YouTube & Creative Commons Partnership Will Open Creative Floodgates

Start­ing at 9 pm PDT tonight, YouTube will make 10,000 Cre­ative Com­mons videos avail­able to any­one using YouTube’s video edi­tor. Ini­tial­ly the Cre­ative Com­mons library will be loaded with videos from C‑SPAN, Public.Resource.org, Voice of Amer­i­ca, and Al Jazeera, and you can bet that more con­tent providers will be added down the line.

This part­ner­ship will let video/filmmakers unleash their cre­ativ­i­ty and pro­duce some extra­or­di­nary video remix­es – à la Don­ald Dis­cov­ers Glenn Beck – with­out run­ning the risk of legal com­pli­ca­tions. And because the Cre­ative Com­mons library will be stocked only with videos released under a less restric­tive CC-BY license, the result­ing remix­es can have com­mer­cial ambi­tions. A boon for some.

Final­ly, we should­n’t miss anoth­er impor­tant com­po­nent of this part­ner­ship: Mov­ing for­ward, any video­mak­er can release their own cre­ative work under a CC license on YouTube. Fast for­ward 6 t0 18 months, and the Cre­ative Com­mons library will be vast,  and the remix oppor­tu­ni­ties, end­less. A good day for open cul­ture.

via YouTube’s blog and GigaOm

Free: European Cultural History in 91 Lectures by Eminent Historian George L. Mosse (1500–1920)

Dur­ing the 1960s and 1970s, the Uni­ver­si­ty of Wis­con­sin-Madi­son put togeth­er one of the finest his­to­ry pro­grams in the Unit­ed States, and it was anchored by George Mosse, a Ger­man-born cul­tur­al his­to­ri­an who authored 25 books cov­er­ing the Eng­lish Ref­or­ma­tion, Luther­an the­ol­o­gy, Jew­ish his­to­ry, and fas­cist ide­ol­o­gy. Though he died in 1999, Mosse still remains a leg­endary fig­ure in Madi­son, and now the uni­ver­si­ty (where I did my under­grad­u­ate work — in his­to­ry, no less) has dust­ed off record­ings of his cours­es and made them freely avail­able online.

Three of his cours­es tie togeth­er into a nice pack­age, offer­ing a long look at Euro­pean Cul­tur­al His­to­ry. The first course takes you from 1500 to 1800, cov­er­ing the Renais­sance, Ref­or­ma­tion, Eng­lish Rev­o­lu­tion, Enlight­en­ment, and French Rev­o­lu­tion. The sec­ond course moves from 1660 to 1880, focus­ing on the ideas that changed Europe. It’s essen­tial­ly an intel­lec­tu­al his­to­ry that traces the rise of Enlight­en­ment think­ing, Ger­man Roman­ti­cism and Ide­al­ism (includ­ing Hegelian­ism), the birth of lib­er­al­ism and Marx­ism and beyond.

And, final­ly, the last course focus­es on the crit­i­cal peri­od 1880 — 1920. Here we have a sur­vey of the cul­tur­al revolt against bour­geois soci­ety, the rise of mod­ern cul­ture (fig­ures like Niet­zsche, Freud, & Brecht take cen­ter stage), the dam­age wrought by World War I, and the begin­nings of fas­cism in Europe.

The cours­es, all pre­sent­ed in audio, are usu­al­ly accom­pa­nied by text sum­maries. You can down­load a fourth course by Mosse called Mod­ern Jew­ish His­to­ry. They all appear in the His­to­ry sec­tion of our big col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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X‑Men: Science Can Build Them, But Is It Ethical?

Ever since Jack Kir­by and Stan Lee cre­at­ed the very first install­ment of the The Uncan­ny X‑Men for Mar­vel in 1963, the beloved team of mutant super­heroes known as the X‑Men have con­quered almost every medi­um in pop­u­lar cul­ture from tele­vi­sion to video games, to movies and of course com­ic books. Their endur­ing pop­u­lar­i­ty isn’t hard to under­stand: What Amer­i­can teenag­er (redun­dant, we know, since all Amer­i­cans are basi­cal­ly teenagers) could ever say no to an angsty band of telegenic out­siders who are per­pet­u­al­ly reviled and per­se­cut­ed for the very attrib­ut­es that make them supe­ri­or?

But there’s more than nar­cis­sism at play. The core of the X‑Men myth — genet­ic muta­tion — is some­thing sci­en­tists have been learn­ing how to manip­u­late for decades, and now it’s just a mat­ter of time before we know how to build X‑Men of our own. But just as in the case of nuclear bombs, killer virus­es and 3‑D action movies, the fact that we can make them does­n’t mean we should. In the above video from Emory Uni­ver­si­ty, Bioethics pro­fes­sor Paul Root Wolpe explores this moral dilem­ma via the lat­est iter­a­tion of the beloved mutants’ saga: X‑Men: First Class (In the­aters June 3rd, and, praise be to Mendel, NOT in 3‑D).

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

 

Hey London! What Song are You Listening To?

Inspired by Tyler Cul­len’s project in New York, Dan Maas hit the streets in Lon­don and asked “Hey! What Song are You Lis­ten­ing To?” The tracks, list­ed below the jump, appeal a bit more to my geezer­ish tastes. By the time we reach Krakow we should be in good shape …
(more…)

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The Arctic Light

Last month, Ter­je Sorgjerd gave us a jaw-drop­ping video of El Tei­de, Spain’s high­est moun­tain, and home to one of the world’s best obser­va­to­ries. This month, he returns to his native land and films the Lofoten arch­i­pel­ago, sit­u­at­ed at the 68th and 69th par­al­lels of the Arc­tic Cir­cle in north­ern Nor­way. Filmed between April 29 and May 10, Sorgjerd cap­tures what he calls “The Arc­tic Light,” a pro­fu­sion of col­or that nat­u­ral­ly occurs two to four weeks before you see The Mid­night Sun. Yes, it’s yet anoth­er time lapse video, but oh is it pret­ty …

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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3D Map of Universe Captures 43,000 Galaxies

The 2MASS Red­shift Sur­vey (details here) took 10 years to com­plete, and it has now yield­ed the finest 3D map of the uni­verse ever made, cat­a­logu­ing more than 43,000 galax­ies with­in 380 mil­lion light-years from Earth. The new map was pre­sent­ed last week at the 218th meet­ing of the Amer­i­can Astro­nom­i­cal Soci­ety. You can view the map in a much big­ger for­mat here and, as one user sug­gests, you may want to “right click and save as desk­top back­ground.”

Space.com has more details on this incred­i­ble map­ping project. Thanks Robin for send­ing along.

Don’t miss us on Face­book and Twit­ter.

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Penn Sound: Fantastic Audio Archive of Modern & Contemporary Poets

The Uni­ver­si­ty of Penn­syl­va­nia hosts an exten­sive and pret­ty remark­able audio col­lec­tion of mod­ern and con­tem­po­rary poet­ry, with a gen­er­ous help­ing of prose writ­ers thrown in. Direct­ed by Al Fil­reis and Charles Bern­stein (whose U. Penn exper­i­men­tal poet­ry cours­es are them­selves works of art), the col­lec­tion includes hun­dreds of names you’ll rec­og­nize imme­di­ate­ly, and oth­ers who are not house­hold names, but ought to be.

You can start with the stars, includ­ing John Ash­beryF. Scott Fitzger­aldAmiri Bara­kaEzra PoundWilliam Car­los Williams, and Vladimir Mayakovsky… But don’t be afraid to dig around for a while too. We were delight­ed to find “The Out­cry,” a favorite poem by the won­der­ful William Bronk, and sev­er­al fas­ci­nat­ing pod­cast inter­views with Cid Cor­man.

For more poet­ry, don’t miss the read­ings in our col­lec­tion of Free Audio Books.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Vari­ety, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

A Digital Reconstruction of Washington D.C. in 1814

What did the U.S. cap­i­tal look like 200 years ago? Find­ing a sat­is­fac­to­ry answer to this ques­tion is very dif­fi­cult since there are very few reli­able images, maps and writ­ten accounts from Wash­ing­ton’s ear­ly days. This is why Dan Bai­ley, direc­tor of the Imag­ing Research Cen­ter (IRC) at the Uni­ver­si­ty of Mary­land, Bal­ti­more, has approached archi­tec­tur­al his­to­ri­ans, car­tog­ra­phers, engi­neers, and ecol­o­gists to “recre­ate a ‘best guess’ glimpse of the ear­ly city.” The video above is the result of the IRC’s work, show­ing a city that was, they say, “a rough work in progress.”

Noth­ing was pol­ished. The scale of the fed­er­al city was that of a per­son, not of immense mar­ble bureau­cra­cy. There were cab­ins and barns on the Cap­i­tal Lawn. The first fence around the Capi­tol was to keep the cows out. Con­gress­men came to town for the leg­isla­tive ses­sions, many times sleep­ing 3 to a room in a board­ing house, and work­ing in unfin­ished build­ings.

An in-depth arti­cle about the ongo­ing project was pub­lished in The Wash­ing­ton Post.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Chemistry on YouTube: “Periodic Table of Videos” Wins SPORE Prize

A few years ago, we post­ed about an ambi­tious project out of the Uni­ver­si­ty of Not­ting­ham called The Peri­od­ic Table of Videos. The project is pret­ty much exact­ly what it sounds like – an online peri­od­ic table in which each and every ele­ment gets its own brief intro­duc­to­ry video, “star­ring” the researchers and fac­ul­ty of the uni­ver­si­ty’s chem­istry depart­ment. Video jour­nal­ist Brady Haran has kept each episode loose and unscript­ed, and the sci­en­tists’ enthu­si­asm for their sub­ject is infec­tious, even — or per­haps espe­cial­ly — when their exper­i­ments go awry (Keep an eye out espe­cial­ly for the won­der­ful­ly wooly Pro­fes­sor Poli­akoff, whose hair alone should earn him first billing).

We were delight­ed to learn that the PTOV has just been award­ed a very well-deserved Sci­ence Prize for Online Resources by the Amer­i­can Asso­ci­a­tion for the Advance­ment of Sci­ence. In fact, the project has proven so suc­cess­ful over­all that Haran has embarked on a sim­i­lar col­lab­o­ra­tion with the uni­ver­si­ty’s physics depart­ment, and he’s also brought the chemists back for a new series about mol­e­cules. The most pop­u­lar video from that series, which we’ve post­ed above, address­es a ques­tion that has kept us all up till dawn at least once in our lives: What hap­pens when a cheese­burg­er is dunked in hydrochlo­ric acid?

Don’t miss the free chem­istry cours­es list­ed in our col­lec­tion of 380 Free Online Cours­es.

via ArsTech­ni­ca

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

City of Eight Million Soundtracks

“Soli­tude,” wrote Hen­ry David Thore­au in Walden, “is not mea­sured by the miles of space that inter­vene between a man and his fel­lows. The real­ly dili­gent stu­dent in one of the crowd­ed hives of Cam­bridge Col­lege is as soli­tary as a dervish in the desert.” If you’re search­ing for soli­tude these days, even in Times Square, you won’t need much diligence–just an iPod and a pair of ear­buds. But watch out! Your soli­tude might be shat­tered by Tyler Cullen, a stu­dent film­mak­er at the School of Visu­al Arts, who recent­ly had the audac­i­ty to say to his fel­low New York­ers: Hey You! What Song Are You Lis­ten­ing To?

Via Kottke.org

The Musalman: The Last Handwritten Newspaper in the World

Tucked away in the crowd­ed south­ern Indi­an city of Chen­nai, in the shad­ow of the Wal­la­jah Mosque, is an unflat­ter­ing build­ing. But what hap­pens inside the build­ing is remark­able. Every day since 1927, a ded­i­cat­ed team has worked tire­less­ly to cre­ate a hand­writ­ten news­pa­per, The Musalman (in Urdu: مسلمان). Today, there’s a team of six work­ers who work on the news­pa­per dai­ly. Four of the work­ers are known as kat­i­bs, writ­ers ded­i­cat­ed to the ancient art of Urdu cal­lig­ra­phy. They have the most mod­est of facil­i­ties: two wall fans, three light bulbs, and one tube light in an 800-square-foot build­ing. But watch­ing the video, you learn how this news­pa­per has sur­vived for three gen­er­a­tions — every­one who works there is absolute­ly devot­ed to the task. In fact, they are pre­pared to work on The Musalman until their “last breath,” an unde­ni­able pas­sion.

In the mod­ern era where almost every pub­lished work is cre­at­ed dig­i­tal­ly, it is refresh­ing to see the tra­di­tion of cal­lig­ra­phy endure with The Musalman. We can only hope the rest of us can appre­ci­ate The Musalman’s his­to­ry and its efforts to sur­vive as much as its ded­i­cat­ed read­ers do.

To learn more about The Musalman, read this Times of India sto­ry. For more about the world’s hand­writ­ten news­pa­pers, please see this post on Brain­Pick­ings.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.


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