Miles and Coltrane on YouTube: The Jazz Greats

One of our read­ers tipped us off to a cou­ple of vin­tage jazz clips on YouTube. First up is footage of Miles Davis and John Coltrane play­ing a nice ren­di­tion of “So What,” the lead­off tune from Miles Davis’ Kind of Blue (1959), an album that ranks at the very top of the jazz canon. There is a rea­son why it has five stars and 649 reviews on Ama­zon. It’s just a damn good album.

Next up, we give you Coltrane play­ing “My Favorite Things,” which was first released in 1960 on an album with the same title. This com­plex rework­ing of the song made famous by The Sound of Music came to be Coltrane’s most request­ed tune. And the video (1961) shows Trane lit­er­al­ly and fig­u­ra­tive­ly breath­ing new life into the sopra­no sax­o­phone.

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Interview with Khaled Hosseini (in Video)

Catch Khaled Hos­sei­ni talk­ing about his lat­est best­seller,  A Thou­sand Splen­did Suns, which comes on the heals of the The Kite Run­ner. The inter­view was con­duct­ed by Jef­frey Tra­cht­en­berg at The Wall Street Jour­nal.

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The Cannes Film Festival: 60 Years of Images

U2 Plays @ The Cannes Film Festival


The 60th Cannes Film Fes­ti­val is in full swing. It’s all film for ten plus days. But last night, music – or real­ly U2 – took cen­ter stage. Before the mid­night screen­ing of their new rock­u­men­tary, U23D, the Irish band played a two song set (Ver­ti­go and Where the Streets Have No Name) on the red car­pet. It was short and sweet. You can watch it below. Cheers.

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Climate Crisis, the Happiness Conundrum & the Evolution of Religions: TED Talks on YouTube

Once upon a time we told you about TED Talks, the annu­al con­fer­ence that brings togeth­er the world’s “thought-lead­ers, movers and shak­ers.” These talks have been avail­able on iTunes in both audio (iTunes — Feed) and video (iTunes — Feed). And now you can appar­ent­ly find some on YouTube. Below we high­light a few.

First up, Dan Gilbert, a Har­vard psy­chol­o­gy pro­fes­sor who recent­ly wrote Stum­bling On Hap­pi­ness, a book that uses psy­chol­o­gy, cog­ni­tive neu­ro­science, phi­los­o­phy and behav­ioral eco­nom­ics to show how our imag­i­na­tion — our unique abil­i­ty to pre­dict the future — usu­al­ly inter­feres with our basic abil­i­ty to be hap­py. Here you get some ker­nels of thought from the best­selling book, and some insights into why a para­plegic is often as hap­py as a lot­tery win­ner. Good stuff here.

Next, we give you Al Gore doing a lit­tle stand-up com­e­dy (no kid­ding) and speak­ing on glob­al warm­ing, much as he does in An Incon­ve­nient Truth. No oth­er intro­duc­tion is need­ed.

Last­ly, we give you Dan Den­nett, Direc­tor
of the Cen­ter for Cog­ni­tive Stud­ies at Tufts Uni­ver­si­ty
and the author
of Break­ing the Spell: Reli­gion as a Nat­ur­al Phe­nom­e­non. With this clip, Den­nett takes on Rick War­ren, author of The Pur­pose-Dri­ven Life, and makes the clever argu­ment that while the the­o­ry of intel­li­gent design may hold no water, reli­gions have them­selves been intel­li­gent­ly designed. More on that here:

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The Death of the Book Review?



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Posts are fly­ing around the lit­er­ary blo­gos­phere lament­ing the Death of Lit­er­ary Crit­i­cism. Now, by my count this par­tic­u­lar demise has been pre­dict­ed at least three times in the past few decades, so why wor­ry now? The short answer is that more books are pub­lished annu­al­ly than ever, and now there are few­er book review­ers. The LA Times recent­ly fold­ed its free­stand­ing book review into the rest of the week­end paper and news­pa­per staffs around the coun­try are trim­ming review posi­tions in favor of syn­di­cat­ed wire ser­vice reviews.

Michael Con­nel­ly, a crime fic­tion writer, pub­lished an op-ed in the LA Times protest­ing the move and he paints a dire pic­ture of our cul­tur­al future:

The truth is that the book and news­pa­per busi­ness­es share the same
dread­ful fear: that peo­ple will stop read­ing. And the fear may be
well-found­ed. Across the coun­try, news­pa­per cir­cu­la­tions are down — and
this is clear­ly part of the rea­son for the cuts to book sec­tions. At
the same time, the book busi­ness increas­ing­ly relies on an aging
cus­tomer base that may not be refu­el­ing itself with enough new read­ers.

Should we blame cash-strapped news­pa­per com­pa­nies or a cul­ture that’s shift­ing away from tra­di­tion­al media alto­geth­er? Ladies and gen­tle­men, start your iPods–to lend rea­soned analy­sis, we now turn to Steven Col­bert, who inter­viewed Salman Rushdie on this sub­ject ear­li­er this week (click below or watch the full show on iTunes):

Authors@Google: Video Talks From the Epicenter of the Universe

More good news for book fans: Google has launched a new col­lec­tion of videos called Authors@Google. The videos fea­ture talks by authors, writ­ing across many gen­res (lit­er­ary fic­tion to sci­ence fic­tion, soci­ol­o­gy to tech­nol­o­gy, pol­i­tics to busi­ness) who have made recent vis­its to Google campuses.You can access the talks via a new home­page, or just go imme­di­ate­ly to the video archive itself. And there, you’ll find talks by Mar­tin Amis (House of Meet­ings) and Jonathan Lethem (You Don’t Love Me Yet: A Nov­el), but also ones by Strobe Tal­bott, Bob & Lee Woodruff, Sen­a­tor Hillary Clin­ton, and Car­ly Fiorina.To get a bet­ter feel for Authors@Google, we’ve includ­ed a clip below from Jonathan Lethem, who wrote Moth­er­less Brook­lyn, a favorite of mine that offers a tru­ly unique, lit­er­ary take on the tra­di­tion­al detec­tive nov­el, and which always leaves me feel­ing a bit home­sick for Brook­lyn. For more infor­ma­tion on Authors@Google, click here.Tell a Friend About Open Cul­ture

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The Pirates of Silicon Valley Courtesy (?) of Google Video

One of the most book­marked items this week­end on del.icio.us was a streamed ver­sion of The Pirates of Sil­i­con Val­ley. It’s a well-regard­ed tele­vi­sion movie, based on the book Fire in the Val­ley, which looks at the ear­ly days of Bill Gates and Steve Jobs, the respec­tive founders of Microsoft and Apple Com­put­er. The video pro­mot­ed by del.icio.us is itself host­ed by Google Video, a fact that has a cou­ple of lay­ers of irony to it.

Irony #1. Back when the film was made in 1999, Google was bare­ly on any­one’s radar screen. Nowa­days, it’s the 800 lb goril­la in the tech sec­tor. In a few short years, it has elbowed Yahoo out of its lead­er­ship posi­tion on the web, and you can bet it will soon be eat­ing Microsoft­’s lunch. If any com­pa­ny is dom­i­nat­ing Sil­i­con Val­ley right now, it’s Google, although a re-invent­ed Apple is cer­tain­ly hav­ing a nice run.

Irony #2. The Pirates of Sil­i­con Val­ley makes a point of under­scor­ing how Microsoft built its busi­ness by “bor­row­ing” from Apple. Mean­while, Google, which now owns YouTube, has been locked in a law­suit with Hol­ly­wood stu­dios (most notably Via­com) for let­ting its video ser­vices dis­trib­ute, yes, pirat­ed con­tent. It stands to rea­son that the Google-host­ed ver­sion of The Pirates of Sil­i­con Val­ley falls in that cat­e­go­ry, though we could be wrong. But giv­en how long the video has been post­ed on Google Video (since last Novem­ber) and how many times it has been viewed (352,988 at last count), you have to won­der how much the stu­dio (Turn­er Home Enter­tain­ment) par­tic­u­lar­ly cares. This is all entire­ly spec­u­la­tive, but per­haps their log­ic is sim­ply this: The res­o­lu­tion of Youtubesque video is so poor that few view­ers will see the movie as a real sub­sti­tute for the orig­i­nal film, and per­haps users will be moti­vat­ed to buy the film in DVD once they get a taste of the plot. (This is essen­tial­ly the same log­ic, by the way, put for­ward by those who argue for releas­ing books in free e‑book ver­sions and fee-based paper ver­sions.) To get a sense of what I’m talk­ing about, you can watch the video below, but you’ll pret­ty quick­ly see that it’s worth pony­ing up a lit­tle cash and watch­ing a watch­able ver­sion. (You can buy one here.)

Long-term some of this think­ing may fig­ure into any deal that Google works out with Hol­ly­wood. A deal could look like this: Hol­ly­wood agrees to upload low res­o­lu­tion con­tent that Google gets to mon­e­tize. In turn, Google agrees to let users make con­tex­tu­al pur­chas­es of DVDs, or at least down­load high res­o­lu­tion ver­sions of videos for a fee. And then every­one can go home hap­py.

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Open Culture was founded by Dan Colman.