Frank Lloyd Wright Reflects on Creativity, Nature and Religion in Rare 1957 Audio

Frank Lloyd Wright was one of the most admired and influ­en­tial archi­tects of the 20th cen­tu­ry. He was a flam­boy­ant, unabashed­ly arro­gant man who viewed him­self from an ear­ly age as a genius. Oth­ers tend­ed to agree. In 1991, The Amer­i­can Insti­tute of Archi­tects named Wright the great­est Amer­i­can archi­tect of all time.

Wright believed that the adage “form fol­lows func­tion” was some­thing of a mis­state­ment. “Form and func­tion should be one,” he said, “joined in a spir­i­tu­al union.” A sense of spir­i­tu­al union ran all through Wright’s work. He iden­ti­fied God with Nature (which he spelled with a cap­i­tal “N”) and strove to design build­ings that were in har­mo­ny with their nat­ur­al sur­round­ings. “No house should ever be on a hill or on any­thing,” Wright wrote in his 1932 auto­bi­og­ra­phy. “It should be of the hill. Belong­ing to it. Hill and house should live togeth­er each the hap­pi­er for the oth­er.”

Wright spoke about life and the cre­ativ­i­ty of man in mys­ti­cal terms. In this rare record­ing from June 18, 1957, a 90-year-old Wright describes his phi­los­o­phy. “Man is a phase of Nature,” he says, “and only as he is relat­ed to Nature does he mat­ter, does he have any account what­ev­er above the dust.”

Relat­ed con­tent:

The Gas Sta­tion Designed by Frank Lloyd Wright

Falling­wa­ter, One of Frank Lloyd Wright’s Finest Cre­ations, Ani­mat­ed

Neil deGrasse Tyson Explains Why He’s Uncomfortable Being Labeled an ‘Atheist’

The evo­lu­tion­ary biol­o­gist Stephen Jay Gould famous­ly said that sci­ence and reli­gion are “nonover­lap­ping mag­is­te­ria”:

The net of sci­ence cov­ers the empir­i­cal uni­verse: what is it made of (fact) and why does it work this way (the­o­ry). The net of reli­gion extends over ques­tions of moral mean­ing and val­ue. These two mag­is­te­ria do not over­lap, nor do they encom­pass all inquiry (con­sid­er, for starters, the mag­is­teri­um of art and the mean­ing of beau­ty). To cite the arch clich­es, we get the age of rocks, and reli­gion retains the rock of ages; we study how the heav­ens go, and they deter­mine how to go to heav­en.

But sci­ence and reli­gion, as it is wide­ly prac­ticed, do over­lap. They both make spe­cif­ic claims about the nature and his­to­ry of the Uni­verse. Some reli­gion­ists do indeed make claims about the age of rocks.

Giv­en the obvi­ous over­lap, it’s not sur­pris­ing that scientists–particularly those who work in the most fun­da­men­tal and gen­er­al of fields, like physics and cosmology–are often asked for their views on reli­gion. In this short video from Big Think, astro­physi­cist and pop­u­lar sci­ence writer Neil deGrasse Tyson explains why he is loathe to take sides on the issue, and why he dis­likes the word “athe­ist.”

“The moment when some­one attach­es you to a phi­los­o­phy or a move­ment,” says Tyson, “then they assign all the bag­gage, and all the rest of the phi­los­o­phy that goes with it, to you. And when you want to have a con­ver­sa­tion, they will assert that they already know every­thing impor­tant that there is to know about you because of that asso­ci­a­tion. And that’s not the way to have a con­ver­sa­tion.”

Relat­ed Con­tent:

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

Neil deGrasse Tyson Deliv­ers the Great­est Sci­ence Ser­mon Ever

Alain de Bot­ton Wants a Reli­gion for Athe­ists: Intro­duc­ing Athe­ism 2.0

Stephen Col­bert Talks Sci­ence with Astro­physi­cist Neil deGrasse Tyson

The Zen Wisdom of Alan Watts Animated by the Creators of South Park, Trey Parker and Matt Stone

Alan Watts began pop­u­lar­iz­ing the teach­ings of Zen Bud­dhism, Hin­duism, and Tao­ism in Amer­i­ca dur­ing the 1950s. He taught at the Acad­e­my of Asian Stud­ies in San Fran­cis­co, wrote Way of Zen and oth­er best­selling books, gave talks on the radio (lis­ten here), and devel­oped TV pro­grams intro­duc­ing Amer­i­cans to the seem­ing­ly exot­ic prac­tice of med­i­ta­tion. Don’t miss his 1960 TV pro­gram called “The Silent Mind.”

Watts died almost 40 years ago, but his lega­cy remains alive, part­ly thanks to his son, part­ly thanks to vin­tage videos cap­tured on YouTube, and part­ly thanks to peo­ple like Trey Park­er and Matt Stone — that’s right, the cre­ators of South Park. There’s not much infor­ma­tion known about them, but some­where back in 2007, Park­er and Stone pro­duced videos that ani­mat­ed (audio) lec­tures giv­en by Watts many moons ago. The top­ics deal with music, life, and philo­soph­i­cal per­son­al­i­ty types. Mean­while, the aes­thet­ic is dis­tinct­ly South Parkean, minus the out­ra­geous pot­ty humor, of course. The project is an old favorite of ours and today we decid­ed to bring it back.

Relat­ed Con­tent:

Alan Watts Intro­duces Amer­i­ca to Med­i­ta­tion & East­ern Phi­los­o­phy (1960)

Alan Watts On Why Our Minds And Tech­nol­o­gy Can’t Grasp Real­i­ty

“The Cen­tral Phi­los­o­phy of Tibet” by Robert Thur­man, Colum­bia Uni­ver­si­ty. Added to the Phi­los­o­phy Sec­tion of our list of Free Online Cours­es

What If Mon­ey Was No Object?: Thoughts on the Art of Liv­ing from East­ern Philoso­pher Alan Watts

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Leonard Cohen Narrates Film on The Tibetan Book of the Dead, Featuring the Dalai Lama (1994)

Accord­ing to Bud­dhist schol­ar and trans­la­tor Robert Thur­man (father of Uma), The Tibetan Book of the Dead, or Bar­do Thodol“orga­nizes the expe­ri­ences of the between—(Tibetan, bar-do) usu­al­ly refer­ring to the state between death and rebirth.” While The Book of the Dead has, of course, a long and illus­tri­ous his­to­ry in Tibetan Bud­dhist life, it also has its place in the his­to­ry of the West, par­tic­u­lar­ly among 20th cen­tu­ry intel­lec­tu­als and artists. In the 1950s, for exam­ple, there was talk among Igor Stravin­sky, Martha Gra­ham, and Aldous Hux­ley to turn the Bar­do into a bal­let with a Greek cho­rus. Hux­ley, who famous­ly spent his final hours on an acid trip, asked that a pas­sage from the book be read to him as he lay dying: “Hey! Noble one, you named Aldous Hux­ley! Now the time has come for you to seek the way….”

In anoth­er, less trip­py, exam­ple of East­ern mys­ti­cism meets West­ern artist, the video above (con­tin­ued below) fea­tures poet and trou­ba­dour Leonard Cohen nar­rat­ing a two-part doc­u­men­tary series from 1994 that explores the ancient Tibetan teach­ings on death and dying. As Cohen tells it above, in Tibetan tra­di­tion, the time spent in the between sup­pos­ed­ly lasts 49 days after a person’s death. Dur­ing that time, a Bud­dhist yogi reads the Bar­do each day, while the con­scious­ness of the dead per­son, so it is believed, hov­ers between one life and anoth­er, and can hear the instruc­tions read to him or her. The film gives us an inti­mate look at this cer­e­mo­ny, per­formed after the death of a villager—with its intri­cate rit­u­als and ancient, unbound, hand-print­ed text of the book—and touch­es on the tricky polit­i­cal issues of Bud­dhist prac­tice in large­ly Chi­nese-con­trolled Tibet. In this first install­ment above, The Tibetan Book of the Dead: A Way of Life, the Dalai Lama weighs in with his own views on life and death (at 33:22). Before his appear­ance, the film pro­vides some brief con­text of his sup­posed incar­na­tion from the 13th Dalai Lama and his rise to gov­er­nance, then exile.

The sec­ond install­ment of the series, The Great Lib­er­a­tion (also above), fol­lows an old Bud­dhist lama and a thir­teen-year-old novice monk as they guide anoth­er deceased per­son with the text of the Bar­do. The Nation­al Film Board of Cana­da, who pro­duced the series (you can pur­chase the DVD on their web­site), did well in their choice of Cohen as nar­ra­tor. Not only is his deep, sooth­ing voice the kind of thing you might want to hear read­ing to you as you slipped into the between realms (or just slipped off to sleep), but his own jour­ney has brought him to an abid­ing appre­ci­a­tion for Bud­dhism. Although Cohen has always iden­ti­fied strong­ly with Judaism—incorporating Jew­ish themes and texts into his songs and poetry—he found refuge in Zen Bud­dhism late in life. Two years after this film, he was ordained as a Zen Bud­dhist monk at age 62, at the Mount Baldy Zen Cen­ter east of Los Ange­les (where Ram Dass, Oliv­er Stone, and Richard Gere also prac­ticed). Cohen’s  “Dhar­ma name”? Jikan, or “Silent One.”

Relat­ed Con­tent:

Leonard Cohen Plays a Spell­bind­ing Set at the 1970 Isle of Wight Fes­ti­val

Aldous Huxley’s Most Beau­ti­ful, LSD-Assist­ed Death: A Let­ter from His Wid­ow

The Dalai Lama on the Neu­ro­science of Com­pas­sion

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Richard Dawkins Dies (Not Really) and Meets His Maker in a New NSFW Animation

When Christo­pher Hitchens died, it did­n’t take long for humorists to imag­ine the com­ic sce­nario: what hap­pens when the surly athe­ist comes face to face with God? It’s amus­ing to con­sid­er. And when it comes to Richard Dawkins, the humorists aren’t wait­ing for the biol­o­gist’s demise to play things out. In Kevin Breen’s South Park-style trib­ute, Dawkins arrives at the Gates of Heav­en, only to dis­cov­er that God exists after all. When the “Man in the Sky Who Saves Amer­i­ca, Bless­es the Queen” asks Dawkins for his reac­tion, the author of The God Delu­sion gives him an ear­ful. The stri­dent lan­guage is pure Dawkins. Actu­al­ly, his lines are sound bites tak­en from recent Dawkins speech­es. In 2006, a stu­dent famous­ly asked Dawkins “What If You’re Wrong [About the Exis­tence of God], and the Oxford biol­o­gist replied with lines that sound famil­iar.

In this clip, crit­ics will find anoth­er rea­son not to like Dawkins; fans will find anoth­er rea­son to adore him. But, what did Richard Dawkins think? “Fun!,” he wrote, as he post­ed it to his Face­book page.

Note: This video con­tains some strong lan­guage. It’s basi­cal­ly NSFW.

Relat­ed Con­tent:

Alan Watts and His Zen Wis­dom Ani­mat­ed by Cre­ators of South Park

The Unbe­liev­ers, A New Film Star­ring Richard Dawkins, Lawrence Krauss, Wern­er Her­zog, Woody Allen, & Cor­mac McCarthy

Christo­pher Hitchens: No Deathbed Con­ver­sion for Me, Thanks, But it was Good of You to Ask

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The Unbelievers, A New Film Starring Richard Dawkins, Lawrence Krauss, Werner Herzog, Woody Allen, & Cormac McCarthy

The so-called New (or “Gnu”) Athe­ism arrived at a time when fear, anger, and con­fu­sion over extrem­ist reli­gion had hit a fever pitch. Sud­den­ly, peo­ple who didn’t pay much atten­tion to religion—their own or any­one else’s—became intense­ly inter­est­ed in reli­gious crit­i­cism and debate; it was the per­fect cli­mate for a pub­lish­ing storm, and that’s essen­tial­ly how the move­ment began. It was also, of course, pre­dat­ed by thou­sands of years of philo­soph­i­cal athe­ism of some vari­ety or anoth­er, but “new” athe­ism had some­thing dif­fer­ent to offer: while its pro­po­nents large­ly hailed from the same worlds as their intel­lec­tu­al predecessors—the arts, polit­i­cal jour­nal­ism and activism, the sci­ences and aca­d­e­m­ic philosophy—after Sep­tem­ber 11, these same peo­ple took the dis­cus­sion to the pop­u­lar press and a pro­lif­er­a­tion of inter­net out­lets and well-orga­nized con­fer­ences, debates, and meet­ings. And their expres­sions were uncom­pro­mis­ing and polem­i­cal (though not “militant”—no shots were fired nor bombs det­o­nat­ed).

In the wake of over a decade of con­tro­ver­sy unleashed by “new athe­ism,” a new film The Unbe­liev­ers (trail­er above) fol­lows two promi­nent sci­en­tists and stars of the movement–evolutionary biol­o­gist Richard Dawkins and the­o­ret­i­cal physi­cist Lawrence Krauss—as they trek across the globe and explain their views. Dawkins and Krauss receive sup­port from a cast of celebri­ty inter­vie­wees includ­ing Ricky Ger­vais, Wern­er Her­zog, Woody Allen, Cor­mac McCarthy, Sarah Sil­ver­man, Ayaan Hir­si-Ali, and sev­er­al more. The film’s web­site has no offi­cial release date (oth­er than “2013”), but it does fea­ture links to online buzz, both glib—Krankie snarks that the trail­er makes it look like Dawkins and Krauss have packed in the sci­ence and start­ed a band—and sub­dued; the evan­gel­i­cal Chris­t­ian Post does lit­tle but quote from the press pack­age.

These cham­pi­ons of rea­son-over-reli­gion have always had pow­er­ful crit­ics, even among those who might oth­er­wise seem sym­pa­thet­ic (take Marx­ist lit­er­ary crit­ic Ter­ry Eagleton’s charge that new athe­ism is noth­ing but counter-fun­da­men­tal­ism). Then there is the host of reli­gious detrac­tors, many of them respect­ed sci­en­tists and philoso­phers them­selves. One notable name in this camp is famed geneti­cist Fran­cis Collins, who head­ed the Human Genome Project. Obvi­ous­ly no denier of the explana­to­ry pow­er of sci­ence, Collins nonethe­less argues for faith as a dis­tinct kind of knowl­edge, as he does in the inter­view excerpt below from an appear­ance on The Char­lie Rose Show.

The debates seem like they could rage on inter­minably, and prob­a­bly will. I, for one, am grate­ful they can hap­pen open­ly and in rel­a­tive peace in so many places. But as the same sets of issues arise, some of the ques­tions become just a bit more nuanced. British pre­sen­ter Nicky Camp­bell, for exam­ple, recent­ly presided over a large debate among sev­er­al promi­nent sci­en­tists and cler­gy about whether or not all reli­gions should accept evo­lu­tion (below). While Dawkins and Krauss ulti­mate­ly advo­cate a world with­out reli­gion, the par­tic­i­pants of this debate try to shift the terms to how sci­en­tif­ic dis­cov­ery and reli­gious iden­ti­ty can coex­ist with min­i­mal fric­tion.

Relat­ed Con­tent:

Richard Dawkins Explains Why There Was Nev­er a First Human Being

Some­thing from Noth­ing? Richard Dawkins and Lawrence Krauss Dis­cuss Cos­mol­o­gy, Ori­gins of Life & Reli­gion Before a Packed Crowd

Alain de Bot­ton Wants a Reli­gion for Athe­ists: Intro­duc­ing Athe­ism 2.0

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Listen to ‘Why I Am Not a Christian,’ Bertrand Russell’s Powerful Critique of Religion (1927)

The Eng­lish logi­cian and philoso­pher Bertrand Rus­sell was con­vinced that the reli­gions of the world are not mere­ly untrue, but that they do griev­ous harm to peo­ple. That con­vic­tion is very much in evi­dence in his 1927 speech, “Why I Am Not a Chris­t­ian,” read here in its com­plete form by the British actor Ter­rence Hardi­man.

Rus­sell begins by estab­lish­ing a very gen­er­al and inclu­sive def­i­n­i­tion of the term “Chris­t­ian.” A Chris­t­ian, for the pur­pos­es of Rus­sel­l’s argu­ment, is one who believes in God and immor­tal­i­ty and also in Christ. “I think you must have at the very low­est a belief that Christ was, if not divine, at least the best and wis­est of men,” says Rus­sell. “If you are not going to believe that much about Christ, I do not believe you have any right to call your­self a Chris­t­ian.”

Begin­ning with the belief in God, Rus­sell points out the log­i­cal fal­lac­i­es in sev­er­al of the most pop­u­lar argu­ments for the exis­tence of God, start­ing with the ear­ly ratio­nal argu­ments and mov­ing along what he sees as the “intel­lec­tu­al descent” of Chris­t­ian apolo­get­ics to some of the more recent argu­ments that have “become less respectable intel­lec­tu­al­ly and more and more affect­ed by a kind of mor­al­iz­ing vague­ness.” Rus­sell then goes on to explain why Jesus, as depict­ed in the Gospels, has nei­ther superla­tive wis­dom nor superla­tive good­ness. Although Rus­sell grants Christ “a very high degree of moral good­ness,” he asserts that there have been wis­er and bet­ter men.

The speech was pub­lished in 1957 in the book Why I am Not a Chris­t­ian and Oth­er Essays on Reli­gion and Relat­ed Sub­jects. The text is avail­able online, and you can click here to open it in a new win­dow. This record­ing will be added to our Free Audio Books col­lec­tion. Although Rus­sell is address­ing the major­i­ty reli­gion of his own coun­try, he is equal­ly crit­i­cal of all reli­gions. He leaves off with these words:

The whole con­cep­tion of God is a con­cep­tion derived from the ancient Ori­en­tal despo­tisms. It is a con­cep­tion quite unwor­thy of free men. When you hear peo­ple in church debas­ing them­selves and say­ing that they are mis­er­able sin­ners, and all the rest of it, it seems con­temptible and not wor­thy of self-respect­ing human beings. We ought to stand up and look the world frankly in the face. We ought to make the best we can of the world, and if it is not so good as we wish, after all it will still be bet­ter than what these oth­ers have made of it in all these ages. A good world needs knowl­edge, kind­li­ness, and courage; it does not need a regret­ful han­ker­ing after the past or a fet­ter­ing of the free intel­li­gence by the words uttered long ago by igno­rant men. It needs a fear­less out­look and free intel­li­gence. It needs hope for the future, not look­ing back all the time toward a past that is dead, which we trust will be far sur­passed by the future that our intel­li­gence can cre­ate.

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Relat­ed con­tent:

Face to Face with Bertrand Rus­sell: ‘Love is Wise, Hatred is Fool­ish’

Bertrand Rus­sell and F.C. Cople­ston Debate the Exis­tence of God, 1948

Bertrand Rus­sel­l’s ABC of Rel­a­tiv­i­ty: The Clas­sic Intro­duc­tion to Ein­stein

Listen to a Brief History of Papal Abdication

Benedykt_XVI_(2010-10-17)_4

Pope Bene­dict XVI’s announce­ment of his retire­ment yes­ter­day morn­ing sent the inter­net into a tizzy, not to men­tion the thou­sands of Catholic insti­tu­tions across the world. The first ques­tion on everyone’s lips seemed to be “can he do that?” And since no pope has in 600 years, there doesn’t seem to be much prece­dent for it. Well, in a spe­cial and time­ly edi­tion, the new pod­cast Foot­not­ing His­to­ry presents the “admit­ted­ly very sparse” his­to­ry of papal abdi­ca­tion. It has indeed hap­pened before, but “almost nev­er with­out scan­dal.”

Lis­ten to the brief his­to­ry above and vis­it Foot­not­ing History’s home­page for more fas­ci­nat­ing his­tor­i­cal foot­notes.

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

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