The Mechanical Monsters: Seminal Superman Animated Film from 1941

In 1941, direc­tor Dave Fleis­ch­er and Para­mount Pic­tures ani­ma­tors Steve Muf­fati and George Ger­manet­ti pro­duced Super­man: The Mechan­i­cal Mon­sters — a big-bud­get ani­mat­ed adap­ta­tion of the pop­u­lar Super­man comics of that peri­od, in which a mad sci­en­tist unleash­es robots to rob banks and loot muse­ums, and Super­man, nat­u­ral­ly, saves the day. It was one of sev­en­teen films that raised the bar for the­atri­cal shorts and are even con­sid­ered by some to have giv­en rise to the entire Ani­me genre.

More than a mere treat of vin­tage ani­ma­tion, the film cap­tures the era’s char­ac­ter­is­tic ambiva­lence in rec­on­cil­ing the need for progress with the fear of tech­nol­o­gy in a cul­ture on the brink of incred­i­ble tech­no­log­i­cal inno­va­tion. It was the dawn of the tech­no-para­noia that per­sist­ed through the 1970s, famous­ly cap­tured in the TV series Future Shock nar­rat­ed by Orson Welles, and even through today. Take for exam­ple books like Nicholas Car­r’s The Shal­lows and Sher­ry Turkle’s Alone Togeth­er: Why We Expect More from Tech­nol­o­gy and Less from Each Oth­er.

Super­man: The Mechan­i­cal Mon­sters is avail­able for down­load on The Inter­net Archive, and Toon­a­mi Dig­i­tal Arse­nal has the com­plete series of all sev­en­teen films. Find more vin­tage ani­ma­tion in Open Cul­ture’s col­lec­tion of Free Movies Online.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

YouTube & Creative Commons Partnership Will Open Creative Floodgates

Start­ing at 9 pm PDT tonight, YouTube will make 10,000 Cre­ative Com­mons videos avail­able to any­one using YouTube’s video edi­tor. Ini­tial­ly the Cre­ative Com­mons library will be loaded with videos from C‑SPAN, Public.Resource.org, Voice of Amer­i­ca, and Al Jazeera, and you can bet that more con­tent providers will be added down the line.

This part­ner­ship will let video/filmmakers unleash their cre­ativ­i­ty and pro­duce some extra­or­di­nary video remix­es – à la Don­ald Dis­cov­ers Glenn Beck – with­out run­ning the risk of legal com­pli­ca­tions. And because the Cre­ative Com­mons library will be stocked only with videos released under a less restric­tive CC-BY license, the result­ing remix­es can have com­mer­cial ambi­tions. A boon for some.

Final­ly, we should­n’t miss anoth­er impor­tant com­po­nent of this part­ner­ship: Mov­ing for­ward, any video­mak­er can release their own cre­ative work under a CC license on YouTube. Fast for­ward 6 t0 18 months, and the Cre­ative Com­mons library will be vast,  and the remix oppor­tu­ni­ties, end­less. A good day for open cul­ture.

via YouTube’s blog and GigaOm

OK Go & Kutiman: Live from the Guggenheim

On Thurs­day night, the Guggen­heim Muse­um and YouTube unveiled the win­ners of a high­ly pub­li­cized video con­test, YouTube Play: A Bien­ni­al of Cre­ative Video. The con­test orig­i­nal­ly gen­er­at­ed 23,000 sub­mis­sions from 91 coun­tries, and, from there, Guggen­heim cura­tors culled a short­list of 125 videos. Then the big moment: 20 win­ners were select­ed dur­ing an awards cer­e­mo­ny held last night at the muse­um.

The cer­e­mo­ny itself fea­tured per­for­mances by artists who have made YouTube inte­gral to their art – above we have Kuti­man, the Israeli artist known for his moth­er of all funk remix, giv­ing the audi­ence some­thing rather dif­fer­ent: a live mashup of Brahms’ “Hun­gar­i­an Dance,” accom­pa­nied by the Non­ame ensem­ble from the Jul­liard School and YouTube Sym­pho­ny Orcher­stra play­ers. And to wrap things up OK Go, the unof­fi­cial kings of YouTube, per­formed ‘White Knuck­les’ and ‘This too Shall Pass.’ Keep a close eye on the YouTube chan­nel ded­i­cat­ed to the Bien­ni­al of Cre­ative Video. The win­ning videos will almost cer­tain­ly be com­ing online soon.

The Best of YouTube (According to Open Culture)

Maybe you have noticed. (Or maybe you haven’t.) Almost every YouTube video fea­tured on Open Cul­ture can be accessed through our YouTube Chan­nel. You’ll find about 225 videos over­all, and they run the gamut. Intel­li­gent lec­tures, artis­tic videos, com­ic bits, sci­en­tif­ic explo­rations, his­tor­i­cal footage – they’re all here. And, if you sub­scribe to our YouTube chan­nel, you’ll get noti­fied when we add new videos down the road. Now, let me give you fif­teen of my per­son­al favorites, and if you have your own YouTube faves, please send them our way. We’d love to share the great ones with our read­ers.

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YouTube Edu Releases Version 2.0, Goes International

A quick bit of break­ing news. YouTube.EDU has released Ver­sion 2.0 today and has gone inter­na­tion­al. The site, launched six months ago, now fea­tures aca­d­e­m­ic con­tent from the UK, France, Spain, Italy, the Nether­lands, Rus­sia, and Israel. As part of this glob­al effort, the YouTube team has brought 45 new uni­ver­si­ties into the fold, includ­ing Cam­bridge Uni­ver­si­ty, Open Uni­ver­si­ty, Boc­coni Uni­ver­si­ty, the Open Uni­ver­si­ty of Cat­alo­nia, to name a few. In total, YouTube.EDU now works with over 200 col­leges and uni­ver­si­ties, and serves more than 40,000 videos. When you vis­it, make sure you have some time to spend. For more details on this glob­al effort, you can read this handy blog post.

For more smart con­tent from YouTube, see our big list: Intel­li­gent YouTube Video Col­lec­tions.

When The Wall Comes Tumbling Down: History on YouTube

The Berlin Wall and the Iron Cur­tain col­lapsed a lit­tle more than 20 years ago (August 1989). And even though I watched the events on TV, my mem­o­ry of it all has already start­ed to fade. But that’s where YouTube comes in. Above, a quick refresh­er that makes my day. This clip comes from a larg­er col­lec­tion called 101 His­tor­i­cal Moments You Can Relive on YouTube. Thanks for the heads up on this one.

Math on the Tube

Dur­ing the past cou­ple of days, fans from our Face­book page have rec­om­mend­ed two math videos for us. Here they go: “D” offers up a piece called “The New Math” (above), which talks, yes, about the rev­o­lu­tion in teach­ing math­e­mat­ics. As you’ll see, the piece breaks into com­ic song, and it all kind of has an Arlo Guthrie, Alice’s Restau­rant feel to it. A bit of a strange com­bo, to be sure.

Next up, Heather gives us Math­mati­cious (get it here), which is a math­e­mat­i­cal par­o­dy of Fer­gie’s “Fer­ga­li­cious,” although sad­ly or, maybe actu­al­ly hap­pi­ly, I’m not famil­iar with it. Snooty, snarky me…

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YouTube Launches Library of Congress Channel (and Thomas Edison’s Boxing Cat)

The Library of Con­gress has just set up shop on YouTube. On this new chan­nel, you’ll find some new and vin­tage footage. Above, we’re direct­ing your atten­tion to a clip called “Box­ing Cats.” It’s from 1894 and was pro­duced by Thomas Edis­on’s Black Maria film stu­dio in West Orange, New Jer­sey. In no way do I con­done cat cock­fights, but this is some intrigu­ing his­tor­i­cal footage. And who knew that there was a lit­tle bit of Steve Mar­tin in Thomas Edi­son? I’ve added the Library of Con­gress Chan­nel to our page, Intel­li­gent YouTube: The Best Smart Video Col­lec­tions.

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