How Magician David Copperfield Made the Statue of Liberty Disappear (1983)

In April, 1983, 50 mil­lion tele­vi­sion view­ers watched the illu­sion­ist David Cop­per­field make the Stat­ue of Lib­er­ty dis­ap­pear, straight into thin air. If you’re north of 50, you per­haps remem­ber the spec­ta­cle. How did he do it? 40 years lat­er, the YouTube chan­nel Mind Blown Mag­ic Illu­sion demys­ti­fies the large-scale mag­ic trick, explain­ing how Cop­per­field dis­tract­ed the audi­ence, rotat­ed the stage, and shift­ed Lady Lib­er­ty out of view. That’s appar­ent­ly the gist of the illu­sion. How­ev­er, in the com­ments sec­tion on YouTube, one com­menter adds a lit­tle more impor­tant detail:

You missed the most impor­tant mis­di­rec­tion. He had a heli­copter with a bright spot­light shin­ing on the stat­ue for a con­sid­er­able length of time dur­ing which he apol­o­gized to the audi­ence and said they were hav­ing “tech­ni­cal prob­lems.” Even­tu­al­ly the cur­tain came across and the stage began to revolve imper­cep­ti­bly slow­ly. How­ev­er the heli­copter moved in sync with the stage. The beam of light appeared to be sta­tion­ary in rela­tion to the stage. When the cur­tain was lift­ed they saw the heli­copter in the same place but with no stat­ue. The beam of light also helped black out the back­ground. Oth­er­wise the audi­ence would have seen a dif­fer­ent sky­line. Pure genius!

For Open Cul­ture read­ers, it’s worth men­tion­ing that the leg­endary film­mak­er Frank Capra (It’s a Won­der­ful Life, Mr. Smith Goes to Wash­ing­ton, It Hap­pened One Night) played an unlike­ly role in the pro­duc­tion. In an inter­view with Judd Apa­tow, Cop­per­field recalls how he enlist­ed Capra to help write the script for the episode:

So then I said [to myself] “Now the Stat­ue of Lib­er­ty is going to dis­ap­pear, but I’ve got to make this have more mean­ing.” So I went to vis­it Frank Capra, one of my idols, and did a kind of Judd Apa­tow inter­view with him. I said, “I’d like the Stat­ue of Lib­er­ty to dis­ap­pear, but I want to do it as a les­son in free­dom, how valu­able free­dom is and what the world would be like with­out lib­er­ty.” And Frank Capra looked at me and said, “David, I love your idea, but here’s what you’re going to do. You’re going to try and it’s not going to work; it’s not going to dis­ap­pear.” And I said, “Mr. Capra, I can’t do that.” You know? [laughs] And I got to watch Frank Capra, in his eight­ies, in action.

You can watch some of the orig­i­nal 1983 footage below. Enjoy!

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Mythology Expert Reviews Depictions of Greek & Roman Myths in Popular Movies and TV Shows

It’s safe to say that we no longer believe in the gods of the ancient world — or rather, that most of us no longer believe in their lit­er­al exis­tence, but some of us have faith in their box-office poten­tial. This two-part video series from Van­i­ty Fair exam­ines a vari­ety of movies and tele­vi­sion shows that have drawn on Greek and Roman myth since the mid-twen­ti­eth-cen­tu­ry, includ­ing Jason and the Arg­onautsClash of the Titans, Troy, and Dis­ney’s Her­cules. Offer­ing com­men­tary on their faith­ful­ness to the source mate­r­i­al is Peter Mei­neck, Pro­fes­sor of Clas­sics in the Mod­ern World at New York Uni­ver­si­ty.

Not that he insists on hold­ing these enter­tain­ments to rig­or­ous stan­dards of accu­ra­cy. “I would not use the term ‘accu­ra­cy’ at any point in Xena: War­rior Princess, because it’s fan­tas­tic,” he says at one point. But then, when it comes to the sto­ries told by ancient Greeks and Romans, we’re deal­ing with rather fan­ta­sy-rich mate­r­i­al from the start.

Height­ened, aug­ment­ed, refined, and syn­cretized over many gen­er­a­tions, they’ve come down to us in forms that reflect more or less eter­nal­ly human notions about the forces that gov­ern real­i­ty and its vicis­si­tudes — ready made, in some cas­es, to incor­po­rate into the lat­est twen­ty-first-cen­tu­ry super­hero spec­ta­cle.

Pos­sessed of dis­tinc­tive phys­i­cal traits, tem­pera­ments, super­hu­man pow­ers, and even grudges, the many gods of the poly­the­is­tic antiq­ui­ty were, in their way, the com­ic-book heroes of their time. And just as we have dif­fer­ent “uni­vers­es” of char­ac­ters to choose from, dif­fer­ent eras and cul­tures had their own line­ups of deities, none quite the same as any oth­er. “At the pin­na­cle of this teem­ing numi­nous uni­verse were the Olympians, the twelve gods head­ed by Zeus and Hera,” says ancient-his­to­ry Youtu­ber Gar­rett Ryan in the Told in Stone video above. “The Greeks influ­enced Roman reli­gion vir­tu­al­ly from the begin­ning. By the time Rome emerged into the full light of his­to­ry, the Roman gods had been assim­i­lat­ed to their Greek coun­ter­parts.”

Hence our rec­og­niz­ing Greek Olympians like Posei­don, Artemis, Athena, and Diony­sus, but also their Roman equiv­a­lents Nep­tune, Diana, Min­er­va, and Bac­chus. “There seems to have been lit­tle doubt in Romans’ minds that their chief gods were the same as those of the Greeks,” Ryan says. “The Greeks, for their part, gen­er­al­ly accept­ed that the Romans wor­shipped their gods under dif­fer­ent names — while also being “eager col­lec­tors of exot­ic deities,” many of which could be found with­in their own vast empire. The result was a bewil­der­ing pro­fu­sion of gods for every occa­sion, Greek-inspired or oth­er­wise: an omen of the more-is-bet­ter ethos that the Hol­ly­wood block­buster would embrace a cou­ple of mil­len­nia lat­er.

Relat­ed con­tent:

How Ara­bic Trans­la­tors Helped Pre­serve Greek Phi­los­o­phy … and the Clas­si­cal Tra­di­tion

How Rome Began: The His­to­ry As Told by Ancient His­to­ri­ans

A Vir­tu­al Tour of Ancient Athens: Fly Over Clas­si­cal Greek Civ­i­liza­tion in All Its Glo­ry

The Beau­ty & Inge­nu­ity of the Pan­theon, Ancient Rome’s Best-Pre­served Mon­u­ment: An Intro­duc­tion

Behold Ancient Egypt­ian, Greek & Roman Sculp­tures in Their Orig­i­nal Col­or

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Story of Fascism: Rick Steves’ Documentary Helps Us Learn from the Painful Lessons of the 20th Century

From Rick Steves comes a thought-pro­vok­ing doc­u­men­tary that revis­its the rise of fas­cism in Europe, remind­ing us of how charis­mat­ic fig­ures like Ben­i­to Mus­soli­ni and Adolf Hitler came to pow­er by promis­ing to cre­ate a bet­ter future for their frus­trat­ed, eco­nom­i­cal­ly depressed countries–a future that recap­tured the glo­ry of some mythol­o­gized past. Once in pow­er, these fas­cist lead­ers replaced democ­ra­cy with a cult of per­son­al­i­ty, steadi­ly erod­ed demo­c­ra­t­ic norms and truth, ratch­eted up vio­lence, and found scape­goats to victimize–something facil­i­tat­ed by the spread of con­spir­a­cy the­o­ries and pro­pa­gan­da through mod­ern media. They would lead their nations into war, and ulti­mate­ly ruin, but not before cre­at­ing a play­book for oth­er charis­mat­ic auto­crats who entice vot­ers with sim­plis­tic solu­tions to com­plex prob­lems.

Orig­i­nal­ly aired on tele­vi­sion, Steves has released the doc­u­men­tary on YouTube, hop­ing that 21st-cen­tu­ry cit­i­zens can “learn from the hard lessons of 20th-cen­tu­ry Europe.” The text accom­pa­ny­ing his doc­u­men­tary reads as fol­lows:

In this one-hour spe­cial, Rick trav­els back a cen­tu­ry to learn how fas­cism rose and then fell in Europe — tak­ing mil­lions of peo­ple with it. We’ll trace fas­cis­m’s his­to­ry from its roots in the tur­bu­lent after­math of World War I, when mass­es of angry peo­ple rose up, to the rise of charis­mat­ic lead­ers who manip­u­lat­ed that anger, the total­i­tar­i­an soci­eties they built, and the bru­tal mea­sures they used to enforce their ide­ol­o­gy. We’ll see the hor­rif­ic con­se­quences: geno­cide and total war. And we’ll be inspired by the sto­ries of those who resist­ed. Along the way, we’ll vis­it poignant sights through­out Europe relat­ing to fas­cism, and talk with Euro­peans whose fam­i­lies lived through those times. Our goal: to learn from the hard lessons of 20th-cen­tu­ry Europe, and to rec­og­nize that ide­ol­o­gy in the 21st cen­tu­ry.

The Sto­ry of Fas­cism (which will be added to our list of Free Doc­u­men­taries) is rec­om­mend­ed for stu­dents and adults alike. With World War II fad­ing from liv­ing mem­o­ry, we could use a good reminder, says Steves, of how “nation­al­ism can be chan­neled into evil, and how our free­doms and democ­ra­cies are not indestructible…in fact, they are frag­ile.”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Rick Steves’ Europe: Binge Watch 9 Sea­sons of America’s Favorite Trav­el­er Free Online

Are You a Fas­cist?: Take Theodor Adorno’s Author­i­tar­i­an Per­son­al­i­ty Test Cre­at­ed to Com­bat Fas­cism (1947)

Free Online His­to­ry Cours­es

Wal­ter Ben­jamin Explains How Fas­cism Uses Mass Media to Turn Pol­i­tics Into Spec­ta­cle (1935)

20 Lessons from the 20th Cen­tu­ry About How to Defend Democ­ra­cy from Author­i­tar­i­an­ism, Accord­ing to Yale His­to­ri­an Tim­o­thy Sny­der

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Andy Warhol’s One Minute of Professional Wrestling Fame (1985)

Andy Warhol did for art what the World Wrestling Fed­er­a­tion (WWF) did for wrestling. He made it a spec­ta­cle. He made it some­thing the “every­man” could enjoy. He infused it with celebri­ty. And, some would say, he cheap­ened it too.

Look­ing back, it makes per­fect sense that Warhol fre­quent­ed wrestling shows at Madi­son Square Gar­den dur­ing the 1970s and 80s. And here we have him appear­ing on cam­era at The War to Set­tle the Score, a WWF event that aired on MTV in 1985. Hulk Hogan bat­tled “Row­dy” Rod­dy Piper in the main event. But, the sideshow includ­ed (let’s get in the Hot Tub Time Machine) the likes of Cyn­di Lau­per, Mr. T, and Andy too.

If you’re famil­iar with the 1980s pro­fes­sion­al wrestling script, you know that Mean Gene Oker­lund con­duct­ed back­stage and ring­side inter­views with the wrestlers, giv­ing them the chance to pound their chests and gas off. When Oker­lund turned to Warhol and asked for his hot take on the Hogan/Piper match, Warhol could­n’t muster very much. “I’m speech­less.” “I just don’t know what to say.” And, before you know it, his one minute of pro­fes­sion­al wrestling fame was over. Just like that.…

Relat­ed Con­tent

Andy Warhol Hosts Frank Zap­pa on His Cable TV Show, and Lat­er Recalls, “I Hat­ed Him More Than Ever” After the Show

Andy Warhol’s Art Explained: What Makes His Icon­ic Campbell’s Soup Cans & Mar­i­lyn Mon­roe Dip­tych Art?

When Andy Warhol Guest-Starred on The Love Boat (1985)

Andy Warhol Explains Why He Decid­ed to Give Up Paint­ing & Man­age the Vel­vet Under­ground Instead (1966)

Andy Warhol’s 15 Min­utes: Dis­cov­er the Post­mod­ern MTV Vari­ety Show That Made Warhol a Star in the Tele­vi­sion Age (1985–87)

When Leonard Cohen Guest Starred on Miami Vice (1986)

Leonard Cohen was Canada’s answer to Bob Dylan. While best known per­haps as a singer-song­writer who penned the tune “Hal­lelu­jah” — which was cov­ered by Jeff Buck­ley, John Cale and just about every­one else under the sun — he was also at vary­ing points in his col­or­ful life a poet, a nov­el­ist, a law stu­dent and a Zen monk. Well, you can add to this list guest star on Mia­mi Vice. Yes. Mia­mi Vice, Michael Mann’s decade-defin­ing crime series that some­how made stub­ble, pas­tel col­ors and Don John­son cool.

Appear­ing on the episode “French Twist,” Cohen plays Fran­cois Zolan, a French secret ser­vice agent who is up to no good. Though he’s in the episode for only a cou­ple of min­utes and almost all of it on the phone, Cohen just man­ages to ooze men­ace. You can see him and some tru­ly breath­tak­ing exam­ples of ‘80s fash­ion in the clip above.

Mia­mi Vice had a habit of cast­ing music icons. Lit­tle Richard, Frank Zap­pa, Miles Davis, Willie Nel­son, and Eartha Kitt also appeared in the series. But, unlike Cohen, they didn’t act in French.

Below you can see a mon­tage of 20 rock stars who appeared on Mia­mi Vice dur­ing its run.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

When Frank Zap­pa & Miles Davis Played a Drug Deal­er and a Pimp on Mia­mi Vice

The Poet­ry of Leonard Cohen Illus­trat­ed by Two Short Films

How Leonard Cohen & David Bowie Faced Death Through Their Art: A Look at Their Final Albums

Young Leonard Cohen Reads His Poet­ry in 1966 (Before His Days as a Musi­cian Began)

Jonathan Crow is a writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow

The Greatest Shot in Television: Science Historian James Burke Had One Chance to Nail This Scene … and Nailed It

The 80-sec­ond clip above cap­tures a rock­et launch, some­thing of which we’ve all seen footage at one time or anoth­er. What makes its view­ers call it “the great­est shot in tele­vi­sion” still today, 45 years after it first aired, may take more than one view­ing to notice. In it, sci­ence his­to­ri­an James Burke speaks about how “cer­tain gas­es ignite, and that the ther­mos flask per­mits you to store vast quan­ti­ties of those gas­es safe­ly, in their frozen liq­uid form, until you want to ignite them.” Use a suf­fi­cient­ly large flask filled with hydro­gen and oxy­gen, design it to mix the gas­es and set light to them, and “you get that” — that is, you get the rock­et that launch­es behind Burke just as soon as he points to it.

One can only admire Burke’s com­po­sure in dis­cussing such tech­ni­cal mat­ters in a shot that had to be per­fect­ly timed on the first and only take. What you would­n’t know unless you saw it in con­text is that it also comes as the final, cul­mi­nat­ing moment of a 50-minute explana­to­ry jour­ney that begins with cred­it cards, then makes its way through the inven­tion of every­thing from a knight’s armor to canned food to air con­di­tion­ing to the Sat­urn V rock­et, which put man on the moon.

For­mal­ly speak­ing, this was a typ­i­cal episode of Con­nec­tions, Burke’s 1978 tele­vi­sion series that traces the most impor­tant and sur­pris­ing moves in the evo­lu­tion of sci­ence and tech­nol­o­gy through­out human his­to­ry.

Though not as wide­ly remem­bered as Carl Sagan’s slight­ly lat­er Cos­mos, Con­nec­tions bears repeat view­ing here in the twen­ty-first cen­tu­ry, not least for the intel­lec­tu­al and visu­al brava­do typ­i­fied by this “great­est shot in tele­vi­sion,” now viewed near­ly 18 mil­lion times on Youtube. Watch it enough times your­self, and you’ll notice that it also pulls off some minor sleight of hand by hav­ing Burke walk from a non-time-sen­si­tive shot into anoth­er with the already-framed rock­et ready for liftoff. But that hard­ly lessens the feel­ing of achieve­ment when the launch comes off. “Des­ti­na­tion: the moon, or Moscow,” says Burke, “the plan­ets, or Peking” — a clos­ing line that sound­ed con­sid­er­ably more dat­ed a few years ago than it does today.

Relat­ed Con­tent:

Endeavour’s Launch Viewed from Boost­er Cam­eras

The 100 Most Mem­o­rable Shots in Cin­e­ma Over the Past 100 Years

The Most Beau­ti­ful Shots in Cin­e­ma His­to­ry: Scenes from 100+ Films

125 Great Sci­ence Videos: From Astron­o­my to Physics & Psy­chol­o­gy

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Joan Jett and the Blackhearts Perform a Rollicking Cover of the Mary Tyler Moore Theme Song (1996)

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Orig­i­nal­ly writ­ten by Son­ny Cur­tis and released in 1970, “Love Is All Around”–otherwise known as the Mary Tyler Moore theme song–has been cov­ered by many acts: Sam­my Davis JrHüsker Dü, and Joan Jett & the Black­hearts, to name a few. After releas­ing a stu­dio ver­sion in 1996, Jett per­formed the song live on the Late Show with David Let­ter­man that same year. If you’re old enough, this per­for­mance will give you a dou­ble dose of nos­tal­gia. It lets you recall the spir­it of 1970s sec­ond-wave-fem­i­nist tele­vi­sion, and it recap­tures the sheer play­ful­ness of Let­ter­man’s free­wheel­ing 90s late night show. Enjoy!

via Laugh­ing Squid

Relat­ed Con­tent 

How Joan Jett Start­ed the Run­aways at 15 and Faced Down Every Bar­ri­er for Women in Rock and Roll

Isaac Asi­mov Pre­dicts the Future on The David Let­ter­man Show (1980)

What Makes a Cov­er Song Great?: Our Favorites & Yours

Frank Zappa’s 1980s Appear­ances on The David Let­ter­man Show

Revisit Episodes of Liquid Television, MTV’s 90s Showcase of Funny, Irreverent & Bizarre Animation

MTV stands for Music Tele­vi­sion, and when the net­work launched in 1981, its almost entire­ly music video-based pro­gram­ming was true to its name. With­in a decade, how­ev­er, its man­date had widened to the point that it had become the nat­ur­al home for prac­ti­cal­ly any excit­ing devel­op­ment in Amer­i­can youth cul­ture. And for many MTV view­ers in the ear­ly nine­teen-nineties, youth­ful or oth­er­wise, noth­ing was quite so excit­ing as Liq­uid Tele­vi­sion, whose every broad­cast con­sti­tut­ed a ver­i­ta­ble fes­ti­val of ani­ma­tion that pushed the medi­um’s bound­aries of pos­si­bil­i­ty — as well, every so often, as its bound­aries of taste.

Liq­uid Tele­vi­sion’s orig­i­nal three-sea­son run began in the sum­mer of 1991 and end­ed in ear­ly 1995. All through­out, its for­mat remained con­sis­tent, round­ing up ten or so shorts, each cre­at­ed by dif­fer­ent artists. Their themes could vary wild­ly, and so could their aes­thet­ics: any giv­en broad­cast might con­tain more or less con­ven­tion­al-look­ing car­toons, but also stick­men, pup­pets, ear­ly com­put­er graph­ics, sub­vert­ed nine­teen-fifties imagery (that main­stay of the Gen‑X sen­si­bil­i­ty), Japan­ese ani­me, and even live action, as in the recur­ring drag-show sit­com “Art School Girls of Doom” or the mul­ti-part adap­ta­tion of Charles Burns’ Dog­boy.

Burns’ is hard­ly the the only name asso­ci­at­ed with Liq­uid Tele­vi­sion that comics and ani­ma­tion fans will rec­og­nize. Oth­ers who gained expo­sure through it include Bill Plymp­ton, John R. Dil­worth, Richard Sala, and Mike Judge, whose series Beav­is and Butthead and fea­ture film Office Space both began as shorts seen on Liq­uid Tele­vi­sion.

But no dis­cus­sion of the show can exclude Peter Chung’s futur­is­tic, qua­si-mys­ti­cal, dia­logue-free Æon Flux, whose epony­mous acro­bat­ic assas­sin became a cul­tur­al phe­nom­e­non unto her­self. The Æon Flux episodes have been cut out of this 22-video Liq­uid Tele­vi­sion playlist, but you can also find a col­lec­tion of uncut broad­casts at the Inter­net Archive.

The Ton­gal video above cred­its the show’s influ­ence to the insight of the show’s cre­ator Japhet Ash­er, who saw that “the atten­tion span of your aver­age TV view­er, par­tic­u­lar­ly young peo­ple, was get­ting short­er and short­er.” Hence Liq­uid Tele­vi­sion’s mod­el: “If you did­n’t like the cur­rent short, anoth­er one, which would be total­ly dif­fer­ent, would be along in a few min­utes. Fur­ther­more, if a seg­ment was so inex­plic­a­bly bizarre and brain-tick­ling, per­haps an even more com­pelling one would come next.” At the time, this would have been tak­en by some observers — much like MTV itself — as a dis­turb­ing reflec­tion of an addled, over-stim­u­lat­ed younger gen­er­a­tion. But with Youtube still about a decade and a half away, it’s fair to say they had­n’t seen any­thing yet.

Relat­ed con­tent:

Watch the First Two Hours of MTV’s Inau­gur­al Broad­cast (August 1, 1981)

All the Music Played on MTV’s 120 Min­utes: A 2,500-Video Youtube Playlist

Andy Warhol’s 15 Min­utes: Dis­cov­er the Post­mod­ern MTV Vari­ety Show That Made Warhol a Star in the Tele­vi­sion Age (1985–87)

When a Young Sofia Cop­po­la & Zoe Cas­savetes Made Their Own TV Show: Revis­it Hi-Octane (1994)

The Beau­ti­ful Anar­chy of the Ear­li­est Ani­mat­ed Car­toons: Explore an Archive with 200+ Ear­ly Ani­ma­tions

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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Open Culture was founded by Dan Colman.