RIP Arthur Laurents, Writer of West Side Story

in Film, Theatre | May 5th, 2011

A sad, lov­ing farewell to the great play­wright, libret­tist and direc­tor Arthur Lau­rents, who died in his sleep today at the age of 93. Mr. Lau­rents was best known for writ­ing Gyp­sy (1959), The Way We Were (1973), and of course the incom­pa­ra­ble West Side Sto­ry (1959), about which this author has noth­ing to say, except that with­out West Side Sto­ry the world as she knows and loves it would cease to exist.

He will be missed.

via  @SteveSilberman

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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“Jersey Shore” in the Style of Oscar Wilde

in Comedy, Theatre | April 27th, 2011

We gid­di­ly present “Jer­sey Shore” Gone Wilde, as per­formed by the cast of The Impor­tance of Being Earnest, a pro­duc­tion cur­rent­ly being staged by the Round­about The­atre Com­pa­ny in New York City.

Go ahead and catch this inspired mashup of Vic­to­ri­an com­e­dy and MTV “real­i­ty” at Play­bill Video in 5 parts … unless you have work to do this after­noon.

via @MaudNewton

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

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Danny Boyle’s Frankenstein Live at a Cinema Near You

in Literature, Theatre | March 14th, 2011

Here’s the trail­er for the play Franken­stein, which opens in Lon­don at the Nation­al The­ater this Thurs­day. Two intrigu­ing points: 1.) This pro­duc­tion is helmed by Dan­ny Boyle, the Oscar-win­ning direc­tor behind Slum­dog Mil­ion­aire, 127 Hours, and the appro­pri­ate­ly ter­ri­fy­ing zom­bie movie 28 Days Lat­er. 2.) Boyle’s Franken­stein is part of the Nation­al The­ater Live pro­gram – now in its sec­ond sea­son – and will be simul­cast live in hun­dreds of movie the­aters all over the world. There are 12 par­tic­i­pat­ing venues in Cal­i­for­nia alone – click here to find out if there’s one near you.

For a pre-screen­ing refresh­er, you can down­load Mary Shel­ley’s clas­sic nov­el for free at Project Guten­berg, or as a free audio­book at Lib­riVox. And what­ev­er you do, don’t miss this video of the gor­geous 1934 illus­trat­ed edi­tion, with wood­cuts by the Amer­i­can artist Lynd Ward.

Relat­ed Con­tent:

Franken­stein Hits the Sil­ver Screen (1910)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Oedipus … Starring Vegetables

in Film, Literature, Theatre | February 9th, 2011

Sopho­cles and Aeschy­lus may be spin­ning in their graves. Or, who knows, they may be tak­ing some delight in this bizarre twist on the Oedi­pus myth. Run­ning eight min­utes, Jason Wish­now’s 2004 film puts veg­eta­bles in the star­ring roles. One of the first stop-motion films shot with a dig­i­tal still cam­era, Oedi­pus took two years to make with a vol­un­teer staff of 100. But the hard work paid off. The film has since been screened at 70+ film fes­ti­vals and was even­tu­al­ly acquired by the Sun­dance Chan­nel. Sep­a­rate videos show you the behind-the-scenes mak­ing of the film, plus the sto­ry­boards used dur­ing pro­duc­tion.

via Curios­i­ty Counts

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Spalding Gray Archives Head to the University of Texas

in Art, Theatre | November 8th, 2010

This week, the Har­ry Ran­som Cen­ter at UT-Austin acquired the archives of Spald­ing Gray (1941–2004), the actor and play­wright most well known for his per­for­mance piece “Swim­ming to Cam­bo­dia” (clip here). Accord­ing to The New York Times, the archive spans some 40 years and fea­tures per­for­mance note­books (see image above), diaries, and tapes of Gray’s per­for­mances, includ­ing an ear­ly ver­sion of “Swim­ming to Cam­bo­dia” record­ed in 1983, and a clip from “Life Inter­rupt­ed,” the mono­logue Gray was work­ing on when he died in 2004. Gray’s mate­ri­als will reside along­side the papers of David Mamet, Nor­man Mail­er, James Joyce, Samuel Beck­ett and oth­ers.

 The NYTimes has the full sto­ry here.

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Shakespeare in the Original Voice

in Literature, Theatre | October 26th, 2010

This fall, Paul Meier, a the­atre pro­fes­sor at the Uni­ver­si­ty of Kansas, is work­ing with stu­dents to stage the first-ever Amer­i­can ren­di­tion of a Shake­speare play – A Mid­sum­mer Night’s Dream – in its orig­i­nal pro­nun­ci­a­tion. As The His­to­ry Blog writes, there have only been “three oth­er pro­duc­tions of orig­i­nal pro­nun­ci­a­tion (OP) Shake­speare before this one, 2 at The Globe the­ater in Lon­don, and 1 at Cam­bridge in the 1950s.” But this dif­fi­cult project became pos­si­ble when Meier and his stu­dents start­ed work­ing with David Crys­tal, a lin­guis­tics schol­ar who wrote Pro­nounc­ing Shake­speare (Cam­bridge Uni­ver­si­ty Press) in 2005. Pri­or to the KU pro­duc­tion, Crys­tal con­sult­ed on a pro­duc­tion of Romeo and Juli­et at the Globe the­atre on London’s South Bank (men­tioned above), and you can lis­ten to audio clips tak­en from that Eng­lish per­for­mance right here.

Relat­ed Con­tent:

What Did Shake­speare Real­ly Look Like

Shake­speare Free on the iPhone

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Gaga-Inspired Opera

in Music, Theatre | September 9th, 2010

It’s get­ting hard to dis­miss the cul­tur­al influ­ence of Lady Gaga, espe­cial­ly when you see the Gaga phe­nom­e­non inspir­ing Györ­gy Ligeti’s satir­i­cal “anti-anti-opera” Le Grand Macabre staged at The New York Phil­har­mon­ic this sum­mer. In this clip, we encounter Gaga-inspired cos­tumes and per­for­mance as we watch Gepopo, chief of the secret ser­vice, telling Prince Go Go about the pan­ic break­ing out in the streets…

On a relat­ed note, don’t miss Christo­pher Walken read­ing Gaga’s “Pok­er Face”.

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Listen to Brave New World for Free: Dramatized Version Read by Aldous Huxley

in Audio Books, Literature, Radio, Theatre | May 6th, 2010

The CBS Radio Work­shop was an “exper­i­men­tal dra­mat­ic radio anthol­o­gy series” that aired between 1956 and 1957. And it pre­miered with a two-part adap­ta­tion of Aldous Hux­ley’s now clas­sic 1932 nov­el, Brave New World. Hux­ley him­self intro­duced and nar­rat­ed the pro­gram, and now this clas­sic radio dra­ma has resur­faced online. You can lis­ten to Part 1 and Part 2 below. The mp3s will be per­ma­nent­ly housed in our col­lec­tion of Free Audio Books.

Part 1

Part 2

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