Mahatma Gandhi’s List of the Seven Social Sins; or Tips on How to Avoid Living the Bad Life

Image via Wiki­me­dia Com­mons

In 590 AD, Pope Gre­go­ry I unveiled a list of the Sev­en Dead­ly Sins – lust, glut­tony, greed, sloth, wrath, envy and pride – as a way to keep the flock from stray­ing into the thorny fields of ungod­li­ness. These days, though, for all but the most devout, Pope Gregory’s list seems less like a means to moral behav­ior than a descrip­tion of cable TV pro­gram­ming.

So instead, let’s look to one of the saints of the 20th cen­tu­ry–Mahat­ma Gand­hi. On Octo­ber 22, 1925, Gand­hi pub­lished a list he called the Sev­en Social Sins in his week­ly news­pa­per Young India.

  • Pol­i­tics with­out prin­ci­ples.
  • Wealth with­out work.
  • Plea­sure with­out con­science.
  • Knowl­edge with­out char­ac­ter.
  • Com­merce with­out moral­i­ty.
  • Sci­ence with­out human­i­ty.
  • Wor­ship with­out sac­ri­fice.

The list sprang from a cor­re­spon­dence that Gand­hi had with some­one only iden­ti­fied as a “fair friend.” He pub­lished the list with­out com­men­tary save for the fol­low­ing line: “Nat­u­ral­ly, the friend does not want the read­ers to know these things mere­ly through the intel­lect but to know them through the heart so as to avoid them.”

Unlike the Catholic Church’s list, Gandhi’s list is express­ly focused on the con­duct of the indi­vid­ual in soci­ety. Gand­hi preached non-vio­lence and inter­de­pen­dence and every sin­gle one of these sins are exam­ples of self­ish­ness win­ning out over the com­mon good.

It’s also a list that, if ful­ly absorbed, will make the folks over at the US Cham­ber of Com­merce and Ayn Rand Insti­tute itch. After all, “Wealth with­out work,” is a pret­ty accu­rate descrip­tion of America’s 1%. (Invest­ments ain’t work. Ask Thomas Piket­ty.) “Com­merce with­out moral­i­ty” sounds a lot like every sin­gle oil com­pa­ny out there and “knowl­edge with­out char­ac­ter” describes half the hacks on cable news. “Pol­i­tics with­out prin­ci­ples” describes the oth­er half.

In 1947, Gand­hi gave his fifth grand­son, Arun Gand­hi, a slip of paper with this same list on it, say­ing that it con­tained “the sev­en blun­ders that human soci­ety com­mits, and that cause all the vio­lence.” The next day, Arun returned to his home in South Africa. Three months lat­er, Gand­hi was shot to death by a Hin­du extrem­ist.

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

Relat­ed Con­tent:

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Isaac New­ton Cre­ates a List of His 57 Sins (Cir­ca 1662)

Mahat­ma Gand­hi Talks (in First Record­ed Video)

When Mahat­ma Gand­hi Met Char­lie Chap­lin (1931)

Hear Gandhi’s Famous Speech on the Exis­tence of God (1931)

Jonathan Crow is a writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions,

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When Christmas Was Legally Banned for 22 Years by the Puritans in Colonial Massachusetts

Com­plaints about the com­mer­cial-age cor­rup­tion of Christ­mas miss one crit­i­cal fact: as a mass pub­lic cel­e­bra­tion, the hol­i­day is a rather recent inven­tion. Whether we cred­it Charles Dick­ens, Bing Cros­by, or Frank Capra—men not opposed to marketing—we must reck­on with Christ­mas as a prod­uct of moder­ni­ty. That includes the sacred ideas about fam­i­ly, piety, and grat­i­tude we attach to the sea­son.

The Puri­tans of the Mass­a­chu­setts Bay Colony “despised Christ­mas,” notes Boing Boing. They asso­ci­at­ed it with debauch­ery: heavy drink­ing, glut­tony, riots, “row­di­ness and sin­ful behav­ior.” Not only that, but they “saw it as a false hol­i­day with stronger ties to pagan­ism than Chris­tian­i­ty,” writes Rebec­ca Beat­rice Brooks at the His­to­ry of Mass­a­chu­setts blog, and “they were cor­rect, accord­ing to the book The Bat­tle for Christ­mas.”

The His­to­ry Dose video above informs us that in 1659, “the Gen­er­al Court of Mass­a­chu­setts made it ille­gal to cel­e­brate Christ­mas.” Feast­ing, or even tak­ing off work on Decem­ber 25th would result in a fine of five shillings. It seems extreme, but the hol­i­day had a car­ni­va­lesque rep­u­ta­tion at the time. Not only were rev­el­ers, at the end of a long year’s work, eager to enjoy the spoils of their labor, but their car­ol­ing might even turn into a kind of vio­lent trick-or-treat­ing.

“On some occa­sions the car­ol­ers would become row­dy and invade wealthy homes demand­ing food and drink,” Brooks writes. They “would van­dal­ize the home if the own­er refused.” The Puri­tans’ author­i­tar­i­an streak, and respect for the sanc­ti­ty of pri­vate prop­er­ty, made can­cel­ing Christ­mas the only seem­ing­ly log­i­cal thing to do, with a ban last­ing 22 years. In any case, explic­it ban or no, spurn­ing Christ­mas was com­mon prac­tice for two hun­dred years of New England’s colo­nial his­to­ry.

In the end, for all its sup­posed intru­sions into the snow globe of Christ­mas purism, “we can par­tial­ly thank com­mer­cial­iza­tion for sus­tain­ing the domes­tic brand of Christ­mas we have today”—the brand, that is, that ensures we can’t stop talk­ing about, read­ing about, and hear­ing about Christ­mas, what­ev­er our beliefs, in the sev­er­al weeks lead­ing up to Decem­ber 25th.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Behold! The Very First Christ­mas Card (1843)

John Waters’ Hand-Made, Odd­ball Christ­mas Cards: 1964-Present

Watch Björk, Age 11, Read a Christ­mas Nativ­i­ty Sto­ry on an Ice­landic TV Spe­cial (1976)

Langston Hugh­es’ Home­made Christ­mas Cards From 1950

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

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The First “Selfie” In History Taken by Robert Cornelius, a Philadelphia Chemist, in 1839

In 2013, the Oxford Dic­tio­nar­ies announced that “self­ie” had been deemed their Word of The Year. The term, whose first record­ed use as an Insta­gram hash­tag occurred on Jan­u­ary 27, 2011, was actu­al­ly invent­ed in 2002, when an Aus­tralian chap post­ed a pic­ture of him­self on an inter­net forum and called it a “self­ie”. While devices for tak­ing pho­tos of one­self have been avail­able for many years pri­or to the pro­lif­er­a­tion of the smart­phones respon­si­ble for this phe­nom­e­non, the his­to­ry of the self­ie dates back to the ori­gins of pho­tog­ra­phy itself.

As the Pub­lic Domain Review notes, the first record­ed instance of the self­ie harkens back to what may have been the first pho­to­graph­ic por­trait. In 1839, a young Philadel­phia chemist named Robert Cor­nelius stepped out of his family’s store and took a pho­to­graph of him­self:

He took the image by remov­ing the lens cap and then run­ning [into the] frame where he sat for a minute before cov­er­ing up the lens again. On the back he wrote “The first light Pic­ture ever tak­en. 1839.”

Cor­nelius’ strik­ing self-por­trait was, appar­ent­ly, indica­tive of his knack for pho­tog­ra­phy; an entry in Godey’s Lady’s Book from 1840 reads:

… As a Daguerreo­typ­ist his spec­i­mens are the best that have yet been seen in this coun­try, and we speak this with a full knowl­edge of the spec­i­mens shown here by Mr. Gouraud, pur­port­ing to be, and no doubt tru­ly, by Daguerre him­self. We have seen many spec­i­mens by young Cor­nelius, and we pro­nounce them unsurpassable—they must be seen to be appre­ci­at­ed.

As a final con­so­la­to­ry note to those lin­guis­tic stal­warts whose blood boils at this bit of Aus­tralian slang enter­ing the lex­i­con, have no fear—the Oxford Dic­tio­nar­ies Online is very, very dif­fer­ent than the Oxford Eng­lish Dic­tio­nary.

via The Pub­lic Domain Review

Relat­ed Con­tent:

The First Pho­to­graph Ever Tak­en (1826)

Behold the Very First Col­or Pho­to­graph (1861): Tak­en by Scot­tish Physi­cist (and Poet!) James Clerk Maxwell

See the First Pho­to­graph of a Human Being: A Pho­to Tak­en by Louis Daguerre (1838)

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Artist Makes Astonishing Armor for Cats & Mice

As a child, Jeff De Boer, the son of a sheet met­al fab­ri­ca­tor, was fas­ci­nat­ed by the Euro­pean plate armor col­lec­tion in Calgary’s Glen­bow Muse­um:

There was some­thing mag­i­cal or mys­ti­cal about that emp­ty form, that con­tained some­thing. So what would it con­tain? A hero? Do we all con­tain that in our­selves?

After grad­u­at­ing from high school wear­ing a par­tial suit of armor he con­struct­ed for the occa­sion, De Boer com­plet­ed sev­en full suits, while major­ing in jew­el­ry design at the Alber­ta Col­lege of Art and Design.

A sculp­ture class assign­ment pro­vid­ed him with an excuse to make a suit of armor for a cat. The artist had found his niche.

Using steel, sil­ver, brass, bronze, nick­el, cop­per, leather, fiber, wood, and his del­i­cate jew­el­ry mak­ing tools, DeBoer became the cats’ armor­er, spend­ing any­where from 50 to 200 hours pro­duc­ing each increas­ing­ly intri­cate suit of feline armor.  A noble pur­suit, but one that inad­ver­tent­ly cre­at­ed an “imbal­ance in the uni­verse”:

The only way to fix it was to do the same for the mouse.

“The suit of armor is a trans­for­ma­tion vehi­cle. It’s some­thing that only the hero would wear,” De Boer notes.

Fans of David Petersen’s Mouse Guard series will need no con­vinc­ing, though no real mouse has had the mis­for­tune to find its way inside one of his aston­ish­ing, cus­tom-made cre­ations.

Not even a taxi­dermy spec­i­men, he revealed on the Mak­ing, Our Way pod­cast:

It’s not an alto­geth­er bad idea. The only rea­son I don’t do it is that hol­low suit of armor like you might see in a muse­um, your imag­i­na­tion will make it do a mil­lion things more than if you stick a mouse in it will ever do. I have put armor on cats. I can tell you, it’s noth­ing like what you think it’s going to be. It’s not a very good expe­ri­ence for the cat. It does not ful­fill any fan­tasies about a cat wear­ing a suit of armor.


Though cats were his entry point, De Boer’s sym­pa­thies seem aligned with the under­dog — er, mice. Equip­ping hum­ble, hypo­thet­i­cal crea­tures with exquis­ite­ly wrought, his­tor­i­cal pro­tec­tive gear is a way of push­ing back against being per­ceived dif­fer­ent­ly than one wish­es to be.

Accept­ing an Hon­orary MFA from his alma mater ear­li­er this year, he described an armored mouse as a metaphor for his “ongo­ing cat and mouse rela­tion­ship with the world of fine art…a mis­chie­vous, rebel­lious being who dares to com­pete on his own terms in a world ruled by the cool cats.”

Each tiny piece is pre­ced­ed by painstak­ing research and many ref­er­ence draw­ings, and may incor­po­rate spe­cial mate­ri­als like the Japan­ese silk haori-himo cord lac­ing the shoul­der plates to the body armor of a Samu­rai mouse fam­i­ly.

Addi­tion­al cre­ations have ref­er­enced Mon­go­lian, glad­i­a­tor, cru­sad­er, and Sara­cen styles — this last per­fect for a Per­sian cat.

“I mean, “Why not?” he asks in his TED‑x Talk,Village Idiots & Inno­va­tion, below.

His lat­est work com­bines ele­ments of Maratha and Hus­sar armor in a ver­i­ta­ble puz­zle of minus­cule pieces.

See more of Jeff De Boer’s cat and mouse armor on his Insta­gram.

Relat­ed Con­tent 

What’s It Like to Fight in 15th Cen­tu­ry Armor?: A Sur­pris­ing Demon­stra­tion

Cats in Medieval Man­u­scripts & Paint­ings

A Record Store Designed for Mice in Swe­den, Fea­tur­ing Albums by Mouse Davis, Destiny’s Cheese, Dol­ly Pars­ley & More

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo. Fol­low her @AyunHalliday.

Carl Sagan Explains Evolution in an 8‑Minute Animation

Bio­log­i­cal evo­lu­tion: nev­er has a phe­nom­e­non so impor­tant so lent itself to such clear, under­stand­able, ele­gant expla­na­tions. But just as evo­lu­tion itself pro­duces a seem­ing­ly infi­nite vari­ety of life forms, so the human under­stand­ing of evo­lu­tion has pro­duced count­less edu­ca­tion­al and enter­tain­ing kinds of illus­tra­tions by which to explain it. In the video above, astronomer-astro­physi­cist-cos­mol­o­gist Carl Sagan, no stranger to demys­ti­fy­ing the once seem­ing­ly unfath­omable phe­nom­e­na of our uni­verse, shows how evo­lu­tion actu­al­ly works with eight min­utes of crisp ani­ma­tion that take us from mol­e­cules in the pri­mor­dial soup, to bac­te­ria, to plants and polyps, to lam­preys, to tur­tles, to dinosaurs and birds, to wom­bats, to baboons and apes, to us. Then he goes back and does the whole four bil­lion-year evo­lu­tion­ary jour­ney again in forty sec­onds.

This con­cise les­son con­cerns itself not just with how we human beings came about, but how every­thing else came about as well. That wide-angle view of real­i­ty won a great deal of acclaim for Sagan’s Cos­mos: A Per­son­al Voy­age, the 1980 tele­vi­sion series on which the seg­ment orig­i­nal­ly appeared. Though most of its orig­i­nal broad­casts on life, the uni­verse, and every­thing still hold up as well as this clip on evo­lu­tion, a 21st-cen­tu­ry suc­ces­sor has late­ly appeared in the form of Cos­mos: A Space­time Odyssey, host­ed by astro­physi­cist Neil deGrasse Tyson, doubt­less the most suit­ed heir to Sagan’s tra­di­tion of enthu­si­asm and rig­or in pub­lic sci­ence com­mu­ni­ca­tion. For a more extend­ed treat­ment of evo­lu­tion, see also our post from ear­li­er this week on deGrasse Tyson’s episode on the sub­ject, in which he spends an entire hour on his equal­ly fas­ci­nat­ing expla­na­tion of what, up to and includ­ing you, he, and I, nat­ur­al selec­tion has so far come up with.

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Where Did Human Beings Come From? 7 Mil­lion Years of Human Evo­lu­tion Visu­al­ized in Six Min­utes

Richard Dawkins Explains Why There Was Nev­er a First Human Being

550 Mil­lion Years of Human Evo­lu­tion in an Illus­trat­ed Flip­book

Free Online Biol­o­gy Cours­es

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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DIY Air Purifiers for Teachers: Free Designs & Step-by-Step Instructions Online

If you’re a teacher return­ing to the class­room, you may want some extra COVID pro­tec­tion. Thank­ful­ly, some researchers and prac­ti­tion­ers have cre­at­ed “a design for an in-room air puri­fi­er which can remove a sig­nif­i­cant amount of COVID-19 virus from the air.”

“The design involves mak­ing a ‘box’ out of four 20” MERV-13 fil­ters (the ‘sides’ of the box), a 20″ box fan (the ‘top’ of the box), and a card­board (the ‘bot­tom’ of the box’). Air flows in through the fil­ter sides, remov­ing par­tic­u­lates of the sizes that can trans­port COVID-19 par­ti­cles, and then flows out through the fan at the top.” These devices can be built from parts avail­able at Home Depot, Wal­mart and oth­er big box stores, and assem­bled in about 30–60 min­utes. Total cost runs $70-$200. Find designs and a step-by-step instruc­tions here. And read more about the puri­fi­er at NPR.

Relat­ed Con­tent 

DEVO Is Now Sell­ing COVID-19 Per­son­al Pro­tec­tive Equip­ment: Ener­gy Dome Face Shields

Bill Nye Shows How Face Masks Actu­al­ly Pro­tect You–and Why You Should Wear Them

MIT Presents a Free Course on the COVID-19 Pan­dem­ic, Fea­tur­ing Antho­ny Fau­ci & Oth­er Experts

Foo Fighters Perform “Back in Black” with AC/DC’s Brian Johnson: When Live Music Returns

At Sat­ur­day’s ben­e­fit con­cert, “Vax Live: The Con­cert to Reunite the World,” the Foo Fight­ers took the stage and per­formed “Back in Black” with AC/DC’s Bri­an John­son. It’s a tan­ta­liz­ing taste of the world to come, if we all do our part…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Demen­tia Patients Find Some Eter­nal Youth in the Sounds of AC/DC

1,000 Musi­cians Per­form Foo Fight­ers’ “Learn to Fly” in Uni­son in Italy

Rick Ast­ley Sings an Unex­pect­ed­ly Enchant­i­ng Cov­er of the Foo Fight­ers’ “Ever­long”

 

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Peanuts Plays Yes’ “Roundabout”

Dig­i­tal film­mak­er Gar­ren Lazar gives us a cre­ative par­o­dy video and a bad­ly-need­ed men­tal health break. Enjoy.

To watch pre­vi­ous Peanuts par­o­dies of songs by Queen, Lynyrd Skynyrd, Jour­ney & more, click here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Laugh­ingSquid

Relat­ed Con­tent

Umber­to Eco Explains the Poet­ic Pow­er of Charles Schulz’s Peanuts

The Vel­vet Under­ground as Peanuts Char­ac­ters: Snoopy Morphs Into Lou Reed, Char­lie Brown Into Andy Warhol

How Franklin Became Peanuts‘ First Black Char­ac­ter, Thanks to a Car­ing School­teacher (1968)

 

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