75 Years of Superman in 2 Minutes

As we told you this sum­mer, Super­man is cel­e­brat­ing his 75th Anniver­sary this year. And to help com­mem­o­rate this mile­stone, “Man of Steel direc­tor Zack Sny­der teamed up with artist and ani­ma­tor extra­or­di­naire Bruce Timm to cre­ate a two-minute short that traces the Man of Steel’s his­to­ry from Superman’s debut on the cov­er of 1938’s Action Comics #1 all the way to Hen­ry Cav­ill in Man of Steel.” After you watch the video, you’ll want to head over to DC Comics, where they’ve cre­at­ed a long list of anno­ta­tions that explain the some­times sub­tle ref­er­ences in the short. You’ll also want to revis­it our post where we fea­tured Super­man (or The Mad Sci­en­tist), the 1941 film that marked Super­man’s first appear­ance on the big screen. Plus you can lis­ten to the Adven­tures of Super­man radio dra­ma that aired between 1938 and 1951. Enjoy the trib­ute.

via Metafil­ter

Relat­ed Con­tent:

Cel­e­brate Superman’s 75th Anniver­sary by Enjoy­ing the Orig­i­nal Super­man Car­toon and Radio Show

The Mechan­i­cal Mon­sters: Sem­i­nal Super­man Ani­mat­ed Film from 1941 (by Maria Popo­va)

A Look Inside Mel Blanc’s Throat as He Per­forms the Voic­es of Bugs Bun­ny and Oth­er Car­toon Leg­ends

How Ridley Scott Turned Footage From the Beginning of The Shining Into the End of Blade Runner

Flop­ping in 1982 but ulti­mate­ly accru­ing more crit­i­cal acclaim and cinephile esteem than per­haps any oth­er sci­ence-fic­tion film, Blade Run­ner, star­ring Har­ri­son Ford and Sean Young, has become the quin­tes­sen­tial mod­ern exam­ple of a work of art before its time. Direc­tor Rid­ley Scott, a true cin­e­mat­ic prag­ma­tist, had his sus­pi­cions about the film’s box-office fate even dur­ing pro­duc­tion: “The fact is, if you are ahead of your time, that’s as bad as being behind the times, near­ly.” “You’ve still got the same prob­lem. I’m all about try­ing to fix the prob­lem.” He and his team decid­ed they could fix one “prob­lem” in par­tic­u­lar: the film’s ambigu­ous end­ing, which appar­ent­ly left cold those who saw it. So cast and crew went to Big Bear Lake, where they shot a new sequence of Ford and Young escap­ing into the moun­tains. “I did­n’t know how long we’d have togeth­er,” says Ford’s pro­tag­o­nist Rick Deck­er, in the final words of his faux-hard boiled explana­to­ry voice-over. “Who does?”

The tight shots inside Deck­er’s fly­ing car, built to soar across a dark, dense, neon-lined post-Japan­i­fi­ca­tion Los Ange­les but now cruis­ing incon­gru­ous­ly through a lush for­est, came out okay. Alas, cloudy weath­er ruined all the wide-angle footage cap­tured at greater dis­tances. Scott remem­bered that Stan­ley Kubrick­’s The Shin­ing, a cou­ple years before, had opened with just the sort of over­head moun­tain dri­ving imagery he need­ed.

This gave him an idea: Kubrick “must’ve done a blan­ket shoot of every peak in Mon­tana for The Shin­ing using the best heli­copter crew. I’ll bet you he’s got weeks of heli­copter footage.” He did indeed have plen­ti­ful out­takes and a will­ing­ness to hand them over, which meant the first ver­sion of Blade Run­ner in wide release end­ed with shots from the very same pho­tog­ra­phy ses­sions that pro­duced the begin­ning of The Shin­ing. For all the inge­nu­ity that went into it, this rel­a­tive­ly hap­py end­ing still, in a sense, wound up on the cut­ting room floor. Excised along with that wide­ly dis­liked voice-over as new cuts and releas­es restored the pic­ture to its orig­i­nal form, it gave way to the orig­i­nal­ly script­ed end­ing, with its much more suit­able (and mem­o­rable) final line deliv­ered by Edward James Olmos as Deckard’s col­league Gaff: “It’s too bad she won’t live, but then again, who does?”

Relat­ed Con­tent:

The Mak­ing of Blade Run­ner

Blade Run­ner is a Waste of Time: Siskel & Ebert in 1982

Philip K. Dick Pre­views Blade Run­ner: “The Impact of the Film is Going to be Over­whelm­ing” (1981)

The Blade Run­ner Sketch­book: The Orig­i­nal Art of Syd Mead and Rid­ley Scott Online

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

The Penultimate Truth About Philip K. Dick: Documentary Explores the Mysterious Universe of PKD


Even read­ers not par­tic­u­lar­ly well versed in sci­ence fic­tion know Philip K. Dick as the author of the sto­ries that would become such cin­e­mat­ic visions of a trou­bled future as Blade Run­nerTotal RecallMinor­i­ty Report, and A Scan­ner Dark­ly. Dick­’s fans know him bet­ter through his 44 nov­els, 121 short sto­ries, and oth­er writ­ings not quite cat­e­go­riz­able as one thing or the oth­er. All came as the prod­ucts of a cre­ative­ly hyper­ac­tive mind, and one sub­ject to more than its fair share of dis­tur­bances from amphet­a­mines, hal­lu­cino­gens, uncon­ven­tion­al beliefs, and what those who write about Dick­’s work tend to call para­noia (either jus­ti­fied or unjus­ti­fied, depend­ing on whom you ask). But Dick, who passed in 1982, chan­neled this con­stant churn of visions, the­o­ries, con­vic­tions, and fears into books like The Man in the High Cas­tle, Do Androids Dream of Elec­tric Sheep?Ubik, and VALIS, some of the most unusu­al works of lit­er­a­ture ever to car­ry the label of sci­ence fic­tion — works that, indeed, tran­scend the whole genre.

But what must it have felt like to live with the guy? The Penul­ti­mate Truth About Philip K. Dick (named after his 1964 nov­el of human­i­ty tricked into liv­ing in under­ground war­rens) seeks out the writer’s friends, col­leagues, col­lab­o­ra­tors, step­daugh­ter, ther­a­pist, and wives (three of them, any­way), assem­bling a por­trait of the man who could cre­ate so many tex­tu­al worlds at once so off-kil­ter and so tapped into our real wor­ries and obses­sions. Each of these inter­vie­wees regards dif­fer­ent­ly Dick­’s ded­i­ca­tion to the pur­suits of both lit­er­ary achieve­ment and psy­cho­nau­ti­cal adven­ture, his com­pli­cat­ed con­cep­tion of the true nature of real­i­ty, his at times unpre­dictable behav­ior, and his pen­chant for encoun­ters with the divine. Direc­tor Emeliano Larre and writer Patri­cio Veg­a’s 2007 doc­u­men­tary reveals one of the most fas­ci­nat­ing per­son­al­i­ties in late 20th-cen­tu­ry let­ters, though, as any pro­fes­sor of lit­er­a­ture will tell you, we ulti­mate­ly have to return to the work itself. For­tu­nate­ly, Dick­’s per­son­al­i­ty ensured that we have a great deal of it, all of it unset­tling but great­ly enter­tain­ing. Read­ers tak­en note. You can Down­load 14 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books and Free eBooks.

Relat­ed Con­tent:

Robert Crumb Illus­trates Philip K. Dick’s Infa­mous, Hal­lu­ci­na­to­ry Meet­ing with God (1974)

Philip K. Dick Pre­views Blade Run­ner: “The Impact of the Film is Going to be Over­whelm­ing” (1981)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Sci-Fi Writer Robert Heinlein Imagines the Year 2000 in 1949, and Gets it Mostly Wrong

Image via Wiki­me­dia Com­mons

Two giants of 20th cen­tu­ry sci­ence fic­tion: Robert Hein­lein and Isaac Asi­mov (see them togeth­er above, with L. Sprague de Camp in-between). Like every young sci-fi geek, I read them both assid­u­ous­ly, got lost in their dizzy­ing uni­vers­es that stretched across nov­els and sig­nif­i­cant teenage mile­stones. Even as an awk­ward kid, I could clear­ly iden­ti­fy an essen­tial dif­fer­ence in tone between their fore­casts of the future. Hein­lein, the Navy man forcibly retired from ser­vice by tuber­cu­lo­sis, had the dark­er vision, in which the brute force of mass mil­i­tarism con­tin­ued to thrive and hero­ic men of action car­ried the day. Asi­mov, the prac­tic­ing scientist—whose “Nor­by” series of kids books might be the cutest intro­duc­tion to sci-fi ever writ­ten by an American—favored a future that, if still quite dan­ger­ous, was man­aged by robots and their cre­ators, the tech­nocrats.

As we can plain­ly see, we are no less a bel­li­cose species than when these two authors wrote of the future, but Asi­mov seems to have had it right. The tech­nocrats came out on top; too many bat­tles are fought not by massed bat­tal­ions but by dead­ly fly­ing robots mak­ing (so we’re told) “sur­gi­cal” strikes. A few weeks ago, we brought you a series of tech­no­crat­ic pre­dic­tions of the year 2014 from Asi­mov, many of them sur­pris­ing­ly accu­rate. Today, we have a list of pre­dic­tions from Hein­lein, this time of the year 2000, and writ­ten in 1949 and pub­lished in 1952 in Galaxy mag­a­zine. How does his pre­dic­tive abil­i­ty stack up against his con­tem­po­rary? Well, I’d say that 2 (stripped of some exag­ger­a­tion), 8, and 11 either hit the mark or come pret­ty damn close. 19 is self-evi­dent­ly true, and 15 is arguably not ter­ri­bly far away, though it may not have seemed so in 2000. 4 is painful­ly iron­ic. The rest? Eh, not so much. Take a look and try to imag­ine your­self in Heinlein’s shoes in 1949. Not an easy task? Try to imag­ine what the world will look like in 2063. Which ver­sion of IOS will you be run­ning then?

1. Inter­plan­e­tary trav­el is wait­ing at your front door — C.O.D. It’s yours when you pay for it.

2. Con­tra­cep­tion and con­trol of dis­ease is revis­ing rela­tions between the sex­es to an extent that will change our entire social and eco­nom­ic struc­ture.

3. The most impor­tant mil­i­tary fact of this cen­tu­ry is that there is no way to repel an attack from out­er space.

4. It is utter­ly impos­si­ble that the Unit­ed States will start a “pre­ven­tive war.” We will fight when attacked, either direct­ly or in a ter­ri­to­ry we have guar­an­teed to defend.

5. In fif­teen years the hous­ing short­age will be solved by a “break­through” into new tech­nolo­gies which will make every house now stand­ing as obso­lete as priv­ies.

6. We’ll all be get­ting a lit­tle hun­gry by and by.

7. The cult of the pho­ny in art will dis­ap­pear. So-called “mod­ern art” will be dis­cussed only by psy­chi­a­trists.

8. Freud will be classed as a pre-sci­en­tif­ic, intu­itive pio­neer and psy­cho­analy­sis will be replaced by a grow­ing, chang­ing “oper­a­tional psy­chol­o­gy” based on mea­sure­ment and pre­dic­tion.

9. Can­cer, the com­mon cold, and tooth decay will all be con­quered; the rev­o­lu­tion­ary new prob­lem in med­ical research will be to accom­plish “regen­er­a­tion,” i.e., to enable a man to grow a new leg, rather than fit him with an arti­fi­cial limb.

10. By the end of this cen­tu­ry mankind will have explored this solar sys­tem, and the first ship intend­ed to reach the near­est star will be a‑building.

11. Your per­son­al tele­phone will be small enough to car­ry in your hand­bag. Your house tele­phone will record mes­sages, answer sim­ple inquiries, and trans­mit vision.

12. Intel­li­gent life will be found on Mars.

13. A thou­sand miles an hour at a cent a mile will be com­mon­place; short hauls will be made in evac­u­at­ed sub­ways at extreme speed.

14. A major objec­tive of applied physics will be to con­trol grav­i­ty.

15. We will not achieve a “World State” in the pre­dictable future. Nev­er­the­less, Com­mu­nism will van­ish from this plan­et.

16. Increas­ing mobil­i­ty will dis­en­fran­chise a major­i­ty of the pop­u­la­tion. About 1990 a con­sti­tu­tion­al amend­ment will do away with state lines while retain­ing the sem­blance.

17. All air­craft will be con­trolled by a giant radar net run on a con­ti­nent-wide basis by a mul­ti­ple elec­tron­ic “brain.”

18. Fish and yeast will become our prin­ci­pal sources of pro­teins. Beef will be a lux­u­ry; lamb and mut­ton will dis­ap­pear.

19. Mankind will not destroy itself, nor will “Civ­i­liza­tion” be destroyed.

Here are things we won’t get soon, if ever:

– Trav­el through time

– Trav­el faster than the speed of light

– “Radio” trans­mis­sion of mat­ter.

– Man­like robots with man­like reac­tions

– Lab­o­ra­to­ry cre­ation of life

– Real under­stand­ing of what “thought” is and how it is relat­ed to mat­ter.

– Sci­en­tif­ic proof of per­son­al sur­vival after death.

– Nor a per­ma­nent end to war.

Curi­ous­ly, nei­ther Hein­lein nor Asi­mov fore­saw that most ter­ri­bly banal and ubiq­ui­tous phe­nom­e­non of real­i­ty TV, but real­ly, what kind of mon­ster could have imag­ined such a thing?

via Lists of Note/i09

Relat­ed Con­tent:

Arthur C. Clarke Pre­dicts the Future in 1964 … And Kind of Nails It

Wal­ter Cronkite Imag­ines the Home of the 21st Cen­tu­ry … Back in 1967

Mar­shall McLuhan Announces That The World is a Glob­al Vil­lage

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Isaac Asimov’s 1964 Predictions About What the World Will Look 50 Years Later

asimov throne

Paint­ing of Asi­mov on his throne by Rowe­na Morill

When New York City host­ed The World’s Fair in 1964, Isaac Asi­mov, the pro­lif­ic sci-fi author and pro­fes­sor of bio­chem­istry at Boston Uni­ver­si­ty, took the oppor­tu­ni­ty to won­der what the world would look like 50 years hence — assum­ing the world sur­vived the nuclear threats of the Cold War. Writ­ing in The New York Times, Asi­mov imag­ined a world that you might part­ly rec­og­nize today, a world where:

  • “Gad­getry will con­tin­ue to relieve mankind of tedious jobs. Kitchen units will be devised that will pre­pare ‘automeals,’ heat­ing water and con­vert­ing it to cof­fee; toast­ing bread; fry­ing, poach­ing or scram­bling eggs, grilling bacon, and so on. Break­fasts will be ‘ordered’ the night before to be ready by a spec­i­fied hour the next morn­ing.”
  • “Com­mu­ni­ca­tions will become sight-sound and you will see as well as hear the per­son you tele­phone. The screen can be used not only to see the peo­ple you call but also for study­ing doc­u­ments and pho­tographs and read­ing pas­sages from books. Syn­chro­nous satel­lites, hov­er­ing in space will make it pos­si­ble for you to direct-dial any spot on earth, includ­ing the weath­er sta­tions in Antarc­ti­ca.”
  • “[M]en will con­tin­ue to with­draw from nature in order to cre­ate an envi­ron­ment that will suit them bet­ter. By 2014, elec­tro­lu­mi­nes­cent pan­els will be in com­mon use. Ceil­ings and walls will glow soft­ly, and in a vari­ety of col­ors that will change at the touch of a push but­ton.”
  • “Robots will nei­ther be com­mon nor very good in 2014, but they will be in exis­tence.”
  • “The appli­ances of 2014 will have no elec­tric cords, of course, for they will be pow­ered by long- lived bat­ter­ies run­ning on radioiso­topes.”
  • “[H]ighways … in the more advanced sec­tions of the world will have passed their peak in 2014; there will be increas­ing empha­sis on trans­porta­tion that makes the least pos­si­ble con­tact with the sur­face. There will be air­craft, of course, but even ground trav­el will increas­ing­ly take to the air a foot or two off the ground.”
  • “[V]ehicles with ‘Robot-brains’ … can be set for par­tic­u­lar des­ti­na­tions … that will then pro­ceed there with­out inter­fer­ence by the slow reflex­es of a human dri­ver.”
  • “[W]all screens will have replaced the ordi­nary set; but trans­par­ent cubes will be mak­ing their appear­ance in which three-dimen­sion­al view­ing will be pos­si­ble.”
  • “[T]he world pop­u­la­tion will be 6,500,000,000 and the pop­u­la­tion of the Unit­ed States will be 350,000,000.” And lat­er he warns that if the pop­u­la­tion growth con­tin­ues unchecked, “All earth will be a sin­gle choked Man­hat­tan by A.D. 2450 and soci­ety will col­lapse long before that!” As a result, “There will, there­fore, be a world­wide pro­pa­gan­da dri­ve in favor of birth con­trol by ratio­nal and humane meth­ods and, by 2014, it will undoubt­ed­ly have tak­en seri­ous effect.” [See our Walt Dis­ney Fam­i­ly Plan­ning car­toon from ear­li­er this week.]
  • “Ordi­nary agri­cul­ture will keep up with great dif­fi­cul­ty and there will be ‘farms’ turn­ing to the more effi­cient micro-organ­isms. Processed yeast and algae prod­ucts will be avail­able in a vari­ety of fla­vors.”
  • “The world of A.D. 2014 will have few rou­tine jobs that can­not be done bet­ter by some machine than by any human being. Mankind will there­fore have become large­ly a race of machine ten­ders. Schools will have to be ori­ent­ed in this direc­tion.… All the high-school stu­dents will be taught the fun­da­men­tals of com­put­er tech­nol­o­gy will become pro­fi­cient in bina­ry arith­metic and will be trained to per­fec­tion in the use of the com­put­er lan­guages that will have devel­oped out of those like the con­tem­po­rary “For­tran.”
  • “[M]ankind will suf­fer bad­ly from the dis­ease of bore­dom, a dis­ease spread­ing more wide­ly each year and grow­ing in inten­si­ty. This will have seri­ous men­tal, emo­tion­al and soci­o­log­i­cal con­se­quences, and I dare say that psy­chi­a­try will be far and away the most impor­tant med­ical spe­cial­ty in 2014.”
  •  “[T]he most glo­ri­ous sin­gle word in the vocab­u­lary will have become work!” in our “a soci­ety of enforced leisure.”

Isaac Asi­mov was­n’t the only per­son who peered into the future dur­ing the 60s and got it right. You can find a few more on-the-mark pre­dic­tions from con­tem­po­raries below:

Arthur C. Clarke Pre­dicts the Future in 1964 … And Kind of Nails It

Wal­ter Cronkite Imag­ines the Home of the 21st Cen­tu­ry … Back in 1967

The Inter­net Imag­ined in 1969

Mar­shall McLuhan Announces That The World is a Glob­al Vil­lage

via Buz­zfeed

by | Permalink | Make a Comment ( 77 ) |

Robert Crumb Illustrates Philip K. Dick’s Infamous, Hallucinatory Meeting with God (1974)

CrumbExperienceofPKD

“I saw God,” Fat states, and Kevin and I and Sher­ri state, “No, you just saw some­thing like God, exact­ly like God.” And hav­ing spoke, we do not stay to hear the answer, like jest­ing Pilate, upon his ask­ing, “What is truth?”

–Philip K. Dick, VALIS

In the months of Feb­ru­ary and March, 1974, Philip K. Dick met God, or some­thing like God, or what he thought was God, at least, in a hal­lu­ci­na­to­ry expe­ri­ence he chron­i­cled in sev­er­al obses­sive­ly dense diaries that recent­ly saw pub­li­ca­tion as The Exe­ge­sis of Philip K. Dick, a work of deeply per­son­al theo-philo­soph­i­cal reflec­tion akin to Carl Jung’s The Red Book. What­ev­er it was he encountered—Dick was nev­er too dog­mat­ic about it—he end­ed up refer­ring to it as Zebra, or by the acronym VALIS, Vast Active Liv­ing Intel­li­gence Sys­tem, also the title of a nov­el detail­ing the expe­ri­ences of one very PKD-like char­ac­ter with the improb­a­ble name of “Horselover Fat.”

LSD-trig­gered psy­chot­ic break, gen­uine reli­gious expe­ri­ence, or some­thing else entire­ly, what­ev­er Dick’s encounter meant, he didn’t let the oppor­tu­ni­ty to turn it into art slip by him, and nei­ther did out­sider car­toon­ist and PKD fan Robert Crumb. In issue #17 of the under­ground comix mag­a­zine Weirdo, Crumb nar­rat­ed and illus­trat­ed Dick’s meet­ing with a divine intel­li­gence in the appro­pri­ate­ly titled “The Reli­gious Expe­ri­ence of Philip K. Dick.” It was even­tu­al­ly col­lect­ed in the edi­tion, The Weirdo Years by R. Crumb: 1981-’93. (See the com­ic in motion in the awk­ward, ama­teur video above.) The com­ic quotes direct­ly from Dick’s telling of the event, which began with a wis­dom tooth extrac­tion and was ulti­mate­ly trig­gered by a gold­en Chris­t­ian fish sym­bol worn around the neck of a phar­ma­ceu­ti­cal deliv­ery girl. Most PKD fans will be famil­iar with the sto­ry, whether they treat it as gospel or not, but to see it illus­trat­ed with such empa­thet­ic inten­si­ty by Crumb is tru­ly a treat.

If you only know Crumb as the cre­ator of las­civ­i­ous Rube­nesque women and schlub­by, drug­gy horn­dog hip­sters (like Fritz the Cat), you may be sur­prised by these emo­tion­al­ly real­ist illus­tra­tions. If you know Crumb’s more seri­ous work, like his take on the book of Gen­e­sis, you won’t. In either case, fans of Dick, Crumb, or—most likely—both, won’t want to miss this.

Relat­ed Con­tent:

Down­load 14 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books and Free eBooks

Philip K. Dick Pre­views Blade Run­ner: “The Impact of the Film is Going to be Over­whelm­ing” (1981)

The Con­fes­sions of Robert Crumb: A Por­trait Script­ed by the Under­ground Comics Leg­end Him­self (1987)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Revisit Futuria Fantasia: The Science Fiction Fanzine That Ray Bradbury Published as a Teenager

futuriafantasia

Bud­ding sci­ence-fic­tion authors today know that, to get their start, they should prob­a­bly go online and pub­lish them­selves. But even before the advent of the mod­ern inter­net, many writ­ers eager to tell spec­u­la­tive tales of human­i­ty’s future strug­gle with tech­nol­o­gy, knowl­edge, and its own nature showed a sim­i­lar self-start­ing bent. They made espe­cial­ly advan­ta­geous use of pho­to­copiers and sta­plers in the sev­en­ties and eight­ies, the decades com­mon­ly con­sid­ered the hey­day of those low-cir­cu­la­tion pub­li­ca­tions known as zines. But long before before that, the for­mat already incu­bat­ed seri­ous sci­ence-fic­tion tal­ent. Take Futuria Fan­ta­sia, which pub­lished four issues between 1939 and 1940. Its edi­tor? A cer­tain Ray Brad­bury, before Fahren­heit 451, before The Mar­t­ian Chron­i­cles — before every­thing.

“Released in 1939 short­ly after Brad­bury grad­u­at­ed from high school,” says Zinewik­i’s entry on the mag­a­zine, “Futuria Fan­ta­sia was pub­lished with the help of [sci-fi pro­mot­er] For­rest J. Ack­er­man, who lent Brad­bury $90.00 for the fanzine.” The first issue, avail­able free from Project Guten­berg, includes Brad­bury’s sto­ry “Let’s Get Tech­na­tal” (writ­ten under the pseu­do­nym “Ron Reynolds”) and poem “Thought and Space.”

The sec­ond issue includes an arti­cle he wrote under “Guy Amory” and his sto­ry “The Pen­du­lum.” The third includes a Brad­bury edi­to­r­i­al, the fourth anoth­er edi­to­r­i­al and the pseu­do­ny­mous sto­ries “The Piper” and “The Flight of the Good Ship Claris­sa.” “I hope you like this brain-child, spawned from the womb of a year long inan­i­ma­tion,” the ambi­tious young Brad­bury writes in his intro­duc­tion to the sum­mer 1939 issue. “This is only the first issue of FuFa … if it suc­ceeds there will be more, bet­ter issues com­ing up.” Three more would, indeed, emerge, but sure­ly even such a pre­dic­tive mind as Brad­bury’s could­n’t imag­ine what his career real­ly held in store.

You can hear all ten sto­ries from the Spring 1940 edi­tion of Futuria Fan­ta­sia in the playlist below. It includes “Gor­gono and Slith” by Ray Brad­bury:

Relat­ed Con­tent:

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

Ray Brad­bury: Sto­ry of a Writer 1963 Film Cap­tures the Para­dox­i­cal Late Sci-Fi Author

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

Ray Brad­bury Offers 12 Essen­tial Writ­ing Tips and Explains Why Lit­er­a­ture Saves Civ­i­liza­tion

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Free: Download 151 Sci-Fi & Fantasy Stories from Tor.com

tor storiesA quick note: If you’re not already famil­iar with it, Tor.com is a web site ded­i­cat­ed to “sci­ence fic­tion, fan­ta­sy, and all the things that inter­est SF and fan­ta­sy read­ers.” And, among oth­er things, the site reg­u­lar­ly pub­lish­es orig­i­nal sci-fi sto­ries. To cel­e­brate its 5th birth­day, Tor has decid­ed to assem­ble the last five years of its orig­i­nal fic­tion and make it avail­able as down­load­able ebook files. You will need to reg­is­ter with the site before­hand, and then you can down­load the texts in var­i­ous for­mats — PDF, Mobi, and ePub — all of which can be loaded onto ebook read­ers. And, yes, it’s all free.

If you’re a sci-fan, we’d encour­age you to see our post from ear­li­er this week, 100 Great Sci-Fi Sto­ries by Women Writ­ers and then some of the great relat­ed mate­r­i­al below.

via i09

Relat­ed Con­tent:

Free Sci­ence Fic­tion Clas­sics on the Web: Hux­ley, Orwell, Asi­mov, Gaiman & Beyond

Free Philip K. Dick: Down­load 11 Great Sci­ence Fic­tion Sto­ries

Isaac Asimov’s Sci­ence Fic­tion Clas­sic, The Foun­da­tion Tril­o­gy, Dra­ma­tized for Radio (1973)

Neil Gaiman’s Free Short Sto­ries

425 Free eBooks: Down­load to Kin­dle, iPad/iPhone & Nook

by | Permalink | Make a Comment ( 19 ) |

« Go BackMore in this category... »
Quantcast
Open Culture was founded by Dan Colman.