum­mag­ing through the New York City Munic­i­pal Archives Online Gallery right here.

Relat­ed Con­tent:

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

Great New Archive Lets You Hear the Sounds of New York City Dur­ing the Roar­ing 20s

Vin­tage Video: A New York City Sub­way Train Trav­els From 14th St. to 42nd Street (1905)

Design­er Mas­si­mo Vignel­li Revis­its and Defends His Icon­ic 1972 New York City Sub­way Map

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Download 100,000 Free Art Images in High-Resolution from The Getty

getty free

When I want to get a good look at the city of Los Ange­les, I go up to the Get­ty Cen­ter in the San­ta Mon­i­ca Moun­tains. I can also, of course, get a pret­ty good look at some art at the muse­um there. But if I don’t feel like mak­ing that trek up the hill — and if you don’t feel like mak­ing the trek from wher­ev­er you live — The Get­ty can give you, in some ways, an even bet­ter way to look at art online. Just vis­it the Get­ty’s Open Con­tent Pro­gram.

Japanese Ladies

See­ing as this sort of free cul­tur­al resource fits right into our wheel­house here at Open Cul­ture, we’ve tried to keep you post­ed on the archive’s devel­op­ment over the past few years. Last time we passed the word along, the Get­ty’s dig­i­tal pub­lic-domain archive of high-res­o­lu­tion images had grown to 87,000, and now it has near­ly hit the 100,000 mark (99,989, to be exact)— which sounds to us like just the time to keep you post­ed on what you can find there­in.

Rue Mosnier

In its cur­rent state (which promis­es fur­ther expan­sion still), the Get­ty’s Open Con­tent Pro­gram offers images like Aban­doned Dust Bowl Home (top image), Dorothea Lange’s vivid­ly stark evo­ca­tion of Depres­sion-era Amer­i­can des­o­la­tion, as well as oth­er pho­to­graph­ic time (and place) cap­sules, such as Kusak­abe Kim­bei’s hand-col­ored prints of life in late 19th- and ear­ly 20th-cen­tu­ry Japan (Japan­ese Ladies pic­tured here); impres­sion­ist can­vas­es like Édouard Manet’s 1878 The Rue Mosnier with Flagsand even views of Los Ange­les itself, like Car­leton Watkins’ shot of the city’s plaza cir­ca 1880.

Plaza Los Angeles

To down­load an image for which you’ve searched, you first need to click on that image’s title. That link takes you to the image’s own page (like those we linked to in the para­graph just above), where you’ll find a down­load link. Look for the word “down­load” beneath the image, and then click that link. It’s just that sim­ple — far sim­pler, in any case, than visu­al access to such a range of art­work has ever been before. Though if you do make it to Los Ange­les, don’t hes­i­tate to make the effort to vis­it the Get­ty Cen­ter; the tram that takes you up to it makes for a pret­ty fas­ci­nat­ing cul­tur­al expe­ri­ence and view of the city in and of itself.

Relat­ed Con­tent:

The Get­ty Adds Anoth­er 77,000 Images to its Open Con­tent Archive

Down­load 35,000 Works of Art from the Nation­al Gallery, Includ­ing Mas­ter­pieces by Van Gogh, Gau­guin, Rem­brandt & More

Down­load Over 250 Free Art Books From the Get­ty Muse­um

40,000 Art­works from 250 Muse­ums, Now View­able for Free at the Redesigned Google Art Project

LA Coun­ty Muse­um Makes 20,000 Artis­tic Images Avail­able for Free Down­load

The Rijksmu­se­um Puts 125,000 Dutch Mas­ter­pieces Online, and Lets You Remix Its Art

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Hysterical Literature: Art & Sexuality Collide in Readings of Whitman, Emerson & Other Greats (NSFW)

With­out shame the man I like knows and avows the deli­cious­ness of his sex, 

With­out shame the woman I like knows and avows hers.

Thus spaketh Walt Whit­man in Leaves of Grass. 160 years after that poem’s pub­li­ca­tion, how might that most Amer­i­can of Amer­i­can Roman­tics react to the spec­ta­cle of an attrac­tive young woman plea­sur­ing her­self with his work, as an unseen hand beneath the table sur­rep­ti­tious­ly plea­sures her with the Cadil­lac of vibra­tors?

The peep­hole is much larg­er than it would’ve been in 1855. Hys­ter­i­cal Lit­er­a­ture was con­ceived as an online project in which each session’s fea­tured female par­tic­i­pant choos­es a res­o­nant text, then reads it aloud until a Hitachi Mag­ic Wand puts an end to her abil­i­ty to form coher­ent sen­tences.

Cre­ator Clay­ton Cubitt has com­plained that the orgas­mic ele­ment and the sta­tus of cer­tain celebri­ty par­tic­i­pants like come­di­an Mar­garet Cho  have pre­oc­cu­pied the press. His pref­er­ence is for view­ers to take a more holis­tic approach, view­ing the expe­ri­ence with some “mys­tery and mag­ic and ‘WTF.’”

Accord­ing­ly, let us focus upon some of the select­ed works:

Beloved by Toni Mor­ri­son

Sex­ing the Cher­ry by Jeanette Win­ter­son

The Necrophil­ia Vari­a­tions by Super­vert

Real­ly, no Anaïs Nin? I would’ve thought…

The most recent con­trib­u­tor to the series is also its old­est, 60-year-old Janet, below, who had to take leave of Whitman’s pal, Ralph Wal­do Emer­son, not once but twice in eight min­utes.

Cumu­la­tive­ly, these ses­sions make a mar­velous­ly frank primer for actors or direc­tors charged with cre­at­ing real­is­tic sex scenes. The dichoto­my of Hys­ter­i­cal Lit’s stag­ing ensures that things are fair­ly respectable above the waist, thus sat­is­fy­ing YouTube’s Com­mu­ni­ty Guide­lines.

Dar­ing female lovers of lit­er­a­ture should be advised that Cubitt seeks to include more women of col­or, old­er par­tic­i­pants, and non-Eng­lish texts. No word on who exact­ly is under that table. Drain your pent-up rivers by apply­ing here.

via Kot­tke

Relat­ed Con­tent:

Read Fan­ny Hill, the 18th-Cen­tu­ry Erot­ic Nov­el That Went to the Supreme Court in the 20th Cen­tu­ry

This is Your Brain on Sex and Reli­gion: Exper­i­ments in Neu­ro­science

An Intro­duc­tion to World Lit­er­a­ture by a Cast Of Lit­er­ary & Aca­d­e­m­ic Stars (Free Course)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

William Faulkner Resigns From His Post Office Job With a Spectacular Letter (1924)

WilliamFaulknerStamp

Work­ing a dull civ­il ser­vice job ill-suit­ed to your tal­ents does not make you a writer, but plen­ty of famous writ­ers have worked such jobs. Nathaniel Hawthorne worked at a Boston cus­tom­house for a year. His friend Her­man Melville put in con­sid­er­ably more time—19 years—as a cus­toms inspec­tor in New York, fol­low­ing in the foot­steps of his father and grand­fa­ther. Both Walt Dis­ney and Charles Bukows­ki worked at the post office, though not togeth­er (can you imag­ine?), and so, for two years, did William Faulkn­er.

After drop­ping out of the Uni­ver­si­ty of Mis­sis­sip­pi in 1920, Faulkn­er became its post­mas­ter two years lat­er, a job he found “tedious, bor­ing, and unin­spir­ing,” writes Men­tal Floss: “Most of his time as a post­mas­ter was spent play­ing cards, writ­ing poems, or drink­ing.” Eudo­ra Wel­ty char­ac­ter­ized Faulkner’s tenure as post­mas­ter with the fol­low­ing vignette:

Let us imag­ine that here and now, we’re all in the old uni­ver­si­ty post office and liv­ing in the ’20’s. We’ve come up to the stamp win­dow to buy a 2‑cent stamp, but we see nobody there. We knock and then we pound, and then we pound again and there’s not a sound back there. So we holler his name, and at last here he is. William Faulkn­er. We inter­rupt­ed him.… When he should have been putting up the mail and sell­ing stamps at the win­dow up front, he was out of sight in the back writ­ing lyric poems.

By all accounts, she hard­ly over­states the case. As author and edi­tor Bill Peschel puts it, Faulkn­er “opened the post office on days when it suit­ed him, and closed it when it didn’t, usu­al­ly when he want­ed to go hunt­ing or over to the golf course.

He would throw away the adver­tis­ing cir­cu­lars, uni­ver­si­ty bul­letins and oth­er mail he deemed junk.” A stu­dent pub­li­ca­tion from the time pro­posed a mot­to for his ser­vice: “Nev­er put the mail up on time.”

Unsur­pris­ing­ly, the pow­ers that be even­tu­al­ly decid­ed they’d had enough. In 1924, Faulkn­er sensed the end com­ing. But rather than bow out qui­et­ly, as per­haps most peo­ple would, the future Nobel lau­re­ate com­posed a dra­mat­ic and unchar­ac­ter­is­ti­cal­ly suc­cinct res­ig­na­tion let­ter to his supe­ri­ors:

As long as I live under the cap­i­tal­is­tic sys­tem, I expect to have my life influ­enced by the demands of mon­eyed peo­ple. But I will be damned if I pro­pose to be at the beck and call of every itin­er­ant scoundrel who has two cents to invest in a postage stamp.

This, sir, is my res­ig­na­tion.

The defi­ant self-aggran­dize­ment, wound­ed pride, blame-shift­ing… maybe it’s these qual­i­ties, as well as a noto­ri­ous ten­den­cy to exag­ger­ate and out­right lie (about his mil­i­tary ser­vice for exam­ple) that so qual­i­fied him for his late-life career as—in the words of Ole Miss—“States­man to the World.” Faulkner’s gift for self-fash­ion­ing might have suit­ed him well for a career in pol­i­tics, had he been so inclined. He did, after all, receive a com­mem­o­ra­tive stamp in 1987 (above) from the very insti­tu­tion he served so poor­ly.

But like Hawthorne, Bukows­ki, or any num­ber of oth­er writ­ers who’ve held down tedious day jobs, he was com­pelled to give his life to fic­tion. In a lat­er retelling of the res­ig­na­tion, Peschel claims, Faulkn­er would revise his let­ter “into a more pun­gent quo­ta­tion,” unable to resist the urge to invent: “I reck­on I’ll be at the beck and call of folks with mon­ey all my life, but thank God I won’t ever again have to be at the beck and call of every son of a bitch who’s got two cents to buy a stamp.”

via Let­ters of Note

Relat­ed Con­tent:

The Art of William Faulkn­er: Draw­ings from 1916–1925

Famous Writ­ers’ Report Cards: Ernest Hem­ing­way, William Faulkn­er, Nor­man Mail­er, E.E. Cum­mings & Anne Sex­ton

William Faulkn­er Out­lines on His Office Wall the Plot of His Pulitzer Prize Win­ning Nov­el, A Fable (1954)

Guide­lines for Han­dling William Faulkner’s Drink­ing Dur­ing For­eign Trips From the US State Depart­ment (1955)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Talking Heads’ First TV Appearance Was on American Bandstand, and It Was a Little Awkward (1979)

“I guess he’s…organically shy.”–Tina Wey­mouth

As Talk­ing Heads went from CBG­Bs (see some vin­tage video) to col­lege radio to a Euro­pean tour open­ing for The Ramones in 1977, the band was slow­ly mak­ing its way out of New York City pover­ty while their art school rock was seep­ing into Amer­i­can cul­ture at large. When “Take Me To the Riv­er,” their airy, ner­vous but still funky Eno-pro­duced cov­er of the Al Green song became their first Bill­board Top 30 hit, the band took a step towards nation­al recog­ni­tion.

And that leads us to this awk­ward March 17, 1979 appear­ance of the band on ABC’s Amer­i­can Band­stand, their first on Amer­i­can TV. Long­time host Dick Clark was pret­ty square–rock crit­ic Nik Cohn described him as “a disc jock­ey who looked like an all-Amer­i­can choirboy”–but Amer­i­can Band­stand was a prime oppor­tu­ni­ty. In 1979, the New Wave and Post-Punk scenes were rag­ing at the show’s doors. Talk­ing Heads were one of the few acts that year from NYC’s cre­ative caul­dron of a music scene, apart from Blondie and Grace Jones, to make it onto Band­stand.

In the above clip, Clark apol­o­gizes for get­ting Tina Weymouth’s name wrong, then jumps in to inter­view David Byrne, who responds to Clark’s ques­tions by shut­ting them down with embar­rassed looks and mat­ter-of-fact answers. Clark then turns back to Tina for some psy­cho­an­a­lyt­ic help. “Is he always this enthu­si­as­tic?” he asks. It crum­bles from there.
Wey­mouth remem­bered it slight­ly dif­fer­ent­ly in this recent (2014) inter­view in New York Mag­a­zine:

I couldn’t explain to the record-label peo­ple why David’s behav­ior could be so incred­i­bly odd. He had a freak-out on our first tele­vi­sion appear­ance, on Dick Clark, on Amer­i­can Band­stand. David sort of froze, and Dick Clark sort of whirled around, and hands the micro­phone to me. And there were oth­er things going on, too. I don’t think any per­son is one thing, or defined by a con­di­tion that they might have.

It’s not exact­ly freez­ing, but it is odd…for rock front­men. And ask­ing Byrne “Do you flog your­self into this?” tells you a bit more about Clark’s state of mind than any­thing else.

You can see the mimed per­for­mance of their hit here:

The oth­er song they per­formed on the broad­cast “Thank You for Send­ing Me an Angel” has not popped up on YouTube…yet.

Part­ing note: The oth­er guest that night on Band­stand was twee, blue-eyed dis­co act Brook­lyn Dreams with their sin­gle Make It Last.

Relat­ed con­tent:

Hear the Ear­li­est Known Talk­ing Heads Record­ings (1975)

Talk­ing Heads Live in Rome, 1980: The Con­cert Film You Haven’t Seen

Jim Jarmusch’s Anti-MTV Music Videos for Talk­ing Heads, Neil Young, Tom Waits & Big Audio Dyna­mite

The Talk­ing Heads Play CBGB, the New York Club that Shaped Their Sound (1975)

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills and/or watch his films here.


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