Meryl Streep Shrooms Her Way Through Modern Alice in Wonderland

in Literature, Poetry, Television, Theatre, Video - Arts & Culture | November 12th, 2012

Beware the Jub­jub bird…

Beware post-70s the­atri­cal exper­i­men­ta­tion…

Beware a chil­dren’s clas­sic — Alice in Won­der­land, in a mod­ern musi­cal update …

Beware a grown woman cast as a lit­tle girl…

On the oth­er hand, what if we’re talk­ing about Meryl Streep? Specif­i­cal­ly the Deer Hunter / Kramer vs. Kramer-era Streep, star­ring in Alice in Con­cert, play­wright Eliz­a­beth Swa­dos and direc­tor Joe Pap­p’s 1981 adap­ta­tion of Lewis Car­rol­l’s orig­i­nal trip­py tale. If Alice at the Palace, a slight­ly restaged for tele­vi­sion ver­sion, is any evi­dence, Amer­i­ca’s Most Seri­ous Actress had a blast, bound­ing around in bag­gy over­alls, doing every­thing in her con­sid­er­able pow­er to upend the pris­sy pinafore-sport­ing Dis­ney stan­dard. She jigged. She pout­ed. She slew the Jab­ber­wock and almost imme­di­ate­ly regret­ted it.

Not sur­pris­ing­ly, giv­en the con­text, she also got to play stoned. Her spacey mean­der­ings ush­ered in the most fan­tas­ti­cal­ly para­noid inter­pre­ta­tion of the Jab­ber­wocky you’re ever like­ly to hear, cour­tesy of a sup­port­ing ensem­ble that includ­ed Mark Linn-Bak­er and the late Michael Jeter. Sud­den­ly, that which has long proved mad­den­ing starts to make sense.

It’s  a feat all around.

Relat­ed Con­tent:

Pho­to: The Real Alice in Won­der­land Cir­ca 1862

Alice in Won­der­land: The 1903 Orig­i­nal Film

Lewis Car­rol­l’s Alice in Won­der­land avail­able in our Free Audio Books and Free eBooks col­lec­tions.

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An Acoustic History of Punk Rock Sheds Light on NYC’s Lower East Side (NSFW)

in History, Music, Video - Arts & Culture | November 3rd, 2012

With elec­tric­i­ty just restored to low­er Man­hat­tan and sub­ways still sig­nif­i­cant­ly dis­abled six days after Hur­ri­cane Sandy, it seems a fit­ting time for an unplugged His­to­ry of Punk Rock and Its Devel­op­ment on the Low­er East Side, 1950 to 1975.

This neigh­bor­hood salute comes cour­tesy of anti-folk hero/comic book writer Jef­frey Lewis, who was­n’t born until late in the peri­od he describes, but he’s got tons of street cred, hav­ing grown up with­out a TV in one of the very build­ings whose dark­ened stair­wells have dom­i­nat­ed recent head­lines. The clip was orig­i­nal­ly avail­able as a mini cd, pack­aged with FUFF #1, one of Lewis’ com­ic books. Here, he deliv­ers the goods in one cat­er­waul­ing, NSFW, eight-minute take, accom­pa­ny­ing him­self on a stick­er cov­ered acoustic gui­tar. The break­neck, charm­ing­ly off-key primer name checks every­one from The Holy Modal Rounders and the Fugs to Pat­ti Smith and Richard Hell, with son­ic exam­ples of their work crammed between instruc­tive rhyming recita­tive.

To whit:

In ’71, Lester Bangs first writes the word ‘punk’
to describe ’60s enthu­si­as­tic teenage rock junk
’72, Lenny Kaye puts out the ’60s Garage comp. ‘Nuggets’
and coins the phrase ‘punk-rock’ in the lin­er notes of it
Though punk-rock would soon come to mean some­thing dif­fer­ent
from what Lester and Lenny thunk
(They meant raw 60s punk songs)

Even if you’re still pissed about that John Var­vatos bou­tique open­ing in the build­ing that once housed CBG­Bs, please con­sid­er mak­ing a dona­tion to help New York­ers clob­bered by Hur­ri­cane Sandy. Espe­cial­ly if Lewis’ trib­ute has expand­ed your men­tal pic­ture of who an elder­ly per­son on today’s Low­er East Side might be.

Those with the pow­er to do so can down­load FUFF #1 in dig­i­tal form, and lis­ten to the His­to­ry of Punk Rock on the Low­er East Side via leg­endary New Jer­sey radio sta­tion WFMU.

Relat­ed Con­tent: 

Take a Vir­tu­al Tour of CBGB, the Ear­ly Home of Punk and New Wave

The Clash: West­way to the World

The Talk­ing Heads Play CBGB, the New York Club that Shaped Their Sound (1975)

- Ayun Hal­l­i­day is the author of the Zinester’s Guide to NYC.

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Behold Charles Laughton Delivering the Gettysburg Address in its Entirety in Ruggles of Red Gap

in Comedy, Film, History, Video - Arts & Culture | October 13th, 2012

The Get­tys­burg Address is the sort of elo­quent speech school­child­ren were once expect­ed to com­mit to mem­o­ry, much as they were required to bring apples for the teacher and dip each oth­ers’ pig­tails in ink. Nowa­days, with ever more his­tor­i­cal ground clam­or­ing to be cov­ered, it’s real­ly only those cel­e­brat­ed open­ing lines that tend to stick. No doubt they’ll show up in the Stephen Spiel­berg-direct­ed Lin­coln bio-pic slat­ed to open lat­er this fall.

Stray back in time for a real refresh­er course, cour­tesy of erst­while Hunch­back of Notre Dame and Shake­speare­an wun­derkind, Charles Laughton. His soup-to-nuts recita­tion of the cel­e­brat­ed speech is the unex­pect­ed high­light of Rug­gles of Red Gap, a 1935 screw­ball West­ern that time has rel­e­gat­ed to the semi-shad­ows. It’s a beau­ti­ful­ly under­stat­ed per­for­mance that man­ages to illu­mi­nate the mean­ing of each and every word. (It also makes me more for­giv­ing of the film’s ear­ly min­utes, when Laughton’s por­tray­al of a very prop­er Eng­lish but­ler suc­cumbs to a sil­ver-can­de­labra-up-the-hein­er lev­el of broad­ness.)

Just as impres­sive is direc­tor Leo McCarey’s deci­sion to set the scene atop a gid­dy vaude­ville rou­tine fea­tur­ing a saloon full of clue­less cow­boys and bar­keeps. It’s a ton of fun.

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Tom Waits Fishing with John Lurie: ‘Like Waiting for Godot on Water’

in Television, Video - Arts & Culture | February 6th, 2012

John Lurie is a musi­cian, actor and artist. He’s also a hor­ri­ble fish­er­man.

As sax­o­phon­ist and leader of the punk-jazz group the Lounge Lizards, Lurie emerged as a cult fig­ure in New York’s down­town arts scene in the 1980s, and the deal was cement­ed with his surly, straight-faced per­for­mances in Jim Jar­musch’s Stranger Than Par­adise and Down by Law. As writer Tad Friend put it in a 2010 New York­er arti­cle, “Between Four­teenth Street and Canal–the known uni­verse, basically–he was the man.”

In 1991 Lurie ven­tured out­side that uni­verse, into the mid­dle-Amer­i­can realm of the TV fish­ing show. With back­ing from Japan­ese investors, he assem­bled a film crew and invit­ed some famous friends–Jarmusch, Tom Waits, Willem Dafoe, Den­nis Hop­per and Matt Dillon–on a series of improb­a­ble fish­ing trips. Fish­ing with John, as the series is called, builds on the dead­pan, jour­ney-to-nowhere sen­si­bil­i­ty of Stranger than Par­adise: noth­ing much hap­pens.

But that’s the point. As a review­er for the Los Ange­les Times said, Fish­ing with John is “like Wait­ing for Godot on water.” The plea­sure is in observ­ing peo­ple so utter­ly out of their ele­ment. It’s like watch­ing Mar­lin Perkins or Curt Gowdy wan­der into a SoHo per­for­mance art hap­pen­ing.

In the episode above, Tom Waits does­n’t believe his ears when a Jamaican fish­ing guide tells him what time to get up in the morn­ing: “Five o’clock?” Waits report­ed­ly did­n’t speak to Lurie for two years after­ward. “I dun­no why I ever let you talk me into this,” he grum­bles. “It’s the most absurd thing I’ve ever done in my life.”

In addi­tion to the Waits episode, you can watch the Jim Jar­musch seg­ment online or own the entire series (six episodes, 147 min­utes) on the Cri­te­ri­on Col­lec­tion DVD, which includes com­men­tary by Lurie. And to learn about what Lurie has been up to since the series was made–his strug­gle with the neu­ro­log­i­cal effects of Lyme dis­ease, his hid­ing out from an alleged stalk­er, his new focus on painting–be sure to read Lar­son Sut­ton’s 2011 inter­view with Lurie at Jambands.com. H/T Bib­liok­lept

 

Relat­ed Con­tent:

Jim Jar­musch: The Art of the Music in His Films

Tom Waits Reads Charles Bukows­ki

Tom Waits Makes Com­ic Appear­ance on Fer­n­wood Tonight (1977)

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Star Wars Uncut: The Epic Fan Film

in Film, Sci Fi, Video - Arts & Culture | January 23rd, 2012

In 2009, Brook­lyn-based Web devel­op­er Casey Pugh was look­ing for a new way to explore the poten­tial of crowd-sourc­ing when he hit upon an idea of galac­tic pro­por­tions. He took the orig­i­nal 1977 Star Wars film (lat­er known as Episode IV: A New Hope in the chrono­log­i­cal­ly ordered six-part series) and chopped it into 15-sec­ond pieces, invit­ing fans from around the world to choose a piece and re-cre­ate it in what­ev­er medi­um they liked: live-action, pup­petry, ani­ma­tion, you name it. Three years and one Emmy Award lat­er, Pugh and his team have put the best pieces togeth­er and (with the bless­ing of Star Wars cre­ator George Lucas) released the fin­ished film, Star Wars Uncut: The Direc­tor’s Cut. It runs a fun two hours and five min­utes. You can watch the com­plete movie above and learn more on the offi­cial web­site.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Star Wars Good­ies:

Star Wars as Silent Film

Star Wars the Musi­cal: The Force is Strong in this One

Darth Vader’s Theme in the Style of Beethoven

Kurt Rus­sell Audi­tions for Star Wars

The Star Wars Hol­i­day Spe­cial (1978): It’s Oh So Kitsch

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Yosemite National Park in All of Its Time-Lapse Splendor

in Video - Arts & Culture | January 23rd, 2012

This video shows Yosemite Nation­al Park in all of its glo­ry. Watch as dark­ness descends over Half Dome after a gor­geous sun­set. Then, look­ing to the heav­ens, we observe the bril­liant sky and the mil­lions of stars vis­i­ble. It’s Yosemite like you’ve nev­er seen it before.

The video was cre­at­ed by Shel­don Neill and Col­in Dele­han­ty, who share an inter­est in time-lapse pho­tog­ra­phy and found each oth­er via Vimeo. The result, after numer­ous vis­its to Yosemite, was this com­plet­ed project. All time-laps­es were shot on the Canon 5D Mark II with a vari­ety of Canon L and Zeiss CP.2 lens­es. The music accom­pa­ny­ing the video is “Out­ro” from the new album Hur­ry Up, We’re Dream­ing by elec­tron­ic band M83.

One of the scenes from this video is of El Cap­i­tan, a ver­ti­cal rock for­ma­tion that’s twice the height of the Empire State Build­ing. Wall: The Jour­ney Up tells the hero­ic sto­ry of Steve Wampler’s quest to become the first per­son with Cere­bral Pal­sy to climb El Cap­i­tan. The inspir­ing video/film trail­er is worth watch­ing.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

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Errol Morris: Two Essential Truths About Photography

in Art, Film, Video - Arts & Culture | December 29th, 2011

In this video cre­at­ed by the Guardian, writer and award-win­ning doc­u­men­tary film­mak­er Errol Mor­ris talks about the nature of truth, art, and pro­pa­gan­da in pho­tog­ra­phy. He draws exam­ples from the pho­tographs of Abu Ghraib and the Crimean War, both cit­ed in his book Believ­ing is See­ing, and he asks the view­er to con­sid­er a most fun­da­men­tal ques­tion: how does a pho­to­graph relate to the phys­i­cal world? Unlike a ver­bal or writ­ten state­ment, a pho­to­graph can­not be true or false. It sim­ply is.

Then comes anoth­er argu­ment worth con­sid­er­ing — the idea that all pho­tographs are posed. By way of exam­ple, Mor­ris cites an instance where a pho­tog­ra­ph­er (in this case Roger Fen­ton) omits an ele­phant stand­ing out­side the frame. And it leads Mor­ris to sug­gest  that we should­n’t take pho­tos at face val­ue. Rather we should do our due dili­gence to find out whether there isn’t always a metaphor­i­cal ele­phant loom­ing beyond the frame. As Mor­ris states, a pho­to­graph decon­tex­tu­al­izes every­thing. It reveals to us a two dimen­sion­al real­i­ty that’s “been torn out of the fab­ric of the world.”

This video is part of the Guardian’s “Com­ment is Free” series, in which the world’s top thinkers, news­mak­ers, and peo­ple with sto­ries to tell are inter­viewed. For more med­i­ta­tions on pho­tog­ra­phy, give some time to Errol Mor­ris’ speech at the Har­vard Book­store. Find the tran­script here.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

Relat­ed Con­tent:

Wern­er Her­zog Los­es a Bet to Errol Mor­ris, and Eats His Shoe (Lit­er­al­ly)

“They Were There” — Errol Mor­ris Final­ly Directs a Film for IBM

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Miniatur Wunderland: The World’s Largest Model Railroad

in Video - Arts & Culture | December 6th, 2011

The con­struc­tion began in the year 2000, and over the years, Miniatur Wun­der­land, locat­ed in Ham­burg, Ger­many, has staked its claim as the largest mod­el rail­way in the world. Watch as you take a ride across the sev­en sec­tions: Harz, the fic­ti­tious city of Knuffin­gen, the Alps and Aus­tria, Ham­burg, Amer­i­ca, Scan­di­navia, and Switzer­land.

As the video attests, it took more than 500,000 work­ing hours to cre­ate this mas­sive minia­ture world. The most recent addi­tion is the Knuffin­gen air­port, locat­ed on 150 square meters, and boast­ing 40 air­planes that can taxi, take off, and land.

Miniatur Wun­der­land is con­stant­ly evolv­ing: the final phase of the project is slat­ed to be com­plet­ed in 2020, by which time the mod­el area will grow to near­ly 25,000 square feet. No won­der Miniatur Wun­der­land is Ham­burg’s most pop­u­lar attrac­tion.

via Giz­mo­do

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

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